Biographers in Conversation Podcast Por Gabriella arte de portada

Biographers in Conversation

Biographers in Conversation

De: Gabriella
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Biographer Gabriella Kelly-Davies chats with biographers across the world about the myriad of choices they make while researching, writing and publishing life stories. In every episode, she explores elements of narrative strategy such as structure, use of fiction techniques, facts and truth, beginnings and endings and to what extent the writer interpreted the evidence rather than providing clues and leaving it to readers to do the interpreting themselves. She also asks how they researched their books; how they balanced a subject’s public, personal and inner lives; and ethical issues, such as privacy and revealing secrets.Copyright 2024 All rights reserved. Arte Historia y Crítica Literaria
Episodios
  • Circle of Wonders - Truth-telling in Storytelling
    Sep 24 2026

    In this latest episode of Biographers in Conversation, Dr Kathryn Heyman chats with Dr Gabriella Kelly-Davies about Circle of Wonders.

    Here’s what you’ll discover in this episode:

    • ‘Circle of Wonders’ is a novel about a group of women who gather in the Blue Mountains to support their friend Ronnie Bloom through the final month of her life.
    • ‘Circle of Wonders’ began as a memoir shortly after Kathryn’s sister and mother died in the same month during 2020.
    • Ten weeks later, Kathryn decided to write the book as fictional version of the story. It is then that she found the story’s circular, lunar structure.
    • Kathryn explains why the story needed multiple voices rather than one: capturing an ‘ensemble’ or ‘choral’ experience of community meant she no longer had the ethical right to tell it as memoir.
    • Kathryn reflects on the ethics of writing about real people.
    • Drawing on William Faulkner, Kathryn distinguishes facts from emotional truth, arguing that fiction can sometimes reach a more profoundly truthful place than memoir by freeing the writer from strict fidelity to external events.
    • The book’s structure mirrors the lunar cycle, with the final breath looping back into the first sentence, reflecting Kathryn’s belief that ‘all time is now’ and every ending is also a beginning.
    • Kathryn closes our conversation with advice for writers straddling memoir, biography and fiction: write the story as it arrives first, then decide on its category. She recommends British novelist Jill Dawson as a model for biographical fiction.
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    35 m
  • Dr Koop: The Many Lives of the Surgeon General
    Oct 1 2026

    In this episode of Biographers in Conversation, Dr Nigel Cameron chats with Dr Gabriella Kelly-Davies about Dr Koop: The Many Lives of the Surgeon General.

    Here’s what you’ll discover in this episode:

    • Why Nigel Cameron opened the narrative with a preface portraying the octogenarian Dr C. Everett Koop.
    • Nigel chose the title, The Many Lives of the Surgeon General, to reflect Koop’s multidimensional roles as a paediatric surgeon, public-health crusader, policymaker and complex human being.
    • How Nigel translated complex scientific and medical concepts into engaging, novelistic prose.
    • How Nigel crafted a kaleidoscopic portrait by balancing Koop’s stern public persona with intimate human stories, family anecdotes and personal vulnerabilities.
    • How Nigel drew on his bioethics background to frame Koop’s decisions in terms of moral conviction, public trust and the ethical dimensions of placing science above politics.
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    44 m
  • Parallel Lives: From Freud and Mann to Arbus and Plath
    Sep 17 2026

    In this episode of Biographers in Conversation, Jeffrey Meyers chats with Dr Gabriella Kelly-Davies about Parallel Lives: From Freud and Mann to Arbus and Plath

    Here’s what you’ll discover in this episode:

    • Jeffrey Meyers adopted Plutarch’s parallel lives approach in Parallel Lives, pairing famous figures to uncover common threads of creativity, ambition and struggle across different fields.
    • Jeffrey selected subjects based on their creative genius and discovered connections, whether through direct relationships or shared psychological and artistic patterns.
    • Jeffrey structured chapters by interweaving the two biographies chronologically from the start rather than alternating focus between subjects.
    • Jeffrey used personal interviews and unpublished sources as most revealing, including conversations with Sylvia Plath’s mother and unpublished manuscripts.
    • Jeffrey adjusted his authorial voice when writing about different subjects, recognising that Hitler required a different tone than Sylvia Plath.
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    34 m
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