The Booty Blazzting Boyez™ back with their first episode after a couple of months of hibernation! In this episode, those Bud Blazing Boys™ explore the trials and tribulations of applying Icy Hot to your testicles, they analyze the aesthetic intention behind Sacred Son’s album covers, they envision a high school comedy about a living skeleton assigned to be an undead skeleton in a biology class (a tale as old as time), they relate the uberwealthy’s support of the Dark Enlightenment to Road House, and they discuss whether the hypothetical wholesale car dealership Friendly Simon’s business model is a scam or if it’s driven by pure altruism. YOU DECIDE.

In this episode, The Booty Blood Boys™ are joined by a very special guest, fan, and friend of the show, The Shadowy One! The Bud Blasé Boyz™ learn how The Shadowy One became a fan of their silly lo-fi and low culture podcast. They discuss the New York City metal scene vibes and community and whether either has been affected by the closure of St. Vitus. They explore the generational divide between the sincerity of older metal fans and musicians versus the self-aware irony of younger metal fans and musicians. They also analyze the dark world of fascist cottagecore and tradwife cultures. All of this and much, much more!

In this episode, Judge Dredd and Wulf talk to returning guest Shelby Lermo.

Shelby writes, records, and performs in a plethora of bands, including Ulthar, Human Corpse Abuse, Thanatotherion, and most recently: NAILS. During our talk, Shelby compares touring in the United States with touring in Europe. With Shelby, the Booty Blasting Boyz™ pontificate why small-town shows can be some of the best shows. They explore why cosmic and existential horror are the greatest horrors of all, and how they relate to the themes behind the newest Thanatotherion album. Finally, the Butte Blasters™ hear the story behind Shelby joining the newest incarnation of Nails as well as the big things that are happening in the world of Nails.

Thanatotherion: https://thanatotherion.bandcamp.com/album/alienation-manifesto

Nails: https://nailssl.bandcamp.com/

Ulthar: https://ulthar666.bandcamp.com/

Human Corpse Abuse: https://humancorpseabuse.bandcamp.com/album/xenoviscerum

In this episode, the Bud Blazting Boyz get to the bottom of the issues that really matter: what are their favorite soups, and what kind of metal do their favorite soups match most closely to? They investigate the Venn diagram showing the overlap of wooks, those who have sacred geometry tattoos, and those who sell the best weed. They discuss how sports are just a civil representation of war for societies’ warrior castes. Finally, they critique the crypto (and sometimes not so crypto) fascism prevalent in war metal. Also, Judge Dredd gets more drunk in this episode than in any other Butt Blast episode, so that's fun!

In this episode, Wulf and Judge Dredd are coming hot off the heels of their interview with Garry Brents of Memorrhage (Ep. 34), so the Boyze™, joined by Professor Grindstein, delve into their ongoing obsession with the return of nu-metal. In addition, they analyze how genres generally evolve from underground rawness to mainstream gloss. They also explore the “Ship of Theseus” paradox as it relates to band membership: how many times can band members change and still remain the same band? Finally, they dive deep into their siqq piqqs for professional wrestlers. Ooo yea, brother!

In this episode, the Butte Blazzst Boyezzz™ talk with a very special guest by the name of Garry Brents. Garry is the prolific solo artist behind projects such as Sallow Moth, Homesick, and Gonemage, as well as being one half of underground legends, the now-defunct Cara Neir. However, Garry is currently probably most well-known for Memorrhage, a project that incorporates a healthy dose of 90s nu-metal magic combined with metallic hardcore, grind, and industrial metal influences. Memorrhage has been covered by a wide array of underground metal publications as well as national news outlets, such as NPR.

During the Buddt Bladd Beauz™ talk with Garry, they explore the reasons behind the confounding return of nu-metal and how Garry balances the pop-oriented aspects of nu-metal with the aggression of Garry’s other influences. They examine the significance of 90s nostalgia for millennials and zoomers. Finally, they discuss the impact that role-playing games, and specifically Magic: The Gathering, have had on Garry’s creative voice.

Links

Garry's Bandcamp with all of his projects: https://lilangisla.bandcamp.com/

Garry's Twitter: https://x.com/gonemage

Garry's Instagram: https://www.instagram.com/gonemage

In this episode, the Butte Blazzter Beaus™ Wulf and Judge Dredd create a horrorcore/black metal crossover band generated completely by AI. The Boyezz™ ask AI for their backstory, the album title and cover of their debut, and the bands they have beef with. Much of this is generated in the style of Joe Pesci’s character from Goodfellas with undertones of Lovecraftian horror, capeesh? The Boyst™ consider the various pronunciations of "gyro" and why Clevelanders might have a claim on having the correct pronunciation. Wulf and Judge Dredd also ask AI to predict how Mötley Crüe’s new hip-hop and country-influenced album with John 5 will be received by burned-out rockers everywhere. Finally, the Boyzst™ share recent stories about drunk cougar moms being blackmailed and disappointing friends in dreams.

Note: the album cover and band photo we refer to in the episode are included as part of the episode cover art

In this episode, the Bidet Blast Boys™ analyze a dream in which there is a meta movie called OSHA: The Movie starring Mel Gibson as a worker so dedicated to work that he was willing to work even while mortally wounded. The Boiz™ dive deep into the etymology of rizz and jizz only to realize that they are actually cognates (not really), and, as a result, the Boyz™ prepare themselves for the oncoming war between the Rizzers, the Jizzers, the Rizz Jizzers, and the Jizz Rizzers. The Boice™ explore the possibility of Egyptian nu-metal as well as other ethnic-inspired nu-metals through the song “The Evil Inherent in Us All” by Karl Sanders. FINALLY, the Boyez™ explore the possibilities and ethical quandaries presented by AI as applied in metal and beyond!