This episode covers a broad swath of the American South ranging from the work of Ernest Withers in Memphis, Tennessee as discussed by his daughter Rosalind Withers, to Dallas and Fort Worth, Texas where Bob Ray Sanders and Norma Adams Wade talk about their extensive experiences working in the newspaper business.

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Image Credit: Ernest C. Withers (b. 1922, Memphis, TN; d. 2007, Memphis, TN), Dr. Martin Luther King Jr. and Rev. Ralph David Abernathy ride on one of the first desegregated buses, Montgomery, AL, 1956, printed 1994, gelatin silver print, 16 × 20 in. (40.6 × 50.8 cm), Carnegie Museum of Art, The Henry L. Hillman Fund, 2025.7.9

There are two different stories in this episode—the first is rooted in Southern California, where Bruce Talamon got his start photographing the legends of R&B and soul in the 70s and 80s. The other takes us further north, in and around Oakland, where filmmaker Stanley Nelson documented the Black Panthers as they became their own image-makers, using the power of art and design to build a movement.

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Cover photo: Bruce Talamon(b. 1949, Los Angeles, CA), Jackson supporters during his speech to the 1984 Democratic Convention, San Francisco, July 18, 1984chromogenic print, 11 × 17 in. (27.9 × 43.2 cm)Library of Congress, Prints and Photographs Division, Washington, DC

In this episode, photographer Clinton Wright talks about what it was like to move to and photograph Las Vegas in the 1960s and 70s, a time when many casinos were still segregated. Aaron Mayes and Claytee White, who work with Wright’s archive at the UNLV Libraries Special Collection help situate these photographs within the historical context of Civil Rights activism in Las Vegas.

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Cover Image: Clinton Wright (b. 1940, Altheimer, AR), Cosmetiques campaign rally at Moulin Rouge, 1970, University of Nevada, Las Vegas, University Libraries, Special Collection and Archives