241. Defying Gravity: Zoey Anderson on Dance, Magic & Training Podcast Por  arte de portada

241. Defying Gravity: Zoey Anderson on Dance, Magic & Training

241. Defying Gravity: Zoey Anderson on Dance, Magic & Training

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Zoey Anderson on Becoming Undeniable Talent, Defying Gravity, and Finding Your Artistic Home

In this episode, Parsons Dance Company principal Zoey Anderson shares her remarkable journey from summer intensive discovery to becoming one of contemporary dance's most captivating performers. A 10-year company veteran, Clive Barnes Award winner, and Bessie Award nominee reveals:

  • Her serendipitous path into Parsons Dance—how being spotted at Marymount's summer intensive led to an immediate company placement when the stars aligned and a dancer departed
  • Dana’s philosophy on developing "undeniable, untouchable talent" over focusing on industry mechanics—why she believes pre-professional dancers should redirect energy from questions about hair color and tattoos to becoming the artist companies can't live without
  • The mesmerizing solo "Caught"—a gravity-defying illusion performed in strobe lighting that creates the impossible: a body suspended in space for five minutes, executing over 112 jumps while appearing to never touch the ground
  • Operating at extremes: her all-or-nothing approach to energy management, planning for both 100% intensity and complete restoration through 13-15 hour sleep cycles

As a performer who has graced stages from Broadway's "On The Town" opening night gala to the Academy Award-winning film "The Curious Case of Benjamin Button," and competed as a National Champion in Ballroom Smooth dancing, Zoey embodies the athletic artistry and infectious joy that defines contemporary dance. Whether you're an aspiring dancer seeking your artistic home or anyone fascinated by the intersection of illusion and movement, this conversation offers both practical wisdom and pure magic for understanding what it means to become irreplaceable in your craft.

Watch the full episode here.

Show Notes:

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