Episodios

  • 004 - Act IV

    004 - Act IV
    Feb 13 2026
    In this delightful comedy, Count Almaviva finds his heart captivated by the enchanting Rosine. Yet, he fears that her affections may be tied to his wealth. Can the clever Figaro come to his aid? This play, the first in Beaumarchais renowned Figaro trilogy, was penned in 1773 but faced political and legal hurdles that delayed its debut until 1775. The Barber of Seville has inspired over five operatic adaptations, with Rossinis version being the most celebrated. The trilogy continues with The Follies of a Day or the Marriage of Figaro and The Guilty Mother. - Summary by Lynette Caulkins
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    24 m
  • 003 - Act III

    003 - Act III
    Feb 13 2026
    In this delightful comedy, Count Almaviva finds his heart captivated by the enchanting Rosine. Yet, he fears that her affections may be tied to his wealth. Can the clever Figaro come to his aid? This play, the first in Beaumarchais renowned Figaro trilogy, was penned in 1773 but faced political and legal hurdles that delayed its debut until 1775. The Barber of Seville has inspired over five operatic adaptations, with Rossinis version being the most celebrated. The trilogy continues with The Follies of a Day or the Marriage of Figaro and The Guilty Mother. - Summary by Lynette Caulkins
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    37 m
  • 002 - Act II

    002 - Act II
    Feb 13 2026
    In this delightful comedy, Count Almaviva finds his heart captivated by the enchanting Rosine. Yet, he fears that her affections may be tied to his wealth. Can the clever Figaro come to his aid? This play, the first in Beaumarchais renowned Figaro trilogy, was penned in 1773 but faced political and legal hurdles that delayed its debut until 1775. The Barber of Seville has inspired over five operatic adaptations, with Rossinis version being the most celebrated. The trilogy continues with The Follies of a Day or the Marriage of Figaro and The Guilty Mother. - Summary by Lynette Caulkins
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    47 m
  • 001 - Act I

    001 - Act I
    Feb 13 2026
    In this delightful comedy, Count Almaviva finds his heart captivated by the enchanting Rosine. Yet, he fears that her affections may be tied to his wealth. Can the clever Figaro come to his aid? This play, the first in Beaumarchais renowned Figaro trilogy, was penned in 1773 but faced political and legal hurdles that delayed its debut until 1775. The Barber of Seville has inspired over five operatic adaptations, with Rossinis version being the most celebrated. The trilogy continues with The Follies of a Day or the Marriage of Figaro and The Guilty Mother. - Summary by Lynette Caulkins
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    29 m