In this week’s episode of Beyond the Verse, the official podcast of PoemAnalysis.com and Poetry+, Maiya and Joe focus on Christina Rossetti’s ‘Remember,’ one of the most enduring sonnets of the Victorian period.

After Maiya’s reading, they look at Rossetti’s background: her Italian literary family, her early breakdown at fourteen, her deep commitment to Anglo-Catholic faith, and her choice to remain unmarried despite several proposals. These details help frame the intensity and restraint within her poetry.

The hosts examine the poem’s Petrarchan sonnet form, with its octave demanding remembrance and its sestet softening into acceptance. They discuss how the volta shifts the tone from insistence to selflessness, where the speaker prioritizes her loved one’s peace over her own memory.

Rossetti’s use of euphemistic language for death—“the silent land,” “gone away”—is considered in relation to Victorian ideals, religious imagery, and comparisons with other poets such as Elizabeth Barrett Browning and Dylan Thomas. They also consider whether the addressee might be her former fiancé, a family member, or a more universal figure, and how the act of remembrance can be both intimate and impersonal.

The episode closes by reflecting on how ‘Remember’ balances personal grief with broader cultural expectations of Victorian womanhood, showing both conformity and quiet resistance. Rossetti’s restraint becomes a kind of power, allowing her to leave a lasting legacy through poetry.

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In this week’s episode of “Beyond the Verse,” the official podcast of PoemAnalysis.com and Poetry+, Maiya and Joe turn their attention to Langston Hughes, one of the most influential voices of the Harlem Renaissance.

They begin with Hughes’s life, from his birth in Missouri in 1901 to his travels across Africa and Europe, his brief stay in Paris, and the release of his groundbreaking collection The Weary Blues in 1926. Along the way, they place him in the wider context of the Harlem Renaissance, the Great Migration, and America’s racial and cultural shifts across the twentieth century.

The discussion moves through some of Hughes’s most powerful works, beginning with 'The Negro Speaks of Rivers,' where Hughes connects African American identity to ancient rivers and collective history. Maiya and Joe consider how Hughes reclaims narrative authority, blending personal and communal voices with timeless imagery. They also explore 'Mother to Son' and its extended metaphor of climbing broken stairs, showing resilience in the face of hardship. From there, they turn to 'I, Too' as a direct response to Walt Whitman, a bold claim of belonging in America, and finally 'Harlem (A Dream Deferred),' a sharp meditation on frustration, deferred hope, and the elusive promise of the American Dream.

By the end, the episode shows how Hughes’s poetry continues to resonate, influencing writers, musicians, and movements from Baldwin and Hansberry to Kendrick Lamar. His work stands as both a product of its time and a voice that continues to shape how America understands itself.

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In this week’s episode of “Beyond the Verse,” the official podcast of PoemAnalysis.com and Poetry+, Maiya and Joe dive into Samuel Taylor Coleridge’s haunting masterpiece, ‘The Rime of the Ancient Mariner’.

They begin with Coleridge’s life and the birth of the Romantic movement, situating the poem within its 1798 publication in Lyrical Ballads. The hosts explore Coleridge’s radical youth, his bond with Wordsworth, and the wider cultural context of exploration, superstition, and shifting faith in the late eighteenth century.

The discussion moves through the Mariner’s fateful journey: the killing of the albatross, the curse that follows, and the unsettling mix of Christian and pre-Christian imagery. Maiya and Joe consider how Coleridge plays with ballad form, rhyme, and rhythm, using sing-song quatrains to deliver some of the darkest content in English poetry. They unpack how the albatross becomes one of literature’s most enduring symbols, resonating across writers from Mary Shelley and Charles Baudelaire to Herman Melville, Robert Eggers, and even Taylor Swift.

By the end, the episode weighs whether the Mariner’s tale is really a moral teaching or simply an endless cycle of guilt and retelling, a punishment that reflects both ancient myth and Coleridge’s own troubled mind.

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• ‘The Rime of the Ancient Mariner’ PDFs:
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• Samuel Taylo

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