• Cinema Scope: Bridging Genres, Subgenres, & Movements

  • De: TruStory FM
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Cinema Scope: Bridging Genres, Subgenres, & Movements

De: TruStory FM
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  • Cinema Scope with Andy Nelson takes you on a captivating journey through the ever-evolving landscape of film. Moreover, it offers a unique and engaging perspective on the art of cinema.
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  • Iranian New Wave's Poetic Reality: Kaveh Askari on Cinema's Social Revolution

    Iranian New Wave's Poetic Reality: Kaveh Askari on Cinema's Social Revolution
    Apr 9 2025
    Embark on a cinematic journey through the Iranian New Wave, a revolutionary movement that transformed Iranian cinema and captivated global audiences. In this episode of Cinema Scope, host Andy Nelson welcomes Kaveh Askari, associate professor and director of the Film Studies Program at Michigan State University, to explore this groundbreaking era of filmmaking.The Evolution of Iranian New Wave CinemaFrom its roots in the 1960s through the post-revolution era, the Iranian New Wave challenged traditional storytelling while focusing on the lives of ordinary people. Through a combination of realism, social commentary, and artistic innovation, these films created a unique cinematic language that resonated worldwide. The movement bridged pre- and post-revolution Iran, adapting to changing social landscapes while maintaining its distinctive artistic vision.Five Essential Iranian New Wave FilmsThe conversation explores five significant works: The House is Black (1962), The Brick and the Mirror (1965), The Cow (1969), Taste of Cherry (1997), and At Five in the Afternoon (2003). Each film demonstrates different aspects of the movement, from poetic documentaries to neorealist dramas and meta-cinematic explorations. Members can enjoy an extended discussion of five additional films: Bashu, the Little Stranger (1989); A Moment of Innocence (1996); Children of Heaven (1997); Tales (2014); and Taxi (2015).Legacy and PreservationThe Iranian New Wave presents unique challenges in preservation and accessibility today. However, the movement's emphasis on authentic storytelling, visual poetry, and social consciousness has secured its place in cinema history. Through careful analysis of these groundbreaking films, we discover how Iranian New Wave cinema revolutionized not just Iranian filmmaking, but the global art house scene as well.Join us for this fascinating exploration of one of cinema's most influential movements, and discover how these pioneering filmmakers found beauty and meaning in the everyday lives of ordinary people.Film SundriesWatch our conversation on YouTube!Check out Kaveh Askari’s books:Relaying Cinema in Midcentury IranMaking Movies Into ArtRecommended and Discussed MoviesThe House Is Black on JustWatchThe Brick and the Mirror on JustWatchThe Cow on YouTube and JustWatchBashu, the Little Stranger on YouTube and AmazonTaste of Cherry on Apple, Amazon, and JustWatchA Moment of Innocence on YouTube, Amazon, and JustWatchChildren of Heaven on Apple, Amazon, and JustWatchAt Five in the Afternoon on Amazon and YouTubeTales on JustWatchTaxi on Apple, Amazon, and JustWatchOur Letterboxd ListIf you enjoyed our discussion on the Iranian New Wave episode and want to explore more films from this remarkable era, our guest Kaveh Askari has put together a list of must-watch recommendations. (Here's the list on Letterboxd.)If interested in The House Is Black by Forough Farrokhzad or The Brick and the Mirror by Ebrahim Golestan, check out the documentary made by Ebrahim Golestan and edited by Forough Farrokhzad:• A Fire (1961)If interested in The Cow by Dariush Mehrjui, check out:• Diamond 33 (1967)• The Postman (1972)• The Cycle (1975)• Hamoun (1989)• The Pear Tree (1998)If interested in Bashu, the Little Stranger by Bahram Beyzai, check out:• Stranger and Fog (1976)If interested in A Moment of Innocence by Mohsen Makhmalbaf, check out:• The Cyclist (1987)• Gabbeh (1996)• Kandahar (2001)If interested in Taste of Cherry by Abbas Kiarostami, check out:• The Traveler (1974)• The Colors (1976)• The Report (1977)• Bread and Alley (1970)• Where Is the Friend's Home? (1987)• Close-Up (1990)• And Life Goes On (1992)• Through the Olive Trees (1994)• The Wind Will Carry Us (1999)• Ten (2002)• Like Someone in Love (2012)If interested in Children of Heaven by Majid Majidi, check out:• The Color of Paradise (1999)• Baran (2001)• The Song of Sparrows (2008)• Beyond the Clouds (2017)If interested in At Five in the Afternoon by Samira Makhmalbaf, check out her other films:• The Apple (1998)• Blackboards (2000)As well as her sister Hana Makhmalbaf's film:• Joy of Madness (2003)And her mother Marzieh Meshkini's film:• The Day I Became a Woman (2000)If interested in Tales by Rakhshan Bani-Etemad, check out:• Nargess (1991)• The Blue-Veiled (1995)• The May Lady (1998)• Under the ...
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    1 h y 38 m
  • Comedy's Canvas: Adam "Tex" Davis on Laughter's Evolution in Cinema

    Comedy's Canvas: Adam "Tex" Davis on Laughter's Evolution in Cinema
    Feb 12 2025
    Join Andy Nelson and screenwriter and podcast host Adam "Tex" Davis on a laughter-filled journey through the evolution of comedy in cinema. From silent-era slapstick to modern genre-bending masterpieces, this episode explores how comedy has entertained audiences while serving as a powerful tool for social commentary across decades of filmmaking.The Evolution of Comedy in Film HistoryBeginning with early works like The Sprinkler Sprinkled, the episode traces comedy's development through silent legends like Charlie Chaplin and Buster Keaton. The conversation then moves through screwball classics like It Happened One Night, dark comedies such as Harold and Maude, and groundbreaking satires including Blazing Saddles and Dr. Strangelove. Davis, who wrote Just Friends, offers unique insights into how comedy writing and audience reception have evolved over time.Breaking Boundaries Through LaughterThe discussion examines how filmmakers have used comedy to push societal boundaries and address serious issues. From Mel Brooks tackling racism to the Coen Brothers blending genres, comedy has proven to be a versatile medium for both entertainment and commentary. Additionally, the episode explores how different comedy styles – from slapstick to satire, parody to romantic comedy – reflect changing cultural attitudes and values.Looking toward comedy's future, Davis emphasizes the importance of "punching up" rather than down, suggesting that successful comedy relies more on honest storytelling and well-developed characters than outrageous premises. Whether examining classics like The Graduate or modern hits like Everything Everywhere All at Once, this episode offers valuable insights into why comedy remains an essential and enduring force in cinema.Film SundriesFind Adam at Atomic Entertainment, on BlueSky, or LinkedInTune in to The OSCARS: What Were They Thinking?Tune in to SlaycationTune in to Who Smarted?Our Letterboxd Listno member bonus content this month (00:00) - Welcome to Cinema Scope • Comedy(06:00) - Meet Adam “Tex” Davis(10:14) - The Draw to Comedy(12:28) - Why It’s Important(18:32) - The Silent Era(25:12) - The 30s to the 50s(42:54) - The 60s and 70s(01:08:21) - The 80s and 90s(01:17:11) - The 2000s Through to Today(01:20:41) - Moving Forward(01:22:37) - Wrap Up Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel’s family of film podcasts:The Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here’s where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on our shows from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on our shows from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
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    1 h y 26 m
  • Screwball Comedy's Hidden Treasures: A Bonus Chat with Grégoire Halbout on Marriage & Mayhem

    Screwball Comedy's Hidden Treasures: A Bonus Chat with Grégoire Halbout on Marriage & Mayhem
    Jan 15 2025
    In this special bonus episode of CinemaScope, host Andy Nelson continues his exploration of screwball comedies with film scholar Grégoire Halbout, author of Hollywood Screwball Comedy, 1934-1945: Sex, Love, and Democratic Ideals. Together, they dive deep into seven lesser-known gems of the genre that showcase the evolution and versatility of screwball comedy during its golden age.Essential Screwball Comedies You Might Have MissedThe episode spotlights seven delightful films that deserve more attention: Elliott Nugent's Three-Cornered Moon (1933), Tay Garnett's Love is News (1937), George Stevens' Vivacious Lady (1938), Mitchell Leisen's Midnight (1939), Wesley Ruggles' Too Many Husbands (1940), Jack Conway's Love Crazy (1941), and Alfred Hitchcock's rare foray into the genre, Mr. and Mrs. Smith (1941).The Evolution of Screwball Comedy Through Seven FilmsFrom the proto-screwball elements of Three-Cornered Moon to the genre-defining characteristics of Midnight, these films demonstrate how screwball comedy challenged social norms and redefined marriage on screen. The conversation explores how each film contributes uniquely to the genre, whether through its treatment of class differences, gender roles, or marital relationships. Additionally, Halbout provides fascinating insights into how these comedies navigated the strict Production Code while pushing boundaries with clever innuendo and subversive themes.Through their discussion, Nelson and Halbout reveal how these seven films, though less celebrated than classics like It Happened One Night or Bringing Up Baby, exemplify the wit, charm, and social commentary that made screwball comedy such an influential genre. The episode offers both newcomers and fans of classic Hollywood a deeper appreciation for these overlooked treasures.Film SundriesBuy Grégoire Halbout’s book Hollywood Screwball Comedy 1934-1945: Sex, Love, and Democratic IdealsFind Grégoire on LinkedIn or on BlueskyEmail GrégoireRecommended and Discussed MoviesThree-Cornered Moon on the webLove Is News on YouTube and JustWatchVivacious Lady on the web and JustWatchMidnight on the web and JustWatchToo Many Husbands on YouTube and JustWatchLove Crazy on Apple, Amazon, and JustWatchMr. & Mrs. Smith on Apple, Amazon, and JustWatchOur Letterboxd List (00:00) - Welcome to Cinema Scope • Screwball Comedy Bonus(05:48) - Meet Grégoire Halbout(11:08) - The Films We're Discussing(15:59) - Three-Cornered Moon(28:01) - Love Is News(44:35) - Vivacious Lady(57:30) - Midnight(01:11:18) - Too Many Husbands(01:21:05) - Love Crazy(01:29:50) - Mr. & Mrs. Smith(01:45:37) - Wrap Up(01:46:42) - Next Month: Comedy Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel’s family of film podcasts:The Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here’s where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on our shows from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on our shows from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for
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    1 h y 48 m
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