A splash is the fastest thing in the world—blink-and-it’s-gone. So how did David Hockney turn a half-second event into an entire philosophy of looking?

In this episode of Art Happens: The Divine Mess of Art History, James dives into Hockney’s lifelong obsession with vision: not “How accurate is it?” but “How does seeing feel?” We start with “A Bigger Splash” (1967)—that calm modern pool interrupted by a frozen white explosion—now in Tate Britain. From there, we jump to Hockney’s 1980s Polaroid “joiners,” where a scene becomes a stitched-together experience—more like memory than a single authoritative snapshot.

Then we zoom out to Hockney’s bigger provocation: perspective isn’t a law, it’s a habit. In Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters, he argues that optics may have shaped how Old Masters built realism—and whether you buy every claim or not, the creative takeaway is liberating: if the tool stops helping you see, change the tool.

Finally, Hockney picks up the iPhone and iPad and does what he’s always done—makes new tech feel handmade. We visit Fleurs fraîches in Paris at Fondation Pierre Bergé – Yves Saint Laurent (Oct 20, 2010–Jan 30, 2011): glowing digital flowers presented in their original device format, like pocket-sized stained glass.

If you’ve ever worried about doing it the “right” way, this is your permission slip to ask a better question: Is this helping me see?

And for more creative fuel, hop over to Lattes & Art after this episode.

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J-Squared Aterlier (J2Atelier)
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In this episode of Art Happens: The Divine Mess of Art History (presented by J-Squared Atelier), host James William Moore pulls back the curtain on the myth that art is “above politics.” Because history doesn’t back that up—when the world catches fire, artists don’t always whisper. Sometimes they make images so loud you can’t unsee them.

In Behind the Brush: When Art Gets Political, we follow political art as witness, protest, and pressure—starting with Francisco Goya’s The Third of May 1808, a painting that refuses to romanticize war and instead stares brutality straight in the face. Then we jump to the 1980s, where the Guerrilla Girls weaponize anonymity, humor, and hard data to expose inequality inside the museum itself—turning visibility into a battleground.

This episode breaks down what makes art political (hint: it’s not the style—it’s the intent), why institutions are never truly “neutral,” and how images can outlive their moment to ensure future generations can’t claim, “I didn’t know.”

Because the point isn’t to be approved.

The point is to be seen.

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J-Squared Aterlier (J2Atelier)
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📸 Instagram: @J2Atelier
James William Moore
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📸 Instagram: @the_jwmartist

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A portrait that refuses to sit still.

In this episode of Art Happens: The Divine Mess of Art History, host James William Moore opens the case file on Jan van Eyck’s Arnolfini Portrait (1434)—a painting where the real plot twist isn’t the couple… it’s the mirror. A convex glass “eye” on the back wall reflects two unexpected figures in the doorway, pulling us into the room and turning a simple portrait into a staged moment, a legal-looking document, and a psychological trap.

We examine the painting’s most suspicious “clues”—the single burning candle, abandoned shoes, watchful dog, expensive oranges, prayer beads, and the mirror ringed with tiny Passion scenes—then follow the scholarly debate: wedding scene, betrothal, memorial, status flex… or a deliberate mash-up designed to multiply meaning.

Van Eyck’s famous inscription—“Jan van Eyck was here”—lands less like a signature and more like witness testimony. And once you notice that, the painting stops being something you look at… and becomes something that looks back.

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J-Squared Aterlier (J2Atelier)
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📸 Instagram: @J2Atelier
James William Moore
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📸 Instagram: @the_jwmartist

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In this episode, we drop straight into Surrealism—where logic takes a back seat and the subconscious grabs the wheel. If you’ve ever seen a lobster perched on a telephone and thought, “Yep… that tracks,” you already understand the vibe.

Born in the 1920s after World War I, Surrealism wasn’t “random for random’s sake”—it was a rebellion against the idea that reason alone could explain (or prevent) catastrophe. Guided by André Breton’s manifesto and supercharged by Sigmund Freud’s dream theories, Surrealists chased the hidden forces underneath everyday life: desire, fear, memory, obsession—everything we pretend isn’t running the show.

We break down the movement’s signature tactics—automatism, chance-based games like Exquisite Corpse, and juxtaposition—then step into the worlds of three iconic Surrealists: Salvador Dalí, with melting clocks and the famously unsettling Lobster Telephone; René Magritte, quietly sabotaging reality with razor-clean images and mind-bending statements; and Leonora Carrington, expanding Surrealism into myth, transformation, and a symbolic language that refuses to shrink women’s inner worlds into someone else’s fantasy.

Surrealism endures because it tells a truth we don’t love admitting: we’re not as rational as we think. This episode is your invitation to let the weird out—not to escape reality, but to expose what it’s hiding.

“They painted dreams not to escape reality — but to expose it.”

If Surrealism lit a spark, pour another shot with Lattes & Art—where we talk to artists about how the magic actually gets made.

Lattes & Art Podcast

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Stay inspired with new episodes every week! Don’t miss out on deep conversations with artists, curators, and creators exploring the vibrant world of contemporary art.

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J-Squared Aterlier (J2Atelier)
🌐 Website: J2 Atelier
📸 Instagram: @J2Atelier
James William Moore
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📸 Instagram: @the_jwmartist

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In this Artist Snapshot episode of Art Happens: The Divine Mess of Art History (presented by J-Squared Atelier), host James William Moore traces Jean-Michel Basquiat’s rise from the SAMO© tag on late-1970s Manhattan streets to the early-1980s gallery scene. The episode breaks down how Basquiat “samples” language and imagery—using words, cross-outs, repetition, crowns, skulls, and anatomy—to build paintings that feel like the city itself.

You’ll hear key milestones, including his first New York solo show at Annina Nosei Gallery (March 6–April 1, 1982) and the cultural collision captured by the 1985 New York Times Magazine “New Art, New Money” cover. The episode also highlights Basquiat’s direct engagement with race, power, and policing through “Defacement (The Death of Michael Stewart)” (1983), and reflects on his death in 1988 and how his legacy grew alongside the art market’s obsession with him.

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Stay inspired with new episodes every week! Don’t miss out on deep conversations with artists, curators, and creators exploring the vibrant world of contemporary art.

Connect with Us:

J-Squared Aterlier (J2Atelier)
🌐 Website: J2 Atelier
📸 Instagram: @J2Atelier
James William Moore
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📸 Instagram: @the_jwmartist

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When the camera arrived in the 1800s, it didn’t just introduce a new gadget — it triggered a full-blown identity crisis for painters. In this episode of Art Happens: The Divine Mess of Art History, host James William Moore digs into the moment photography “kicks the door in,” forcing painting to choose: compete on realism… or reinvent itself.

We’ll travel from the ghostly early daguerreotype to Realism’s unfiltered truth-telling, then into Impressionism’s radical pivot toward light, atmosphere, and the feeling of seeing. The twist? Photography didn’t kill painting — it freed it, cracking open the path to experimentation, abstraction, and the modern art world as we know it.

Final Stroke: When painting met photography, it didn’t die—it evolved.

Presented by J-Squared Atelier. And if you want more creative origin stories, check out Lattes & Art.

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Stay inspired with new episodes every week! Don’t miss out on deep conversations with artists, curators, and creators exploring the vibrant world of contemporary art.

Connect with Us:

J-Squared Aterlier (J2Atelier)
🌐 Website: J2 Atelier
📸 Instagram: @J2Atelier
James William Moore
🌐 Website: James William Moore
📸 Instagram: @the_jwmartist

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A “lost” Van Gogh wasn’t stolen. It wasn’t destroyed. It was simply dismissed—and then left to gather dust in an attic beside Christmas ornaments and broken lamps for more than a century.

In this episode of Art Happens: The Divine Mess of Art History, host James William Moore unpacks the real-life mystery of Sunset at Montmajour: a painting Van Gogh described to Theo in 1888, then seemingly vanished from the record. We follow the trail from early 1900s misidentification (no signature, “style feels off,” no documentation) to the ultimate forensic-style investigation—pigment analysis, UV testing, wood panel study, and letter comparisons—that finally led the Van Gogh Museum to confirm the truth in 2013: it was Vincent all along. And behind the authentication is the deeper story: a fragile peak in Van Gogh’s life, sunlight painted with unease, and the haunting irony that he kept fighting to be seen—long after he was gone.

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Stay inspired with new episodes every week! Don’t miss out on deep conversations with artists, curators, and creators exploring the vibrant world of contemporary art.

Connect with Us:

J-Squared Aterlier (J2Atelier)
🌐 Website: J2 Atelier
📸 Instagram: @J2Atelier
James William Moore
🌐 Website: James William Moore
📸 Instagram: @the_jwmartist

Leave a Review:
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Step into the buzzing streets of 19th-century Paris, where bright new boulevards and a rapidly modernizing world were transforming everything—except the art establishment. In this episode of Art Happens: The Divine Mess of Art History, host James William Moore unpacks the dazzling rebellion that erupted when a group of young painters refused to play by the Académie’s rigid rules .

From Monet dragging his easel into the sunlight, to Renoir painting pure joy, to Berthe Morisot and Mary Cassatt reshaping art through the eyes of women, these artists dared to paint life as it truly appeared: fleeting, imperfect, luminous. When the Salon rejected them en masse, the uproar led to the birth of the Salon des Refusés, a showcase of the “refused” that accidentally sparked a revolution .

With humor, insight, and a healthy dose of chaos, this episode reveals how a group of outsiders changed art forever by painting not the world itself, but how it felt to see it .

Rebels. Rule-breakers. Soft-focus revolutionaries.

This is the story of Impressionism — and the permission it still gives us today.

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Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

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Stay inspired with new episodes every week! Don’t miss out on deep conversations with artists, curators, and creators exploring the vibrant world of contemporary art.

Connect with Us:

J-Squared Aterlier (J2Atelier)
🌐 Website: J2 Atelier
📸 Instagram: @J2Atelier
James William Moore
🌐 Website: James William Moore
📸 Instagram: @the_jwmartist

Leave a Review:
Love what you hear? Help us grow by leaving a review on your favorite podcast platform! Your feedback keeps us inspired. 🎙️☕