Born To Watch - A Movie Podcast Podcast Por Matthew White arte de portada

Born To Watch - A Movie Podcast

Born To Watch - A Movie Podcast

De: Matthew White
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Join four old mates on a cinematic journey like no other in the "Born to Watch Movie Podcast" the podcast where movies aren't just watched, they're experienced. Each week, dive into the films that reshaped their lives and, perhaps, even the world. With many thousands of hours of movie-watching under their belts, these friends bring a unique, seasoned perspective where they don't take themselves or the movies too seriously.© 2025 Matthew White Arte
Episodios
  • Moneyball (2011)
    Jul 22 2025

    In this week’s Born to Watch, the lads swing for the fences with their deep dive Moneyball (2011) Review. Whitey, Dan on the Land, and Will “The Worky” take to the mound to dissect why this unconventional baseball flick, starring Brad Pitt and Jonah Hill, continues to resonate over a decade later.

    From the get-go, it’s clear this isn’t your typical sports movie review. The team kicks off with backyard renovations, foot fetish tangents, and a laugh-out-loud discussion on the bizarre world of Japanese vending machines, classic Born to Watch territory. But once they find their groove, it’s all baseball, banter, and brilliance.

    Moneyball, based on the true story of Oakland A’s GM Billy Beane, gets the full pod treatment. The trio wax lyrical about Pitt’s understated performance, Hill’s against-type turn as the socially awkward numbers guy, and Philip Seymour Hoffman’s quietly simmering portrayal of sceptical coach Art Howe. Whitey makes the case for this being one of Pitt’s finest performances, yes, even better than his Oscar-winning turn in Once Upon a Time in Hollywood. Dan and Will aren’t far behind in their praise, though they’re quick to point out the poetic license the film takes with some of its real-life counterparts.

    Of course, it wouldn’t be Born to Watch without the gang tackling the “overs and unders.” Will throws a curveball with a surprisingly low watch count, while Whitey admits he’s clocked in over 40 viewings. Dan, as always, brings the analytical fire, no surprise for a man who appreciates Michael Lewis’ storytelling DNA, also behind The Big Short.

    The trio also tackles one of the episode’s core questions: Why are baseball movies so damn good? Is it the history? The romance? The slower pace that allows for actual acting? Whatever the formula, it works. From The Natural and Field of Dreams to Major League and Bull Durham, the guys rattle off their favourites with the kind of passion you only get from true movie lovers.

    There’s also an appreciation for the film’s dry, cerebral tone. Unlike other sports flicks that rely on big plays and locker room speeches, Moneyball thrives on boardroom tension, Excel spreadsheets, and quiet moments of doubt. Yet somehow, it’s riveting. It’s a film about math, risk, and the emotional cost of change, and yet it’s as compelling as any game-winning homer.

    Listeners are treated to the usual podcast hallmarks: mock trailers, roast reviews (with one critic thoroughly torn apart), and a beautifully read back-of-the-DVD synopsis that outshines the studio blurb. Whitey’s disdain for the critic who panned the movie is particularly entertaining, while Dan gives a thoughtful defence of Moneyball’s cinematic liberties.

    The episode also veers into classic BTW chaos. There’s a spirited debate on the merits of Jack and Jill (spoiler: there are none), a nostalgic dive into The Inbetweeners as a sleeper hit of 2011, and an epic sidetrack into surfing journalism and Jonah Hill’s transformation from comedy darling to surf-culture punching bag. It’s podcast whiplash in the best possible way.

    As always, the “Ordinary People” segment stands out, offering a nuanced examination of the film’s characters and the performances that bring them to life. The pod pays homage to Philip Seymour Hoffman, laments Jonah Hill’s real-life reputation despite his on-screen brilliance, and even finds time to praise an uncredited Spike Jonze cameo that nearly steals the film.

    In the end, Moneyball gets the respect it deserves, a deeply human story wrapped in a sports movie shell. For the Born to Watch crew, it’s not just about baseball; it’s about challenging the system, betting on the misfits, and finding magic in the margins.

    So whether you’re a sabermetrics savant or just love a good underdog story, this episode is a must-listen.
    Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!


    Join the conversation:

    • Is Moneyball the smartest sports movie ever made?
    • Could you build a winning team with just data?
    • And is Brad Pitt’s Billy Beane his most underrated role?

    #BornToWatch #Moneyball #BradPitt #JonahHill #BaseballMovies #Sabermetrics #SportsMovies #FilmPodcast #AaronSorkin #MichaelLewis #PhilipSeymourHoffman #UnderdogStory #MovieNight

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    1 h y 59 m
  • Shaun of the Dead (2004)
    Jul 15 2025

    Grab your cricket bat, raid the fridge for a cold one, and head to the Winchester, because this week, the Born to Watch crew are diving deep into one of the smartest and most beloved horror-comedies of all time with their Shaun of the Dead (2004) review.

    With G-Man MIA (probably off playing Tekken in the shed), Matt and Sir Dimmy hold the fort to break down Edgar Wright’s 2004 cult classic that reanimated the zombie genre and redefined the zombie flick with a pint of bitter and a dash of British wit.

    In this week’s episode, the lads explore how Shaun of the Dead walks the tightrope between gore and giggles, creating a film that works just as well as a slacker comedy as it does a horror satire. Damo admits to confusing it with The World’s End (don’t worry, he’s new here), while Matt reveals he’s seen the film nearly 20 times and could watch it on loop, especially with a packet of pork crackle and a Pepsi Max.

    From the iconic walk to the shop (twice), to the Queen-backed zombie beatdown in the Winchester, the boys dissect every major scene with the kind of reverence usually reserved for Tarantino or Scorsese. They also dig into Simon Pegg’s breakout role as the titular Shaun, Nick Frost’s glorious (and infuriating) turn as Ed, and the supporting cast of Britcom legends including Lucy Davis, Dylan Moran, and the ever-reliable Bill Nighy.

    They ask all the important questions:

    • Is Shaun actually a zombie at the start of the film, who awakens into humanity?
    • Could a pub really be the best place to ride out the apocalypse?
    • And how the hell did Shaun survive that crowd of flesh-eaters outside the Winchester?

    Damo goes full philosopher, questioning the human condition in the age of smartphones (spoiler: we’re all zombies), while Matt wonders why anyone would throw priceless vinyl at the undead.

    But it’s not all jokes and Queen sing-alongs, the episode also touches on the emotional beats of the film, like Shaun’s relationship with his mum and stepdad, the heartbreak of watching loved ones turn, and the surprisingly poignant ending that still manages to sneak in one last gag.

    The boys also fire off rapid takes in “The Good, The Bad and The Ugly,” with highlights like:

    • The perfect pacing and editing of the dual morning walk sequences
    • The underappreciated brilliance of the bizarro “mirror crew” scene
    • And Ed’s ability to be the most annoying – yet somehow still likeable – flatmate in cinema history

    Throw in some choice reviews from critics (both good and hilariously bad), box office trivia, and the revelation that director Edgar Wright used just $4 million to craft a film that grossed over $30 million and launched a thousand pub-themed Halloween costumes, and you’ve got yourself one hell of a breakdown.

    Oh, and yes, the team briefly wonders why cricket bats are now over $1,000, a real horror show.

    So whether you’re a diehard fan of the Cornetto Trilogy or new to the undead scene, this episode is a must-listen.

    Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!

    Join the conversation:

    • Is Shaun of the Dead the best zombie comedy ever made?
    • Would you ride out the apocalypse in a pub?
    • And what’s the best record to throw at a zombie?


    #BornToWatch #ShaunoftheDead #EdgarWright #SimonPegg #ZombieComedy #BritishHumour #HorrorComedy #NickFrost #CornettoTrilogy #MoviePodcast

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    1 h y 32 m
  • No Country For Old Men (2007)
    Jul 8 2025

    Tonight, Born to Watch delves deep into the dusty, desolate West Texas badlands to dissect a modern masterpiece: the Coen Brothers’ haunting 2007 thriller, No Country for Old Men. It’s a film that sidesteps genre conventions, delivering existential dread with a bolt gun and cowboy boots. The full Born to Watch crew is in session, and from the moment Whitey’s epic intro begins, you know this episode is going to be as layered and unpredictable as Anton Chigurh himself.

    Right from the start, the boys are firing, rattling off 2007’s Oscar lineup, debating Juno’s place in film history, and showering praise on Daniel Day-Lewis’ oil-thirsty turn in There Will Be Blood. But tonight belongs to a different kind of monster: Javier Bardem’s Anton Chigurh. Is he cinema’s most terrifying villain? Whitey thinks he’s second only to Darth Vader, and with that hair, maybe even scarier.

    As the team recalls first viewings and rewatch counts (shoutout to G Man’s 15 and counting), the discussion spirals into tales of obsessive fans, including a local surfboard shaper who watched the movie weekly and theorised on every nuanced frame. This isn’t just a movie, it’s a layered riddle that demands attention, multiple viewings, and, apparently, a decent video store rental policy.

    Each Born to Watch host brings their own flavour to the conversation. Damo labels it a “one watcher” for its grim tone, while Dan declares it a regular “downtime” favourite on the land, fitting for a film that captures so much dusty silence and moral ambiguity. G Man and Whitey, meanwhile, dig into the deeper layers, noting how every watch reveals something new.

    The cast gets a well-deserved spotlight, with special attention paid to Javier Bardem’s quietly horrifying performance. Gow dives into Bardem’s rugby-playing past (yes, really) and his reluctance toward violent roles, ironic, considering Chigurh is basically Death with a pageboy cut. Josh Brolin’s understated turn as Llewelyn Moss also gets love, as does Tommy Lee Jones’ weary, philosophical sheriff. The gang reflects on Woody Harrelson’s all-too-brief but memorable role and Kelly Macdonald’s heartbreaking final scene.

    And in true Born to Watch fashion, the episode isn’t just about highbrow film theory; it’s a ride. Expect detours into Aussie weather patterns, rogue toasties, and the quality of Diane Lane’s 2010s filmography. There are tangents on Baywatch, Peter Phelps’ acting career, and even a debate on the New Yorker’s most pretentious film review ever written. Trust us, you won’t want to miss Whitey translating the nonsense of a critic who thinks name-dropping Elmore Leonard makes a hot take.

    As always, the team weighs in on whether the film cracks the Rank Bank. But the real joy is in the journey: Gow’s taglines, Dan’s literary deep dives, and Damo’s reluctant respect all add up to a collective conclusion: No Country for Old Men might just be the smartest film to ever feature a cattle gun.

    So, if you love Oscar-winning nihilism, coin toss-induced dread, or just want to hear a bunch of Aussie legends unravel one of the Coens’ most unnerving films, this is the episode for you.

    JOIN THE CONVERSATION

    • Is No Country for Old Men the Coens’ bleakest brilliance or just a beautifully shot nightmare?
    • Would you call it heads or tails… or just run for the hills?
    • Is Anton Chigurh cinema’s most chilling villain or just a man with a bad haircut and worse manners?

    Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!

    Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.

    Don’t forget to LIKE, SUBSCRIBE, and click the 🔔 to stay updated on all things Born to Watch—your weekly fix of nostalgia, nonsense, and no-holds-barred movie breakdowns.

    #NoCountryForOldMen #BornToWatch #MoviePodcast #CoenBrothers #AntonChigurh #OscarWinner #FilmReview #ModernWestern #JavierBardem #CormacMcCarthy

    Más Menos
    2 h y 20 m
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