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Bringin' it Backwards

Bringin' it Backwards

De: Adam & Tera Lisicky
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 Bringin' It Backwards: podcast – giving driven musicians the invaluable insight they need to succeed in the music industry, by revealing how legendary musicians achieved stardom.

Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.Copyright Adam & Tera Lisicky Economía Exito Profesional Música
Episodios
  • Interview with Lyn Lapid

    Interview with Lyn Lapid
    Jun 3 2025
    We had the pleasure of interviewing Lyn Lapid over Zoom video!Gold-Certified singer, songwriter, and multi-instrumentalist Lyn Lapid releases her long-awaited debut album, BUZZKILL, via Mercury Records—listen HERE. The 12-track album features her recently released singles “death wish,” “i’ll be happy when,” “coraline” and “buttons,” as well as the new title track, “buzzkill,” which is unveiled today alongside the official music video—watch HERE. Known for marrying her honest and vulnerable storytelling through both lyrics and visuals, Lyn released mini-trailers for each of the songs on the album leading up to the release, which culminated into the official album trailer—watch HERE.Up next, Lyn is gearing up to kick off the “BUZZKILL World Tour” in a few weeks. Beginning on May 6th in Berlin, the highly anticipated tour will first see Lyn headline shows across Europe and the UK before heading back to North America, where she’ll perform in major cities, including New York, Los Angeles, Toronto, Chicago, Washington, DC, San Francisco, Vancouver, and more through the end of June. See the full list of tour dates below and at www.lynlapidtour.com.Lyn spent the past few years carefully crafting what would become BUZZKILL, inspired by the isolating experiences surrounding her move from her small suburban hometown in Maryland to the bustling city of Los Angeles, and all of the mixed emotions that came along with them. She shares, “Moving to the West Coast was a struggle. It was the first time I was in a new place by myself, and I didn’t know anyone outside of my roommates. I’d go to parties because I thought it was better than being alone. It was an attempt to find community, but it just became a cycle of meaningless interactions. Every time I went out with my friends, I felt like a ‘buzzkill’ because it seemed like I had always brought the mood down. However, it only seemed that way because I was with the wrong people. I needed to accept that I shouldn’t have to force myself to settle for surface-level friendships and relationships. It opened an opportunity to find new and truly meaningful connections and friendships.”BUZZKILL takes listeners on an all-too-relatable journey with Lyn, from experiencing loneliness and feelings of not belonging to radical self-acceptance and newfound confidence. The album has already received early praise, with Grammy.com proclaiming, “Imbued with a soft and soulful tone over a bed of R&B, indie, alternative, and pop, BUZZKILL is some of Lapid’s most vulnerable work,” and Ones To Watch declaring, “Lyn Lapid dives into the loneliness that comes with finding yourself in a new place.”ABOUT LYN LAPID:Lyn Lapid writes the soundtrack to seeing life a little differently. Her unfiltered observations ripple across fluid soundscapes anchored by subtle alternative R&B grooves, loose jazz phrasing, and unassuming pop ambition. The 22-year-old Filipino American singer, songwriter, and multi-instrumentalist continues to strike a chord with audiences through her unpredictably catchy and undeniably candid songcraft.In 2020, a series of viral ukulele covers on TikTok brought the Maryland native her first brush with virality. Her personal vision took shape across a series of essential fan favorite singles such as “Producer Man,” “When She Loved Me,” and the Gold-Certified “In My Mind.” Early co-signs came courtesy of Billie Eilish, Sabrina Carpenter, and Jungkook of BTS.During 2023, she made waves with to love in the 21st century EP and its extended edition, the epilogue. She incited the applause of Rolling Stone, Billboard, E! Online, BuzzFeed, UPROXX, HYPEBAE, Refinery29, and LADYGUNN, among others. Speaking to her impact, Forbes touted her among its “AAPI Artists to Watch,” and Atwood Magazine christened her an “exceptional artist-to-watch.” She emerged as the rare collaborator equally comfortable on a track with Ruth B and mxtmtoon or Eric Nam and Whethan. Beyond touring with the likes of Ricky Montgomery and Claire Rosinkranz, she graced the bill of Head In the Clouds Festival and has sold out two nationwide headline tours in 2023 and 2024.Generating over 1 billion streams, packing venues on headline tours, and attracting widespread critical acclaim, she narrates a season of self-actualization and newfound confidence on her 2025 full-length debut, BUZZKILL, out now on Mercury Records.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #LynLpid #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.
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    32 m
  • Interview with Elliot James Reay

    Interview with Elliot James Reay
    May 26 2025
    We had the pleasure of interviewing Elliot James Reay over Zoom video!23-year-old singer, guitarist, and songwriter Elliot James Reay returns with the irrepressibly upbeat new single, “Who Knew Dancing Was A Sin.” The soulful cut is built on an old school premise: Reay’s partner fears he’s been unfaithful when really he was just out dancing the night away. The song’s music video brings that scenario to life and pays homage to the Northern Soul dancing scene still thriving in Reay’s hometown of Manchester, UK. “Who Knew Dancing Was A Sin” is available now at via Interscope / Island EMI.For his fourth song to date, Reay reunites with writer-producer duo SOAP (Manchester’s Josh Noble and Karl Ziegler) alongside fellow cowriters Annielle Lisiuk and Glen Roberts. With deep bass groove, sharp guitar stabs, jangling tambourine, and driving drums, “Who Knew Dancing Was A Sin” is itself a powerful enticement to dance. Horns and strings only add to the urgency as Reay growls, quavers, and coos out his passion for movement: “It’s a shame she doesn’t get it, a shame she doesn’t see / It don’t make me a traitor and it don’t make me cheat / You can try to stop the music, but you can’t stop my feet / Just give me a bourbon, a bass line, and a beat.”The music video for “Who Knew Dancing Was A Sin” finds Reay in the hot seat after he comes home late. He’s suited up and visibly disheveled as a nightgown-wearing woman gives him a piece of her mind. Through thrilling flashbacks, though, we see the truth as Reay cuts a rug amidst a group of passionate dancers kicking, spinning, and shuffling in a red-curtained club.Reay’s new tune further leans into the young artist’s loving embrace of ’50s and ’60s music, and follows March’s “Daydreaming,” a swooning single infused with cinematic grandeur and eerie longing. Before that came the upbeat and stylish “Boy in Love,” with a video shot on the streets of his hometown, and the massive breakthrough “I Think They Call This Love,” which enthralled millions around the globe with Reay’s refreshing revival of a classic rock ’n’ roll sound.Influenced from an early age by artists like Roy Orbison and Elvis Presley, Reay now channels that pioneering era of culture into his music to incredible effect. A truly sensational debut, “I Think They Call This Love” has amassed over 150 million global streams, earned 400 million views across 120,000+ TikTok creates, climbed Spotify Viral Charts in over 27 countries, and helped Reay build a loyal fanbase of more than 5 million followers. The song also marked the arrival of a fascinating new talent who, clearly, has much more to share.ABOUT ELLIOT JAMES REAY:Elliot James Reay has a genuine, lifelong love for not just the music of the ’50s but the entire era and he has the voice, look, and magnetism to seemingly transport his fans back in time. But a close listen to his intoxicating forays into doo-wop and rockabilly reveals decade-hopping flourishes, knowing nods, and the occasional bent melody or distorted peel of guitar that would’ve caused uproar in Billy Fury’s Day. Instead — and despite those who told him he’d need to change his sound to succeed — Elliot’s grown a huge fan base via modern means, organically amassing over 4.7 million followers and hundreds of millions of views across social media platforms.Reay grew up listening to all kinds of music in the town of Bury, outside of Manchester, but he was drawn to the old stuff from an early age and took it farther than most, thrifting for vintage clothes and busking the town center as a teen. As the crowds grew, so did his confidence, and after earning more than £2,000 in a single day fundraising in the wake of the 2017 Manchester tragedy, Elliot realized the power he had to reach others. He was only 15 years old back then, and ever since he’s been working on bringing his velveteen voice to an expanding audience whose appreciation for his music transcends generations, time zones and, yes — to see his fans’ comments about his work — quite possibly time itself.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #ElliotJameReay #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.
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    24 m
  • Interview with Christian Hayes

    Interview with Christian Hayes
    Apr 22 2025
    We had the pleasure of interviewing Christian Hayes over Zoom video!

    Capitol Records recording artist Christian Hayes has poetically drawn on his life experiences growing up in the foothills of Appalachia since his grandfather gifted him his first journal at seven years old. While his debut EP Last I Love You, released in September, followed Hayes’ journey navigating heartbreak and growing up, he’s now offering an upbeat new song underscoring the beauty of finding love in imperfection with “Wildflower,” available now.

    Self-written by Hayes, the concept for “Wildflower” was born from Hayes’ observation of seeing beauty found in imperfections and embracing uniqueness in love. Recalling how wildflowers are each unique and grow to their own accord, Hayes drew from this inspiration to celebrate the qualities that make them distinctly beautiful.

    “I had family members who I watched struggle a lot with discontent growing up, always striving to find that perfect spouse, rather than being happy with the one they were with,” Hayes reflects. “This song was inspired by that inner conflict, but rather than always striving for perfection where it doesn’t exist, the ‘wildflower’ serves as a metaphor to finding a person who’s right for you, while embracing the beauty in their imperfections.”

    The song comes on the heels of the September release of Last I Love You, which casts a wide net, fusing Americana and folk while bouncing between campfire ballads, cinematic soundscapes and raw, rowdy barn-burners. At the center of that sound is Hayes himself: a wise-beyond-his-years musician who knows he can’t move forward without taking a look at his past.

    Genuine and articulate, Hayes comes from a long line of storytellers that includes his Grandpa Jack – a poet by profession – who gave Christian his first journal. Born and raised in the foothills of Appalachia, Hayes began playing guitar at age eight. After high school, he enlisted in the U.S. Navy Reserve and attended the University of Alabama.

    Hayes recently signed with Capitol Records, as well as with William Morris Endeavor (WME) for booking, Universal Music Publishing Group (UMPG) for publishing, Wildrose Projects for management and Flood Bumstead McCready & McCarthy (FBMM) for business management.

    About Christian Hayes

    Raised in the Appalachian foothills of northern Georgia, Christian Hayes grew up surrounded by southern storytelling. His grandfather — a poet by profession — encouraged him to begin writing in a journal at 7 years old, sparking a habit that would eventually take Hayes to Nashville. A veteran of the US Navy Reserve, Hayes began applying the discipline of his military training to his work as a songwriter, amassing more than 900 original songs by his mid-twenties. Five of those songs appear on Last I Love You, his debut for Capitol Records available now. Produced by Lukas Bracewell and steeped in Hayes' unique version of American roots music, Last I Love You features the viral single “LILY” (which racked up more than 3 million streams before the EP’s official release), the anthemic “Black Gold” and a mix of effortless melodies, cinematic folk and rowdy, barn-burning Americana.

    We want to hear from you! Please email Hello@BringinitBackwards.com
    www.BringinitBackwards.com
    #podcast #interview #bringinbackpod #ChristianHayes #NewMusic #Zoom
    Listen & Subscribe to BiB
    https://www.bringinitbackwards.com/follow
    Follow our podcast on Instagram and Twitter!
    https://www.facebook.com/groups/bringinbackpod

    Become a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.
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    26 m
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Bringin' it Backwards is so good! Loved getting to hear about his label ( Humans were Here.) Excited to hear more from his solo career, Million Miler.

Tom Higgenson

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