On this episode of CounterPunch Radio, Erik Wallenberg and Joshua Frank welcome Sean J Partick Carney to discuss his 10-part series, Time Zero, on the nuclearized world.

Sean J Patrick Carney is a visual artist, composer, and writer. His essays, criticism, and interviews appear frequently in publications including Artforum, Art in America, VICE, Southwest Contemporary, Artnet News, Harvard Urban Review, Glasstire, High Country News, and Bulletin of the Atomic Scientists. In 2019, Carney received the Andy Warhol Foundation Arts Writers Grant for short-form writing.

This episode is sponsored by Pilsen Community Books.

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In this special episode of CounterPunch Radio, Bill Ayers, friend of Pilsen Community Books and fellow podcaster at Under the Tree, introduces Amos Kennedy and fellow artists and activists Monica Trinidad and Chi Nwosu. This evening at Pilsen Community Books in Chicago included a packed-house crowd for a celebration for the release of Citizen Printer by renowned letterpress printer Amos P. Kennedy, Jr.

A self-described “humble negro printer,” Amos Paul Kennedy, Jr., is internationally recognized for his type-driven messages of social justice and Black power, emblazoned in rhythmically layered and boldly inked prints made for the masses. Borrowing words from civil rights heroes such as Rosa Parks, Fannie Lou Hamer, Frederick Douglass, and Sojourner Truth, Kennedy issues fearless statements on race, capitalism, history, and politics—along with plenty of witty truisms—in his exuberant, colorful, and one-of-a-kind posters and handbills.

Amos P. Kennedy, Jr. was working a corporate job when, at nearly forty, he discovered the art of letterpress printing on a tour of Colonial Williamsburg. Kennedy then devoted himself to the craft, earning an MFA in graphic design at the University of Wisconsin–Madison. He now operates Kennedy Prints!, a letterpress printshop in Detroit. He has exhibited in dozens of museums and galleries across the United States, including the Library of Congress, and the libraries of the Museum of Modern Art and the Metropolitan Museum of Art.

Monica Trinidad (she/they) is a queer Latine visual artist, communicator, and cultural strategist. A lifelong Chicagoan, Monica has created zines, graphics, mixed media posters, communication strategies, and plans highlighting youth-led, intergenerational, and intersectional grassroots organizing work in Chicago and nationally.

Chi Nwosu is a Black, non-binary, queer, Nigerian artist based in Chicago. Their work is an alchemy of cultural narratives that centres marginalised experiences and utilises potent cultural, political, and spiritual symbols. Chi’s art invites viewers to imagine collective liberation, envisioning communities rooted in kindness, compassion, and care.

Please, head over to Pilsen Community Books and pick up some books!

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On this episode of CounterPunch Radio, Erik Wallenberg and Joshua Frank welcome Ellen Schrecker to discuss the legacy of McCarthyism and the current right-wing attack on academic freedom in the U.S., and why the situation is even worse today than it was in the 1950s.

Ellen Schrecker is an American historian and author who has written extensively about McCarthyism and American higher education. She is the author of many books, including The Lost Promise: American Universities in the 1960s, published by the University of Chicago Press, which provides the first comprehensive analysis of American higher education’s most turbulent decade. She holds a Ph.D. from Harvard, taught there and at NYU and Princeton, and later joined Yeshiva University, from which she retired as a full professor.

Head over and grab some books from the best shop, Pilsen Community Books.

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