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10FPS A Photojournalism Podcast for Everyone

10FPS A Photojournalism Podcast for Everyone

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A Photojournalism Podcast by Photojournalists for EveryoneWLOY Loyola Radio Arte Ciencias Sociales Mundial
Episodios
  • Episode 176: Stephen Shames (Documentary Photography) Part 2

    Episode 176: Stephen Shames (Documentary Photography) Part 2
    Feb 24 2026
    Stephen Shames – A Legendary Documentary Photographer (Part 2) 📷 Who Is Stephen Shames? American documentary photographer with a career that began in 1966 – now over 60 years of shooting.Known for long‑term, immersive projects that blend social documentary with an intimate, “dream‑like” visual language.Creator of the acclaimed monograph “Steven Shames – A Lifetime in Photography” (published by Klaus Carer, Germany). 🌟 Signature Achievements YearProject / PhotoWhy It Matters1970‑73Black‑and‑white series on the Black Panther PartyCaptured a pivotal civil‑rights movement from inside.1985Iowa farm‑crisis reportageBuilt a multi‑year relationship with a struggling family; later provided them with treasured photos after a tragedy.1990sDrug‑dealer & police collaboration in PhiladelphiaShowed the nuanced humanity behind street‑level crime.2003Stephen Hawking portrait series(Philadelphia Inquirer Magazine)Gained unprecedented access by reading Hawking’s book cover‑to‑cover and proving deep commitment.2023Release of “A Lifetime in Photography”First book presented as a non‑chronological, dream‑sequence, mixing B&W duotone and color plates. 📚 Stephen Shames Book: “A Lifetime in Photography” Concept: Not a chronological retrospective, but a dream‑sequence that moves the viewer fluidly from image to image.Process: Scanned ~20,000 negatives, rated them in Adobe Bridge, collaborated with designer Caleb Kane Marcus, and completed the layout in 1–2 months.Production quirks: Separate signatures for duotone B&W and full‑color plates; careful handling of gutter‑cropping for double‑page spreads. 🎯 What Makes Stephen’s Work Stand Out? Deep Relationships: He treats subjects as family, earning trust that lasts decades (e.g., the Iowa family calling him 30+ years later).The “Zone” Mindset: Total, intuitive focus while shooting; emotions surface only after the shutter clicks.Consistent Visual Voice: Central composition, intimate close‑ups, and a blend of documentary realism with artistic abstraction—what he calls his “shames‑style.”Commitment Over Convenience: Willing to stay with his son instead of flying to a war zone; chooses projects that align with his personal values. 📖 Quick Bio for Press Stephen Shames creates award winning photo essays on social issues for foundations, advocacy organizations, the media, and museums. •• Author of twelve monographs. •• Steve’s images are in the permanent collections of 42 international museums and foundations. •• Outside the Dream won numerous awards including the Kodak Crystal Eagle Award for Impact in Photojournalism. •• 2008 bus shelter and subway ads for the NYC DADS campaign of the City of New York received a Pollie award from American Association of Political Consultants. ** PBS named Hine, Wolcott, and Shames as photographers whose work promotes social change. ** American Photo called him one of the “15 Most Underrated Photographers”. ** Profiled by People, CBS Sunday Morning. Esquire, US News, Ford Foundation Report. ** The Ford, Charles Stewart Mott, Robert Wood Johnson, and Annie E. Casey Foundations have underwritten his work. ** Started an NGO which locates forgotten children (AIDS orphans, former child soldiers, and children living in refugee camps) with innate talents and molds them into leaders by sending them to the best schools and college Steve is represented by: Amar Gallery, London, UK (vintage & contemporary art prints Steven Kasher Gallery, New York (vintage & contemporary art prints Polaris Images, New York (editorial & stock) 🔗 Where to Find His Work Official Book: Purchase a signed copy on eBay (search “Steven Shames signed book”).Online Galleries: Steven Shames Archive – Briscoe Center for American History, University of Texas at Austin.10FPS Episode 175 – Part 1 of the full interview discussing his process and philosophy. Exhibitions: Periodic shows at major museums (e.g., Museum of Modern Art, New York; International Center of Photography). 📌 Takeaway for Photographers Build trust: Treat subjects as collaborators, not just subjects.Cultivate a signature style: Consistency in composition and tone makes your work instantly recognizable.Embrace the Zone: Focus fully while shooting, then allow space to process emotions afterward. ______ farm crisis, Iowa family portraits, suicide remembrance, long‑term photographic projects, building trust with subjects, photographer’s dedication/commitment, beeper/assignment culture, Israel‑Lebanon conflict coverage, child soldier imagery, color vs. black‑and‑white printing, book editing process, scanning thousands of negatives, Briscoe Center archive, dream‑sequence book concept, collaborative design with Caleb Kane Marcus, double‑page spreads, duotone production, gutter cropping, celebrity portraiture (Obama, Sadat), Tokyo subway kids photo, style development (Meyerowitz, ...
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    50 m
  • Episode 175: Stephen Shames (Documentary Photography) Part 1

    Episode 175: Stephen Shames (Documentary Photography) Part 1
    Feb 18 2026
    Stephen Shames: A Lifetime in Photography – Lessons on Social Documentary, the Black Panthers, and Child Poverty (Part 1) Introduction In the latest episode of “10 Frames per Second,” host Molly & Joe interview legendary American photojournalist Stephen Shames. Over a 50‑year career, Shames has documented everything from the Black Panther Party to child poverty in America, testifying before the U.S. Senate and publishing twelve monographs. If you’re a photographer, journalist, activist, or anyone who cares about visual storytelling, this interview is a goldmine. Below we break down the most actionable takeaways, organize them into easy‑to‑read sections, and show you how to apply Shames’s methods to your own work. Who Is Stephen Shames? FactDetailProfessionPhotojournalist & documentary photographerCareer span50+ years (1960s‑present)FocusSocial issues – child poverty, racism, civil rightsNotable achievementsTestified before the U.S. Senate (1986), 42 museum collections, 12 monographs (e.g., Power to the People, Outside the Dream), new book Stephen Shames – A Lifetime in Photography – Purchase Directly with Autograph and Print from Stephen via eBay HEREKey collaborationsBlack Panther leader Bobby Seale, New York Times reporter Earl Caldwell, various grassroots organizations How Stephen Shames Discovered Photography College activism – While studying at UC Berkeley during the 1960s, he witnessed the civil‑rights movement and anti‑Vietnam protests.First camera purchase – After hitch‑hiking to New York’s East Village, he bought a camera at a pawn shop.Choosing the “artist of the movement” – Frustrated by student‑government politics, he decided to capture the larger picture rather than be a “politician.” “I just wanted to look at the big picture and try and move people with photography.” Working with the Black Panther Party Why the Panthers Accepted a White Photographer Shared goals – Economic and social justice, not just race.Pragmatism – Panthers needed allies outside the Black community to build coalitions (Peace & Freedom Party, Young Lords, Young Patriots).Personal connection – Bobby Seale liked Shames’s images and invited him to use them in the Panther newspaper. Key Facts About the Panthers (From the Interview) Founded: October 1966 (initially ~20 members).National expansion: Post‑1968, 10,000+ members, 50‑60 chapters.Community programs: “Breakfast for School Children,” feeding 10,000+ kids daily.Self‑defense model: Legal gun ownership (California) + law books; later, they shifted to “cameras are better weapons.” Lesson for Photographers Build trust by aligning with a group’s mission, not merely your identity. Stephen Shames Research‑First Approach “Journalism is two‑dimensional; you need to experience the culture you want to document.” Steps to Deep‑Dive Research Read nonfiction – History, journalism, policy reports.Read fiction – Novels written by members of the community.Listen to music – Understand emotional tone and cultural references.Watch movies / documentaries – Visual language and storytelling cues.Live the bubble – Immerse yourself in daily life, food, rituals. Why It Matters Breaks the “bubble” of your own biases.Helps anticipate reactions and capture authentic moments. Stephen Shames on Building Trust & Relationships Core Principles Honesty: Be transparent about your intent.Respect: Never mock or look down on subjects (e.g., drug addicts, police).Reciprocity: Offer subjects control—let them tell you when to stop.Presence: Stay physically in the community (sleep on sofas, eat meals together). Practical Tactics Find a community “gatekeeper.” Example: a nun from Catholic Social Services who introduced Shames to Chicago projects.Sit down for a conversation before shooting – explain the project, listen to concerns.Share your work later (photos, stories) to reinforce the relationship. “If you’re honest, people will accept you, even if you’re a ‘liberal New York Jew.’” Bullet‑Point Checklist Identify and contact a respected local figure or organization. Explain your project in plain language. Offer a clear “opt‑out” for subjects. Spend time off‑camera – meals, conversations, errands. Follow up after the shoot with thank‑you notes or shared images. Cameras vs. Guns: The Evolution of “Weapons” 1960s‑70s: Panthers used firearms legally to patrol police.Today: Shames notes that cameras and smartphones are the most powerful weapons for exposing injustice.Why the shift? Legal restrictions on open carry.Instant global distribution of visual evidence. “The camera is a much better weapon because it puts the story directly in front of the world.” Lessons for Modern Photographers InsightHow to ApplyResearch beyond headlinesRead novels, watch local films, listen to playlists from the community.Immerse, don’t observe from a distanceStay in the neighborhood ...
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    53 m
  • Episode 174: Stephanie Keith (Documentary Photography)

    Episode 174: Stephanie Keith (Documentary Photography)
    Jan 27 2026
    Inside the Front‑Line of Resistance: Photojournalist Stephanie Keith on Visual Anthropology, ICE Protests & the Power of Community Observers 📸 Who Is Stephanie Keith? Background: Studied cultural anthropology at Stanford.Photojournalism degree from the International Center of Photography (ICP).Master’s in photography from NYU. Career Highlights: Pulitzer‑Prize finalist (2022) for breaking‑news coverage of a deadly Bronx fire.Works with Getty Images, Reuters, The New York Times, Bloomberg, and New York Magazine. Specialties: Brooklyn culture, Coney Island, drag‑queen competitions, Muslim holidays, Caribbean life, Haitian‑American voodoo.Since 2017 – chronicling the rise of white nationalism and ICE actions across the U.S. “Anthropology taught me to live inside a community, not just look at it from a distance.” – Stephanie Keith 🧐 What Is “Visual Anthropology” and Why Does It Matter for Photojournalism? Visual AnthropologyTraditional Breaking‑News CoverageImmersive – Long‑term, relational storytelling.Immediate – Focus on the moment of impact.Emphasizes culture, rituals, and everyday lives.Emphasizes who, what, when, where of the event.Seeks multiple angles (social, political, personal).Prioritises speed and exclusivity. Stephanie explains that her anthropology training helped her “get involved” with stories, allowing her to capture nuances a standard news shoot might miss. 🚦 The “Observers” of Minneapolis: Community‑Driven Resistance Who Are They? A loose, hyper‑local network of volunteers who monitor ICE vehicle movement.Operate in Signal chat groups (encrypted messaging).Work in shifts – morning, afternoon, evening – armed only with a whistle, phone, and cold‑weather gear. How They Operate Spotting ICE Vehicles – When an ICE convoy appears, an observer posts its location in the chat.Alerting the Neighborhood – Whistles or car horns sound to warn residents.Some “guard” establishments (e.g., Marissa’s Bakery) lock doors and screen entrants. Documenting the Scene – Many observers carry phones, providing live footage that journalists later verify. “If ICE represents fascism, observers are the front line of American resistance.” – Stephanie Why This Model Works Decentralized – No single command structure; anyone can join a shift.Hyper‑local – Neighbors protect neighbors.Low‑cost – No paid staff, just community solidarity. 📷 Behind Stephanie Keith‘s Iconic New York Magazine Photo Location: Outside the Whipple Federal Building, Minneapolis – a known ICE hotspot.Subject: A woman in a fur‑trimmed hood, glasses, and a full‑face gas mask (the only mask that works in tear‑gas scenarios).Process: Stephanie asked for consent, then shot 30‑plus frames to perfect focus and framing. Result: The image became the cover story, symbolizing everyday resistance. 🤝 Collaboration in the Field: How Journalists Share Information Signal Chats: Real‑time location sharing, ICE alerts, safety tips.Buddy System: Journalists travel in pairs or small groups, often in cars, to stay warm and safe.Cross‑Outlet Support: Reporters from Reuters, New York Magazine, Star Tribune, European outlets (Finland, Germany) all contribute intel.Editors like Jodi Kwan at New York Magazine shape story angles (e.g., focusing on the observers rather than ICE vehicles). “If it weren’t for the observers, we’d have far less knowledge of what’s happening.” – Stephanie 🛡️ Staying Safe: HEFAT Training & Practical Gear HEFAT (Hostile Environment Field Awareness Training) – Key takeaways from Stephanie’s Reuters training: Situational Awareness: Constantly locate threats and your nearest exit.Exit Planning: Park cars a few blocks away; know multiple escape routes.Crowd‑Control Devices: Full‑face gas mask for tear‑gas or pepper‑spray.Know how to don it quickly, even with glasses. Physical Gear Checklist: Helmet, vest, body armor.Extreme‑weather clothing – insulated jackets, gloves, thermal layers.Gas mask + cartridges (full face). Stephanie’s advice: “Pack like you’re preparing for the worst – the weather, the gear, the exit route.” 📚 What Early‑Career Photographers Can Learn 1. Find a Mentor Adrees Latif (Reuters) helped Stephanie refine technique, gain confidence, and navigate assignments. 2. Embrace Community Over Competition Share locations, tips, and safety info in chat groups.Prioritise collective safety over exclusive scoops. 3. Blend Anthropology with Journalism Immerse yourself in the community you’re documenting.Aim for story depth rather than just “the headline moment.” 4. Prepare Logistically Bring all essential gear (mask, cold gear, backup batteries).Use buddy system; never work alone in high‑risk zones. photojournalist Stephanie Keithvisual anthropology in journalismMinneapolis ICE protestscommunity observers resistanceHEFAT training for journalistshow to stay ...
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    41 m
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