In this episode (hello season three!), we chat with Viktor and James, the founders of Nasha Gallery in Sydney (Eora) to learn about building a gallery without following the rules. The guys talk about their leap from artists to gallerists, what it actually takes to run a commercial gallery and why they back emerging Australian artists who can stand shoulder-to-shoulder alongside global talent.

Expect unfiltered takes on being “brave”, how they choose artists (studio visits, taste, trust), and why transparency in the art world shouldn’t be radical – but still is.

If you’re into contemporary art, creativity, art careers, gallery life, art management, collecting, or the messy reality of making a project survive, this one’s for you. Plus: there's road trip stories, a near-illegal mega-show, and two very different death designs.

Check out Nasha Gallery and all their upcoming shows at https://nasha.com.au

Nasha Gallery is presenting James Little at Melbourne Art Fair 2026.

Creative or Dead is hosted by David Constantine and Aleesha Callahan.

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Head of Fashion Programming at Melbourne Fashion Festival Todd Anthony joins us for a zig-zagging chat about creativity with substance. Todd traces a wonderfully non-linear path from professional Latin ballroom dancer to studying fashion design, to teaching and mentoring, to his current dream job at Melbourne Fashion Festival. Along the way we unpack a process grounded in purpose, reflection and the ever-useful post-its. He explains why the runway is very much alive, how AI can actually slow teams down in the best way, and why relationships (and kindness) are the real engine of creative work.

We also talk burnout prevention, the power of daily observation rituals (including a documentary with breakfast), and the small, thoughtful easter eggs that keep personal voice in in work. Stay to the end for Todd’s delightfully dramatic, Elizabethan-tinged answer to our signature 'curate your own death' question.

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Not enough people are making work with the intention of it still being around in 200 years. But Christopher Boots isn’t like anyone else.

In this wide-ranging, thought-provoking conversation, we hear from lighting and object designer Christopher Boots, where he sprinkles us with a bit of his magic dust creativity. And spoiler: he proves that the best ideas are marinated and well-seasoned.

From scavenging childhood treasures in the backyard to sculpting monumental crystal-and-bronze chandeliers, Christopher shares how time, process and materials shape his work. Along the way, we dive into material literacy, the psychology of objects, running a creative business without losing your soul, and how there’s no shortcut for quality, time and contemplation.

Show notes:

Look up Christopher Boots' work here https://christopherboots.com

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