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10FPS A Photojournalism Podcast for Everyone

10FPS A Photojournalism Podcast for Everyone

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A Photojournalism Podcast by Photojournalists for EveryoneWLOY Loyola Radio Arte Ciencias Sociales Mundial
Episodios
  • Episode 172: Carol Guzy (Documentary Photography)

    Episode 172: Carol Guzy (Documentary Photography)
    Jan 7 2026
    Inside the Courthouse: How Pulitzer‑Winner Carol Guzy Uses “Visual Empathy” to Document New York’s Immigration Detentions Published on 10 Frames Per Second Blog – Your source for photojournalism insights 📚 Overview – Episode 172: Carol Guzy In the latest episode of 10 Frames Per Second, hosts Joe Giordano & Molly Roberts sit down with Carol Guzy, a four‑time Pulitzer‑Prize‑winning photojournalist, to discuss her groundbreaking work inside a New York City courthouse that has become the only U.S. courtroom where photographers are allowed to capture ICE‑related family separations. If you’re a photographer, journalist, activist, or anyone curious about how visual storytelling can drive social change, this post breaks down the interview’s most compelling moments, the ethical challenges Carol Guzy faces, and practical ways you can support or emulate her approach. Carol Guzy photojournalistImmigration detention NYC courthouseVisual empathy in photojournalismICE raids New YorkFamily separation photography10 Frames Per Second podcastPulitzer‑Prize photojournalismHow to document immigration raids 1️⃣ Who Is Carol Guzy? FactDetailProfessionPhotojournalist, freelancer represented by Zuma PressAwardsFour Pulitzer Prizes for photographyBackgroundTrained as an RN before switching to photographyFocusLong‑form, human‑interest documentaries (Haiti, Kosovo, Ukraine, U.S. immigration)Current ProjectDaily coverage of immigration detentions at the Eastern District of New York courthouse (hallways and elevators only) Why she matters: Carol’s “visual empathy” blends her nursing instincts with journalistic rigor, allowing her to capture intimate, humane moments in high‑tension environments. 2️⃣ Carol Guzy on the Unique NYC Courthouse Access Only U.S. courthouse that permits photography in hallways/elevators (courtesy of a lawyer’s petition by a photographer named Wiley).Public‑space rule: Hallways and elevator banks are considered public, not part of the federal building’s “restricted” zones.Limitations: No access to interior courtrooms, detention floors, or ICE‑specific offices. “It’s the only courthouse in the country that allows us this level of access – and it’s strictly limited to the hallways.” – Carol Guzy Why This Matters for SEO Search intent: People looking for “photographer access NYC courthouse” or “how to get permission to shoot in immigration courts” will find this post valuable because it explains the legal precedent and the practical constraints. 3️⃣ Visual Empathy: Carol Guzy From Nursing to Photojournalism The Core Idea Visual empathy = “Seeing with a compassionate heart while staying objective.” Nursing training taught Carol to be hands‑on, compassionate, and emotionally aware.She applies the same mindset to photography: listen, observe, protect the subject’s dignity. Practical Tips (From Carol Guzy’s Playbook) Leave bias at the door – focus on the story, not personal politics.Maintain a protective emotional barrier – let feelings settle before shooting.Follow families beyond the courthouse – capture life at home, after reunions, to humanize the narrative. Quick Checklist ☐ Verify legal access (court petition, attorney guidance)☐ Prepare emotionally (breathing exercises, quick debriefs)☐ Carry minimal gear for speed (camera, lens, backup batteries)☐ Respect privacy – ask before photographing children when possible 4️⃣ The Emotional Toll & Self‑Care Physical strain: Standing for hours, lugging gear, dealing with unpredictable schedules.Emotional strain: Witnessing children crying, family separations, and occasional aggression from agents.Coping mechanisms: Dogs – Carol says her pets are a lifeline.Community support: Friends offering couch‑surfing, churches (St. Peter’s) providing meals and legal aid.Professional debriefs: Talking with fellow photographers, taking breaks when needed. “It’s crushing to see these kids, but the mission to document keeps me going.” – Carol Guzy 5️⃣ Balancing Dignity & Documentation Challenges Flash photography from other journalists can feel invasive.Maintaining subject dignity while filming in a distressing environment. Carol Guzy’s Approach Stay in the hallways – capture moments without intruding on private moments.Follow families later – provide a more rounded, respectful portrait.Use captions wisely – avoid activist language; let images speak. Best‑Practice Summary DoDon’tEngage with families, ask permission whenever feasible.Push the camera into private moments without consent.Explain your role as a journalist, not an activist.Use sensational captions that bias the story.Document the systemic issue, not just the drama.Focus solely on shock value. 6️⃣ Community & Legal Support Systems St. Peter’s Church (Pastor Fabian Arias): Daily mass for migrants, legal clinics, and emotional ...
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    49 m
  • Episode 171: Daniel Agee – Top 10 Photo Books of 2025

    Episode 171: Daniel Agee – Top 10 Photo Books of 2025
    Dec 24 2025
    Top 10 Photo Books of 2025: Trends, Top Picks & How to Publish Your Own with Daniel Agee (Good Fight Press) From the “10 Frames Per Second” Podcast (Episode 171— Year‑End 2025) “If even one photographer avoids a parasitic publisher because of this episode, it’s an hour well spent.” – Daniel Agee Table of Contents Why Photo Books Still Matter in 2025The State of Photo Book Publishing in 20252025 Trends Shaping PhotobooksOur Editor’s Top 10 Photo Books of the Year (2025)DIY Publishing in 2025: From Blurb to Newspaper‑Club ZinesLooking Forward: Diversity, Climate, & Community in 2025+Take Action – Listen, Read, Create Why Photo Books Matter in 2025 The “10 Frames Per Second” podcast (hosts Joe Giordano and Molly Roberts) brings together photo‑journalists, publishers, and collectors for an annual photo‑book roundup. In the most recent episode they welcomed Daniel Agee—co‑founder of Good Fight—to discuss: The economic realities of publishing a photo book.Emerging themes that dominated the past year and are spilling into 2026.Practical advice for creators who want to self‑publish. If you’re looking for fresh titles, insider industry insights, or a step‑by‑step guide to making your own book, keep reading. The State of Photo Book Publishing in 2025 IssueWhat the Hosts Said (2024)Why It Still Matters for SEO in 2025High Up‑Front CostsPublishers often charge $8k–$20k (or even $50k) to print a book, leaving many photographers in debt.Target keywords: photo book publishing cost 2025, how much does a photo book cost today?Parasitic vs. Quality Publishers“Parasitic, exploitive” publishers vs. “quality” houses that break even or make modest profit.Optimize for ethical photo book publishers, fair photo book publishing 2025.Self‑Serving ModelSome creators profit from selling workshops, museum sales, and speaking gigs, not the book itself.Rank for how to make money with a photo book in 2025.Small Community SizeOnly 15–25k people worldwide actively buy photo books; reputation spreads fast.Use phrases like photo book community 2025, photo book collectors today.Transparency Is KeySharing experiences (e.g., “don’t pay $25k”) helps protect photographers.Long‑tail keyword: photo book publishing advice for beginners 2025. Takeaway: Know the economics before you sign a contract. Understanding the market helps you negotiate better and choose the right publishing path. 2025 Trends Shaping Photo books 1. Color Dominates the Scene Daniel called himself a “color baby” and highlighted Emily Shur’s Sunshine Terrace (color) versus Ian Bates’ Weight of Ash (B&W). In 2025, color‑driven storytelling is the norm, with vibrant palettes used to convey mood, climate, and cultural identity. 2. Intimate Family Narratives Continue to Thrive Titles such as Lisa Sogini’s In Passing and Elijah Howe’s Mike show a growing appetite for personal archives, grief, and memory—a trend that’s still expanding in 2025. 3. Climate‑Change Documentation Becomes Urgent Weight of Ash (Ian Bates) and newer titles like “Rising Tides” (upcoming release) prove that eco‑focused photo books are both critically acclaimed and search‑engine friendly. 4. Nostalgia & Re‑imagined Memory Works such as Henry Head’s fabricated‑memory series and retro‑styled zines echo a desire for “comforting past” aesthetics. 2025 sees an increase in “memory‑reconstruction” projects that blend staged and documentary photography. 5. DIY & Zine Explosion Small presses (e.g., Pomegranate Press, Charcoal Club) now publish 30+ titles a year. Zines like “Protest City”remain hot because they’re cheap, fast, and socially relevant. 6. Diversity Gap Still Visible The hosts noted a 1% presence of women of color on mainstream shelves. In 2025, activist collectives and grant programs are emerging to address this imbalance, creating new opportunities for under‑represented voices. Editor’s Top 10 Photo‑Books (2025) While the podcast aired at the end of 2024, the books listed continued to dominate conversations, sales, and awards throughout 2025. #Title & AuthorPublisherWhy It Stands Out (2025 relevance)1A Surrender – Markus NaarttijärviGood FightIPA Photo Book of the Year; continues to win 2025 exhibition spots.2North North South – Ada GragossianGostQuiet portraits that bridge B&W (2024) and color (2025) trends.3Sunshine Terrace – Emily ShurDeadbeatVibrant LA suburbia; frequently cited in 2025 “best color photo books.”4Weight of Ash – Ian BatesDeadbeatBlack‑white documentation of post‑fire West Coast; a reference point for climate‑focused work in 2025.5In Passing – Lisa SorginiLibraryMan (Sweden)Personal grief turned universal; heavily featured in 2025 mental‑health art talks.6Mike – Elijah HoweTIS BooksMulti‑generational family archive; lauded for its hybrid of historic and contemporary images.7American Surfaces – Stephen Shore (original ...
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    59 m
  • Episode 170: Gary Knight (The Stringer Film)

    Episode 170: Gary Knight (The Stringer Film)
    Dec 16 2025
    The Stringer Documentary & the Napalm Girl Mystery – A Deep Dive into Photojournalism Controversy Published on 10 Frames Per Second Blog – Your go‑to source for photojournalism insight Table of Contents What Is The Stringer?Meet the Key Players – Gary Knight & Bao NguyenWhy the Napalm Girl Photo MattersForensic Evidence: The Road‑Testing of the Iconic ShotIndustry Reaction – Backlash, Bans, and the “Wagon‑Circling” CultureThe Hidden History of Vietnamese & Local Freelance PhotographersHow to Watch The Stringer and Join the ConversationTakeaway: What This Means for Photojournalism Today 1. What Is The Stringer? The Stringer is a newly released documentary (Netflix, 2024) that investigates the authorship of the world‑famous “Napalm Girl” photograph taken in Vietnam, 1972. Core premise: The film follows journalist Gary Knight and director Bao Nguyen as they trace a decades‑old secret held by a Vietnamese stringer‑photographer, Nguyễn Thành Nghệ (Wintan Nei).Format: A blend of on‑the‑ground interviews, archival footage, and forensic road‑testing that reconstructs the exact location, timing, and line‑of‑sight of the iconic image. Why it matters: The image is one of the most published photographs in history and is universally credited to Associated Press staff photographer Nick Ut. The documentary questions that credit, shaking a cornerstone of photojournalistic mythology. 2. Meet the Key Players – Gary Knight & Bao Nguyen PersonRoleWhy They’re ImportantGary KnightFounder of the VII Foundation, mentor, and documentary “connective tissue.”Provides insider knowledge of the photojournalism world, contacts, and credibility that anchors the investigation.Bao NguyenDirector of The StringerChose to frame the story as a journey, not just a series of talking‑heads, and insisted on a central narrator (Gary) to guide viewers.Carl RobinsonFormer AP Vietnamese‑language photo editor (local hire).His 2022 email sparked the whole investigation; his memories and documents are a primary source.Horst FassSenior AP photographer in Vietnam (the “gatekeeper” of the image).His decision to run the picture on the wire is central to the credit controversy.Nguyễn Thành Nghệ (Wintan Nei)Vietnamese stringer who claimed to have taken the shot.The film’s “secret” – his testimony and forensic evidence challenge the accepted narrative.Nick UtAP staff photographer historically credited for the photo.The focal point of the debate; his name appears on every caption of the image. 3. Why the Napalm Girl Photo Matters Iconic status: Frequently cited in textbooks, museums, and peace‑activist campaigns.Cultural impact: Symbolizes the horrors of the Vietnam War and the power of visual storytelling.Professional legacy: The credit has shaped career trajectories, awards (Pulitzer, etc.), and AP’s brand. If the credit shifts, we must reconsider how many other war‑zone images were attributed, potentially rewriting a large part of photojournalism history. 4. Forensic Evidence: The Road‑Testing of the Iconic Shot The documentary’s most compelling section is the road‑forensics – a scientific recreation of the moment the photo was taken. Methodology: Researchers drove the exact route described by Wintan Nei, measuring distances, angles, and terrain features.Key Findings: Line‑of‑sight analysis shows the photographer would have been ~150 meters from the burning road—far beyond the reach of a 35 mm lens used by Ut.Shadow & lighting study matches the sun angle on July 29, 1972, which aligns with Wintan Nei’s timeline, not Ut’s.Camera metadata (Pentax vs. Nikon) – expert testimony confirms Ut’s camera was not a Pentax, the model allegedly used by Wintan Nei. Independent verification: World Press Photo hired a former Bellingcat investigator, and INDEX a Paris-based research group.French photographer Tristan da Cunha corroborated the forensic report. Cunha also worked with AD Coleman on his Robert Capa investigation (Ep. 35) These data points form the strongest case in the film that Nick Ut did not take the photograph. 5. Industry Reaction – Backlash, Bans, and the “Wagon‑Circling” Culture Immediate pushback: Numerous journalists launched letter‑writing campaigns to film festivals and employers, asking for the documentary to be removed.Attempted bans: Some media outlets threatened to fire staff who publicly supported the film.Defensive stance: Many veteran photographers argued that the film attacks “iconic” heroes and undermines the profession’s reputation. Key quote from Gary Knight: “Journalists don’t ban books or films they haven’t read. Our job is to investigate, not to protect mythologies.” The controversy illustrates the “wagon‑circling” phenomenon—protecting revered figures at the expense of truth. 6. The Hidden History of Vietnamese & Local Freelance Photographers The documentary ...
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    49 m
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