#99. Ron Samuels: From Arcata to Concert Halls: Building World-Class Marimbas

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What does it take to make wood sing? We sit down with Marimba One founder Ron Samuels to follow the arc from a Humboldt State spark to an Arcata workshop that supplies universities, symphonies, and soloists worldwide. Ron shares how an early encounter with African-style marimba led to years of hands-on experimenting, nights in woodshops, and the hard-earned knowledge of how to tune a bar so that overtones line up, resonators breathe, and a melody stays clear even when the room is alive.

We dig into the craft behind the music: arches carved into the underside of bars to shape harmonics, resonators adjusted with precision plugs to balance warmth and brightness, and modern tooling—custom extrusions, injection-molded interfaces, and CNC machining—used not to mass-produce, but to stabilize frames and protect tone. Ron breaks down the differences between marimba, vibraphone, and xylophone, and how thoughtful engineering can make an eight-foot, 300-pound instrument feel responsive under the mallets. Along the way, we swap listening notes, from Bach’s cello suites on marimba to jazz vibes and a Rolling Stones classic that quietly features the instrument you didn’t know you knew.

The conversation turns to sustainability with a breakthrough: a synthetic alternative that finally sounds like true rosewood. After years of R&D, player tests, and careful sourcing, the team unveiled material that keeps lines articulate without the harsh ring that plagues other substitutes. It’s conservation through acoustics, a practical path for schools, ensembles, and touring artists who need consistency and conscience. Grounded in Humboldt County’s creative network—engineers from Yakima days, artists, and builders—Ron’s shop also invests locally with school tours and concerts at the Arcata Playhouse.

If you love craft, sound design, and the human stories behind great instruments, this one’s for you. Hit play, subscribe for more conversations with builder-founders and artists, and leave a review telling us your favorite marimba recording or the question you want us to ask Ron next.

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