Eveen the Eviscerator is skilled, discreet, professional, and here for your most pressing needs in the ancient city of Tal Abisi. Her guild is strong, her blades are sharp, and her rules are simple. Those sworn to the Matron of Assassins—resurrected from death and wiped of their memories—have only three unbreakable vows.

First, the contract must be just. Second, even the most powerful assassin may only kill the contracted. The third and the simplest: once you accept a job, you must carry it out. And if you stray? There's hell to pay--literally. When the Festival of the Clockwork King turns the city upside down, Eveen’s newest mission brings her face-to-face with a past she isn’t supposed to remember and a vow she can’t forget.

In this reading, we meet the undead assassin Eveen as she readies to set out on a job. Gliding high above Tal Abisi from rooftop to rooftop, she surveys the night Festival of the Clockwork King--where careful readers will catch glimpses of a mashup of New Orleans Mardi Gras, Carriacou Shakespeare Mas, Trinidad Canboulay, allusions to Lord Blakie's "Steelband Clash"--and more.

Phenderson Djéli Clark is the award-winning and Hugo, Nebula, World Fantasy, and Sturgeon nominated author of the Abeni’s Song series and A Master of Djinn, and the novellas The Dead Cat Tail Assassins, Ring Shout, The Black God’s Drums, and The Haunting of Tram Car 015. His short stories have appeared in venues such as Tor.com and anthologies including, Hidden Youth and Black Boy Joy.

Tracing a lineage from Ragga Soca, Rapso, and Extempo to legendary carnival speech characters like the Pierrot Grenade, Baby Doll, and Midnight Robber, this podcast proves that spoken word is a cultural force and tradition in Trinidad and Tobago. Join amílcar peter sanatan as he wanders through the steelpan yards of East Port-of-Spain, the ache of tabanca and bombastic badness in "Robber Talk." Immerse yourself in the rhythms, songs, and metaphors of a people who claim transform every street and period of history into a stage.

amílcar peter sanatan is an interdisciplinary Caribbean artist, educator and activist. He is from Trinidad and Tobago and currently working between East Port-of-Spain, Trinidad and Helsinki, Finland. He won the Bridget Jones Caribbean Arts Award for poetry and his creative nonfiction was shortlisted for the Johnson and Amoy Achong Prize for Caribbean Writers. sanatan participated in scholarly and arts-based fellowships with Bocas Lit Fest, Journal of International Women’s Studies and Promundo. He is the author of two poetry chapbooks: About Kingston and The Black Flâneur: Diary of Dizain Poems, Anthropology of Hurt.