Sink your teeth into this one—we’re diving fang-first into Vampire in Brooklyn! Eddie Murphy brings the bite and the sass as a smooth-talking bloodsucker looking for love (and maybe a little chaos) in the Big Apple. It’s part horror, part comedy, and all Eddie. So grab some garlic (or don’t, if you’re trying to impress him)—this episode is gonna be a bloody good time.

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It’s our 10th anniversary year, and what better way to celebrate than revisiting the zany, genre-blending classic Who Framed Roger Rabbit! We dive back into the ToonTown chaos, the noir vibes of Eddie Valiant, and the groundbreaking mix of animation and live-action that still stuns decades later. Grab your Acme props—this rewatch is going to be one wild ride!

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This week we’re descending into The Prophecy (1995), the cult supernatural thriller where angels aren’t exactly playing harps. Christopher Walken commands the screen as Gabriel—less a messenger of God, more a celestial hitman with a serious grudge. As a second war brews in Heaven, a soul too dark for Hell becomes the battlefield, and humanity hangs in the balance. With Elias Koteas as the weary detective caught in the middle and Viggo Mortensen showing up as one of the creepiest Lucifers ever put to film, it’s scripture meets horror with a side of Walken weird. We’re flipping through the Book of Revelation and asking: what if the angels are the real problem?

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Copycat is the sinister psychological thriller where a reclusive profiler and a hard-nosed detective race to stop a serial killer with a twisted hobby: reenacting the crimes of history’s most infamous murderers. Sigourney Weaver is riveting as Dr. Helen Hudson, a brilliant mind trapped by trauma, while Holly Hunter brings grit and guts as the detective who pulls her back into the fray.

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Virtual reality, Y2K paranoia, and noir-drenched chaos—it’s all wired into Kathryn Bigelow’s Strange Days (1995). Ralph Fiennes plays a black-market memory dealer caught in a web of murder, conspiracy, and past trauma, while Angela Bassett brings the fire as a bodyguard with a conscience (and some serious action chops). Set in the final hours of 1999, the film is a pulsing, POV-shot thrill ride through a dystopian Los Angeles, where technology lets you feel someone else’s memories—and the truth is more dangerous than anything on tape. It's messy, bold, and weirdly ahead of its time.

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Martin Scorsese’s glitzy, blood-soaked chronicle of power, greed, and betrayal in the neon-lit mirage of Las Vegas: Casino. Robert De Niro plays Ace Rothstein, the meticulous casino manager who knows every bet, every angle, and every cheat—until love and loyalty start skewing the odds. Joe Pesci is a walking powder keg as Nicky Santoro, a mob enforcer with no off-switch, and Sharon Stone delivers a hurricane of heartbreak and havoc as Ginger. It’s a symphony of excess where the chips are high, the violence is sudden, and the house always wins—until it doesn’t.

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We’re diving into Heat (1995), Michael Mann’s sprawling crime saga where Al Pacino’s relentless detective and Robert De Niro’s meticulous thief circle each other in a deadly dance of professionalism, obsession, and inevitability. It’s a masterclass in tension and style—where bank heists roar, downtown streets crackle, and two cinematic titans meet across a diner table for one of film’s great showdowns.

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This week we’re chilling out on the porch with Friday (1995), the laid-back comedy that gave us smoky backyards, unforgettable one-liners, and the kind of neighborhood drama you can only survive with a good friend and a bad plan. Craig (Ice Cube) just got fired on his day off, Smokey (Chris Tucker) owes a drug dealer $200 by tonight, and Big Worm isn’t exactly known for his patience. Between dodging bullets, borrowing cash, and roasting everyone in sight, it’s a day where nothing goes right—but somehow, everything goes down. It’s laughs, life lessons, and “Bye, Felicia” in its purest form.

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