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This week we’re joined by film scholar Syd Wrigley, who joins the podcast to discuss Gregg Araki’s famed Teen Apocalypse Trilogy. Starting with Totally Fucked Up in 1993, he followed it with The Doom Generationin 1995 and finally Nowhere in 1997, the trilogy that would define a generation and stands at the center of the New Queer Cinema movement. Recently re-released via Criterion, these films are being discovered by a brand new generation, and Araki is only now finding auteur status.

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This week we have an interview with director Dana Flor discussing her new documentary, 1-800-ON-HER-OWN, an intimate look at singer songwriter Ani DiFranco ! And we’re excited to announce a partnership with the filmmakers to bring the movie to Chicago! On April 13 at the #Music Box Chicago to catch the Chicago premiere in person!

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This week we're joined by writer Alonso Duralde, author of Hollywood Pride to discuss Barbra Streisand's directorial debut, Yentl. The story of a young woman who bucked convention, and gender norms, to follow her dreams. Progressive for 1983, the film was ahead of it's time, and is undergoing a queer reappraisal.

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We only have one tradition here at Piece of Pie, and that's our annual Oscar episode. We started this little podcast discussing the Oscars, and ever since we've made sure to cover them. This year Paul Klein and Chris Alexander join Brian to discuss queer representation at the yearly show, Conan O'Brien and more!

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This week we're joined by Chicago's Joan Waters, local drag queen and John Waters super fan, and we're taking a look at Polyester, John Waters' first studio film. With his biggest budget to date, Waters paid tribute to William Castle, and Douglas Sirk, two of his favorite filmmakers. Sirk directed the Rock Hudson classic All That Heaven Allows, a clear influence on queer filmmakers like Todd Haynes and Rainer Werner Fassbinder. So we paired it with Polyester as we take a look at the similarities, differences, and Sirk's continued influence in queer cinema.

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Brian interviews filmmaker, writer and actor Vera Drew about her debut film, The People's Joker. Produced on a shoestring budget and released in secret while Warner Bros waged a legal battle, The People's Joker uses popular DC Comics characters to tell a truly unforgettable coming age of story.

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We're saying goodbye to a tumultuous 2024 by discussing one of the year's biggest, and arguably gayest, box office hits. From bookshelves, to Broadway and now to movie theaters, Wicked is a superhero tentpole movie for theatre kids, but is it any good? And how does it hold up taken next to the beloved stage play? Rob and Max join Brian to discuss all that and more!

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We’re closing out spooky season with a couple of tear-jerkers. In one of our most poignant episodes, Brian opens up about the loss of his mother and how it affected watching these two films, one an Oscar powerhouse the other something of an Oscar also-ran, each of them with passionate queer followings given their stacked casts.