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100 Things we learned from film

100 Things we learned from film

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Two friends take a light hearted deep dive in to film in an attempt to learn 100 things from a different movie each week. Expect trivia to impress your friends and nonsense from the start.© 2021 100 Things we learned from film Arte
Episodios
  • Episode 210 - Masters Of The Universe
    Apr 13 2026

    This week on 100 Things We Learned From Film, we’re diving headfirst into the neon-drenched, synth-powered madness of Masters of the Universe—the film where He-Man leaves Eternia… and somehow ends up in suburban America.

    Cannon Films touted this as the Star Wars of the 1980s but what we actually got is a fascinating mix of huge ambition, shrinking budgets, and pure 80s energy. From behind-the-scenes chaos and last-minute rewrites to Frank Langella going full Shakespeare as Skeletor, this is one of those films that shouldn’t work… but absolutely earns its cult status.

    Joining us this week is patron Stig from the Modern Escapism podcast, who FINALLY landed on the wheel and brought us his pick so expect big laughs, deep dives, and plenty of Cannon Films insanity along the way.

    If you enjoy the episode, you can support the show and get involved by heading over to 100thingswelearnedfromfilm.co.uk where for just £1 a month, you can get your own film onto the wheel and join us on a future episode.

    Don’t forget to subscribe, leave a review, and share the episode with a fellow film fan it really helps us grow and keep uncovering the wildest stories in cinema history.

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    Masters of the Universe (stylized as Masters of the Universe: The Motion Picture) is a 1987 American sword and sorcery film based on the Masters of the Universe franchise by Mattel. The film was directed by Gary Goddard, produced by Yoram Globus and Menahem Golan, and written by David Odell. It stars Dolph Lundgren, Frank Langella, Courteney Cox, James Tolkan, Christina Pickles, and Meg Foster with supporting roles by Billy Barty, Jon Cypher, Chelsea Field, and Robert Duncan McNeill. The film follows two teenagers who meet He-Man, the most powerful man in the universe, who travels to Earth with his friends, Man-At-Arms and Teela, to stop their archenemy, the evil Skeletor from obtaining a cosmic key that will enable him to take over their home planet Eternia and the entire universe.

    While it is the first live action movie in the franchise, the very first He-Man/Masters of The Universe movie was the animated The Secret of the Sword, released in theaters nationwide two years earlier in 1985.

    Masters of the Universe was released theatrically in the United States on August 7, 1987. It was a critical and commercial failure, grossing $17 million worldwide against a budget of $22 million. At the time of release, it was met with negative reviews from film critics, but is now regarded as a cult film. Another film adaptation is set to be released in 2026

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    Cast

    Dolph Lundgren as He-Man, the champion of Eternia

    Frank Langella as Skeletor, the leader of the Evil Warriors and He-Man's archenemy

    Meg Foster as Evil-Lyn, a witch who is a member of the Evil Warriors

    Billy Barty as Gwildor, a Thenurian who invented the Cosmic Key

    Courteney Cox as Julie Winston, a teenager on Earth who finds the Cosmic Key

    Robert Duncan McNeill as Kevin Corrigan, a teenager and friend of Julie who finds the Cosmic Key

    Jon Cypher as Man-At-Arms, an ally of He-Man

    Chelsea Field as Teela, the daughter of Man-At-Arms and ally of He-Man

    James Tolkan as Hugh Lubic, a detective that has his encounters with the Eternians

    Christina Pickles as Sorceress, the protector of Castle Grayskull

    Tony Carroll as the Beastman, an animalistic member of the Evil Warriors who makes animalistic sounds

    Pons Maar as Saurod, a lizard man member of the Evil Warriors

    Anthony De Longis as Blade, a sword-wielding member of the Evil Warriors who wears an eyepatch

    Robert Towers as Karg, a bat-like member of the Evil Warriors who commands Skeletor's soldiers and interprets for Beast Man

    Barry Livingston as Charlie

    Gwynne Gilford as Mrs. Winston, the mother of Julie

    Walter Scott as Mr. Winston, the father of Julie

    Walt P. Robles as Carl, the janitor

    Cindi Eyman as Gloria

    Peter Brooks as the narrator

    Richard Szponder as Pigboy, a member of the Evil Warriors with a pig-like face who gives Skeletor his staff

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    1 h y 24 m
  • Episode 209 - Rush (2013)
    Apr 6 2026

    Strap in!

    This week we’re going full throttle.

    We’re diving into Rush (2013), the explosive true story of Formula 1 rivals James Hunt and Niki Lauda: two drivers, two mindsets, and one deadly season that pushed both men to the absolute limit.

    Joining us for this episode is one of our supportive Patrons Kurt from The Never Watchers. It's the Marvel and film podcast you can find wherever you get your podcasts. Not only is Kurt our guest, but this was also his Patreon pick, and he’s brought some seriously great insights (and a few surprises) along for the ride.

    From behind-the-scenes secrets to wild real-life stories that sound too insane to be true, we’re breaking down everything that makes Rush one of the most intense sports films ever made.

    Expect:

    • Incredible behind-the-scenes facts
    • The real story vs the Hollywood version
    • Career-defining performances
    • And why this rivalry still hits so hard

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    Be ;ike our mate Kurt and Join our Patreon for bonus episodes, exclusive picks, and early access 👉

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    Give Kurt a listen on Never Watchers: a brilliant Marvel and film podcast available wherever you get your podcasts.

    🔥 FOLLOW & SHARE

    If you enjoyed the episode, don’t forget to subscribe, leave a review, and share it with someone who loves films as much as you do.

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    1 h y 19 m
  • Episode 208 - Cool Hand Luke
    Mar 23 2026

    This week, we’re taking it off, boss… one button at a time as we head to the chain gang with Cool Hand Luke the ultimate story of rebellion, defiance, and a man who simply refuses to play by the rules.

    Chosen by our brilliant Patreon supporter Luke (couldn’t have picked a more perfect film if he tried), this episode dives deep into one of the coolest anti-heroes ever put on screen.

    From parking meter carnage to egg-eating madness, we’re breaking down everything that makes this film an enduring classic and uncovering the wild behind-the-scenes stories that make it even better.

    A massive thank you to Luke for choosing this week’s film, an absolute belter of a pick. If you want to choose an episode and support the show, read on…

    Love what we do? Want to help keep the show going and get involved?

    👉 Head over to 100thingswelearnedfromfilm.co.uk

    You can sign up to our Patreon from just £1 a month, get involved with episode picks, and support the podcast directly.

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    Cool Hand Luke is a 1967 American prison drama film directed by Stuart Rosenberg[3] written by Donn Pearce and Frank Pierson, and starring Paul Newman in the title role. The cast also features George Kennedy, J. D. Cannon, Strother Martin and Jo Van Fleet. Based on Pearce's semi-autobiographical 1965 novel, the film is about a nonconformist convict in an early 1950s Florida prison camp who refuses to submit to the system.

    Filming took place within California's San Joaquin River Delta region; the set, imitating a prison farm in the Deep South, was based on photographs and measurements made by a crew the filmmakers sent to a Road Prison in Gainesville, Florida. Lalo Schifrin wrote the film's Oscar-nominated musical score.


    Upon its release, Cool Hand Luke received favorable reviews and was a box-office success. It cemented Newman's status as one of the era's top actors, and was called the "touchstone of an era". Roger Ebert called Cool Hand Luke an anti-establishment film shot during emerging popular opposition to the Vietnam War.


    The film received four Academy Award nominations, including Best Actor for Newman, with George Kennedy winning for Best Supporting Actor. Both also received Golden Globe nods for their performances. In 2005, the United States Library of Congress selected the film for preservation in the National Film Registry, considering it "culturally, historically, or aesthetically significant".[4][5] The film also has a 100% rating on the review aggregator website Rotten Tomatoes.

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    1 h y 6 m
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