Kimberly Giarratano is an author of mysteries for teens and adults. Her debut novel, Grunge Gods and Graveyards, won the 2015 Silver Falchion Award for Best YA at Killer Nashville. In May 2024 she released the second novel in her Billie Levine series, Devil in Profile, which follows the novel Death of a Dancing Queen. A former librarian, she is currently an instructor at SUNY Orange County Community College and the chapter liaison for Sisters in Crime.

Among other things, Kimberly and Carter discuss the challenges of being an extrovert in the writing field, inspiration drawn from Nazi art theft, and trying to figure out how to balance a realistic plot with an exciting and unpredictable story. At the end of their conversation, they make up a captivating story using a line from Audrey Lee’s The Mechanics of Memory.

Matt Scott is the author of the Surviving the Lion’s Den thriller trilogy which debuted in 2021. Matt earned his bachelor’s degree in political science and history from Hampden-Sydney College. During his subsequent studies, Matt became fascinated by the CIA and read dozens of books related to Middle East politics, spy craft, the CIA’s war against terrorism, and double agents. Matt’s latest action-packed political thriller is The Ayatollah Takedown. His two previous novels in the series include Surviving the Lion’s Den and The Iranian Deception.

Among other things, Matt and Carter discuss the psychology of starting a writing journey later in life, committing to a consistent writing routine, and exploring the topic of Iran in literature. At the end of their conversation, they make up an eerie story using a line from William Kent Krueger’s Fox Creek.

Louise Doughty is the author of ten novels, most recently A Bird in Winter. Her previous books include Platform Seven, filmed for ITVX; Black Water, a New York Times Notable Book of the Year; the bestseller Apple Tree Yard, adapted for BBC One; and Whatever You Love, nominated for the Costa Novel Award and the Women’s Prize for fiction. She has been nominated for many other prizes and has helped with creating and writing the hit BBC drama Crossfire. Her work has been translated into thirty languages.

Among other things, Louise and Carter discuss the complexities of writing about sex, writing violence realistically and focusing on the consequences of violence, and how being a writer involves so much more than just writing a book. At the end of their conversation, they make up a suspenseful and descriptive story using a line from S.F. Kosa’s The Night We Burned.