The December 1958 to February 1959 tv production of Quatermass and the Pit by Manx author Nigel Kneale remains one of the most ambitious productions ever mounted by the BBC, combining science fiction, folk horror, and supernatural themes, and positing a source for humankind's concept of evil. Filmed and broadcast mainly live with only some exterior pre-taped scenes, this third series in the Quatermass canon remains Kneale's most impressive achievement as a writer of science fiction and cerebral horror.

It's lurid, ghoulish, and impishly provocative, almost body horror in modern parlance. How else is M.R. James's Lost Hearts different from most of his other short ghost stories? Why was he not happy with it? I'm delighted to discuss M.R. James's Lost Hearts with James aficionado , educator and short story performer, John Carpenter. We'll discuss thematic links with Henry James's The Turn of the Screw, which is also about the corrupting influence of adults on children. Up for debate is the 1973 adaptation written by Robin Chapman, directed by Lawrence Gordon Clark, and featuring Joseph O' Conor as the sinister Mr. Abney. The snatches of Hurdy Gurdy music featured in this episode are by Guilhem Desq.

The title The Most Haunted House in England was first coined by Harry Price in his 1940 book on Borley Rectory, and it stuck. Spectral nuns, headless horsemen aside, the number of disturbances, windows breaking, shingles thrown down the stairs, wall writing etc etc... informs our very understanding of what a haunted house actually is. It certainly informed fiction from Shirley Jackson's seminal The Haunting of Hill House to Sarah Waters' more recent masterpiece The Little Stranger. But beneath all the ghostly occurrences lies an amazing series of human dramas. We cover them all. There are many finely written and researched books about Borley Rectory, but here we owe a special debt of gratitude to Sean O'Connor's comprehensive 2022 The Haunting of Borley Rectory: The Story of a Ghost Story published by Simon and Schuster.