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A freighter longer than a skyscraper is tall. Waves four seconds apart that can bend steel. A ballad recorded in a single take that changed how an entire industry thinks about risk. We sat down with John U. Bacon, author of The Gales of November, to trace the Edmund Fitzgerald from blueprint to bell, and from storm science to the quiet rooms where families still keep watch.

We unpack what makes the Great Lakes uniquely dangerous: freshwater’s sharper, closer-spaced waves; locally brewing systems that sit right over your head; and the long, narrow hulls forced by the Soo Locks. John explains how changes to the Plimsoll line let ships ride lower and heavier than intended, why welded seams and added tonnage tightened margins, and how a northern route, dark beacons, and dead radar turned one November run into a blind sprint. We revisit the race dynamics of the locks, the near-miss culture of “just one more trip,” and the accident chain that can turn routine into tragedy in minutes.

Beyond the mechanics, we spend time with the people whose choices and dreams were on board: a celebrated captain delaying retirement to pay for his wife’s care, a young deckhand saving for a road trip and a future he’d mapped out, an engineer mailing a ring home days before the lake took him. Then we follow the song—Gordon Lightfoot’s first-take recording that became a national memorial—and how attention, grief, and storytelling helped drive reforms. The most striking fact remains: from 1875 to 1975, the lakes saw thousands of wrecks; in the fifty years since the Fitzgerald, not one commercial ship has been lost.

If you care about maritime history, human resilience, and how culture can push safety forward, this conversation belongs in your queue. Listen, share with a friend who loves Great Lakes lore or music history, and if it moved you, subscribe and leave a review to help others find the show.

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Professor Beer's website https://mollybeer.net

A woman without a rank helped a country find its balance. We sit down with Professor Molly Beer to explore Angelica Schuyler—born Engeltia into Dutch New York, educated at a royal governor’s table, and fluent in the quiet arts that hold a republic together. Her new book, Angelica: For Love and Country in Time of Revolution, uncovers a life lived at the center of events we think we know: Saratoga and Yorktown, the emergence of parties, and the uneasy peace that follows victory.

Across these pages and letters, we follow Angelica from Albany’s river-crossroads to London drawing rooms and the salons of Paris. She befriends Hamilton and Jefferson at once, attends Burgoyne’s Cambridge gatherings after Saratoga to enact peace in public, and navigates a marriage that gave her unusual latitude to move, write, and influence. Sixteen years in England offered a crucial vantage on the French Revolution—first the promise, then the terror—which sharpened her warning against faction at home. The themes feel urgent now: amiability as an active civic practice, soft power as statecraft, and the daily work of keeping rivals talking.

We also face the contradictions. Raised in a northern household that practiced domestic slavery, Angelica’s views evolved under French antislavery currents and through ties to figures like Pierre Toussaint. The record doesn’t flatter or flatten her; it traces change over time, showing how ideals and habits collide. Molly’s research—letters preserved by Jefferson, Hamilton, Lafayette, and the Schuyler family; archives across the Atlantic; houses that still stand—lets the story read with the pulse of a novel while staying anchored in evidence.

If you’re drawn to Revolutionary history, women’s leadership, and the subtle forces that shape public life, this conversation reframes the founding through a different lens. Listen to learn how a gifted hostess became a strategic peacemaker, how letters steered alliances, and why the most underrated builders of the United States may be the ones who put down the pistol case and set a longer table. Enjoyed this conversation? Follow the show, share it with a friend, and leave a quick review to help others discover it.

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You can contact Michele at

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Have you ever read Dracula??? child's play compared to John Blair's Killing the Dead; Vampire Epidemics from Mesopotamia to the New World.

A corpse that won’t stay put tells you as much about the living as it does about the dead. We sit down with Oxford’s Professor John Blair to chart how vampire epidemics rise when communities are shaken by disease, war, or rapid change—and why the freshly buried become suspects when fear demands a target. From cuneiform-era hints of walking corpses to the 1720s Habsburg–Ottoman frontier where exhumations spread like wildfire, we follow the ideas that fused Central European “dangerous dead” with bloodsucking demons from the Caucasus and Black Sea, eventually crystallizing into the vampire that haunts Western imagination.

Together we draw clear lines between ghosts, zombies, and walking corpses and explore cultures that treat death as a long passage rather than a moment. Greek funerary customs—wakes, ossuaries, inspection of clean white bones—frame a pragmatic logic: when decay stalls, ritual steps in. We examine gendered patterns that mark young women as prime “restless” candidates, echoing deep folklore about female power and unfinished lives. Then we head into the ground with a practical guide to reading graves: decapitation with bound legs, bodies flipped face down, hearts pierced or removed, jaws separated to stop biting and curses. Archaeology becomes a detective story, not a horror script.

We also connect neurology and narrative through sleep paralysis, including intense Hmong cases in the United States where trauma and disrupted belief systems turned night terrors deadly. Finally, we trace how the press and literature—Voltaire’s metaphors, Le Fanu’s Carmilla, and Stoker’s Dracula—reshaped scattered practices into a single, seductive archetype. If you’re curious about how societies manage grief, channel anxiety, and transform fear into ritual, this conversation opens a doorway from folklore to forensic clues and back again.

Subscribe, share with a friend who loves history or horror, and leave a quick review to help others find the show. What idea about vampires will you rethink after listening?