Behind the Cover with Indiana University Press Podcast Por New Books Network arte de portada

Behind the Cover with Indiana University Press

Behind the Cover with Indiana University Press

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Interviews with authors of Indiana University Press books.New Books Network Arte Historia y Crítica Literaria Mundial
Episodios
  • Jessica Catherine Reuther, "The Bonds of Kinship in Dahomey: Portraits of West African Girlhood, 1720–1940" (Indiana UP, 2025)

    Jessica Catherine Reuther, "The Bonds of Kinship in Dahomey: Portraits of West African Girlhood, 1720–1940" (Indiana UP, 2025)
    Nov 15 2025
    From the 1720s to the 1940s, parents in the kingdom and later colony of Dahomey (now the Republic of Benin) developed and sustained the common practice of girl fostering, or "entrusting." Transferring their daughters at a young age into foster homes, Dahomeans created complex relationships of mutual obligation, kinship, and caregiving that also exploited girls' labor for the economic benefit of the women who acted as their social mothers. Drawing upon oral tradition, historic images, and collective memories, Jessica Reuther pieces together the fragmentary glimpses of girls' lives contained in colonial archives within the framework of traditional understandings about entrustment. Placing these girls and their social mothers at the center of history brings to light their core contributions to local and global political economies, even as the Dahomean monarchy, global trade, and colonial courts reshaped girlhood norms and fostering practices. In The Bonds of Kinship in Dahomey: Portraits of West African Girlhood, 1720–1940 (Indiana UP, 2025) Reuther reveals that the social, economic, and political changes wrought by the expansion of Dahomey in the eighteenth century, the shift to "legitimate" trade in agricultural products in the nineteenth century, and the imposition of French colonialism in the twentieth all fundamentally altered—and were altered by—the intimate practice of entrusting female children between households. Dahomeans also valorized this process as a crucial component of being "well-raised"—a sentiment that continues into the present, despite widespread Beninese opposition to modern-day forms of child labor. Dr. Jessica Reuther is an associate professor of African and world history at Ball State University in Muncie, Indiana, USA. She came to Ball State after earning her PhD in African History from Emory University in Atlanta, GA, in 2016. Dr. Reuther is a historian of Africa, specializing in Atlantic West Africa and French West Africa from the 16th century to the present. She has conducted archival and oral history research in Benin, Senegal, France, Switzerland, and the United States. You can learn more about her work here. Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana.
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    1 h y 14 m
  • Branka Bogdan, "The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia" (Indiana UP, 2025)

    Branka Bogdan, "The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia" (Indiana UP, 2025)
    Sep 30 2025
    From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation. The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds. Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world. Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here
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    51 m
  • Árni Heimir Ingólfsson, "Jón Leifs and the Musical Invention of Iceland" (Indiana UP, 2019)

    Árni Heimir Ingólfsson, "Jón Leifs and the Musical Invention of Iceland" (Indiana UP, 2019)
    Sep 27 2025
    In Jón Leifs and the Musical Invention of Iceland (Indiana University Press, 2019), Árni Heimir Ingólfsson provides a striking account of the dramatic career of Iceland's iconic composer. Leifs (1899–1968) was the first Icelander to devote himself fully to composition at a time when a local music scene was only beginning to take form. He was a fervent nationalist in his art, fashioning an idiosyncratic and uncompromising 'Icelandic' sound from traditions of vernacular music with the aim to legitimize Iceland as an independent, culturally empowered nation. In addition to exploring Leifs's career, Ingólfsson provides detailed descriptions of Leifs's major works and their cultural contexts. Leifs's music was inspired by the Icelandic landscape and includes auditory depictions of volcanos, geysers, and waterfalls. The raw quality of his orchestral music is frequently enhanced by an expansive percussion section, including anvils, stones, sirens, bells, ships' chains, shotguns, and cannons. Largely neglected in his own lifetime, Leifs's music has been rediscovered in recent years and hailed as a singular and deeply original contribution to twentieth-century music. Jón Leifs and the Musical Invention of Iceland enriches our understanding and appreciation of Leifs and his music by exploring the political, literary and environmental contexts that influenced his work.
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    1 h y 8 m
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