As we take our last between-decade break, Munsi Parker-Munroe returns to challenge Dan to a game. Munsi looks back at franchises from their youths, and asks Dan to guess which they genuinely liked, which they pretended to like because they were popular and boy-coded (and Munsi was at the time also boy-coded and hoping to be popular), and which they would have liked if only they'd felt safe indulging in them. Dan weighs in as someone who knew he wasn't supposed to like certain girl-coded shows, but figured what the patriarchy didn't know wouldn't hurt it. What holds up when you stop letting gender norms tell you what to like? Find out!

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Awards season 2009 came down to a telenovela-worthy duel between Kathryn Bigelow with her war drama The Hurt Locker, and her ex-husband James Cameron, delivering his second consecutive Highest Grossing Movie Ever with Avatar. Kevin Weir re-joins Erin, Claire, and Dan to break it all down. Claire is not thrilled, Dan explains how a later release makes Hurt Locker seem much better, Erin posits you can only like movies about one war. But then it's off to Pandora, to dig into the groundbreaking visuals and threadbare narrative of Avatar, the global phenomenon everybody forgets is one of history's most successful movies. Which do our hosts prefer? Find out!

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After the directors of Goodfellas and Fargo won Oscars for their bleakest movies to that point, Danny Boyle won over the Academy with something basically uplifting: the story of a poor Indian youth chasing his fairytale ending via a western game show in Slumdog Millionaire. First time viewers Erin and Claire ponder Jamal's journey, while on his third viewing Dan finds some grace for Jamal's dirtbag brother. But the people's champion became a snub that changed everything, as Christopher Nolan's Batman saga reached its apex in The Dark Knight. A billion dollars later, it changed the very face of the Oscars going forward, and we have some takes. Lock in your final answer: listening in.

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In the wake of Martin Scorsese getting nominated for his bleakest movie (pre-Silence), the Coen Brothers deliver their bleakest effort (pre-A Serious Man) with No Country For Old Men, pitting an opportunistic hunter Josh Brolin and a pragmatic sheriff Tommy Lee Jones against human Terminator Javier Bardem. Audiences, however, are torn between two threequels that fail to live up to the originals, as Jack Sparrow and Spider-Man face off. Is At World's End a better Pirates movie than it gets credit for? Which Spider-Man villain should have been cut our? Recovered's Keith Kollee returns to help Erin, Claire, and Dan break it down. Join in, lest Anton Chigurh hunt you down for refusing.

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It's 2006, and get ready for the most thrilling, action packed, high quality bummers of a movie. The Oscar finally found its way to Martin Scorsese, with his tense remake of Hong Kong flick Infernal Affairs, The Departed. Leonardo DiCaprio and Matt Damon go head to head in the Battle of the Snitches, and nobody walks away clean. Speaking of nobody being clean, audiences flocked back to Tortuga for the long awaited return of Jack Sparrow and the gang, as the Pirates of the Caribbean seek the Dead Man's Chest. Fish Monster Pirates and colonizing capitalists pursue our heroes while they all manage to scheme against each other. Claire, Erin, and Dan dissect both, while getting flummoxed by which actor got an Oscar nomination. Join in!

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While schedules align, Dan presents a one-man crossover between us and Recovered by asking the question... do the Best Pictures of the 20th century need or warrant a remake? From Wings to American Beauty (at which point they're all so recent it's a hard no), Dan skims through 72 years of Oscars darlings to sum up potential remakes: which could be, which should be, which must not, which already have been, and some fancasts along the way. Do we need a 2020s take on Gone With the Wind? Marty? Platoon? Dan assumes you asked, and he has the answers.

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It's 2005, and Munsi Parker-Munroe rejoins Erin, Claire, and Dan to discuss what is often called one of if not the worst Best Picture winner ever... by people who have not seen The Broadway Melody. It's Crash time, and Paul Haggis is trying to say something about racism but not managing more than "Racism, boy I dunno." Will the box office champ improve the viewing experience? It's Star Wars: Revenge of the Sith, often called the best of the Star Wars prequels, which to some is a badge of honour and to others akin to Roman Scandals being the best Eddie Cantor vehicle. Which side do our co-hosts and guest fall on? Find out!

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In the wake of Lord of the Rings dominating the Oscars the previous year, the Academy decided to go small and serious again, while the audience remain here for fantasy good times. The Oscar went to Million Dollar Baby, Clint Eastwood's story of three broken people bonding over boxing until boxing breaks them all the further. Meanwhile, audiences around the world had a relapse of Shrek Fever, flocking to Shrek, Fiona, and Donkey in greater numbers than they had for multiple pop culture icons that year. One has too many subplots and a 40 minute epilogue engineered to ruin your day, one has a high-energy needle-drop every time the escapades pause. Which do Claire, Erin, and Dan prefer? Find out!

Find all of our episodes and the rest of Writing Therapy Productions' various entertainments at www.writingtherapyproductions.com