Adrian Belew has spent his career on the cutting edge of guitar sounds, inventing the most forward-thinking tones to ever appear on record. His work as a solo artist and with King Crimson would be enough to land him on every guitarist’s radar. But that’s just one facet of his musical life, and he’s famously spent time with some of the biggest artists of all time: David Bowie, Frank Zappa, Talking Heads, Nine Inch Nails. He even appears in places you’d never expect experimental guitar, like Paul Simon’s “You Can Call Me Al.”

To talk about Adrian, we called up Blair White. As co-owner of Nashville’s Eastside Music Supply, White and Belew struck up a friendship and they ended up working together to decode some of the tones that Belew needed for the much-lauded Beat tour and beyond. Blair gives us some insight into Belew’s playing, his process, and helps us solve a mystery.

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When you think of classic rock guitar, what do you hear? Who is the most classic of all classic rock guitarists? We have a theory, and we tapped Greg Koch, the hard-touring, hard-rocking Gristlemaster himself, to join us and test it out. Is it Joe Walsh?

From his time with the James Gang through joining the Eagles and embarking on a successful, hit-laden solo career, Walsh epitomized the sound of ‘70s rock guitar riffs and solos. There’s a reason he eventually found his way to Ringo’s All-Starr Band! So is he the definition of classic rock?

Also, Greg takes this opportunity to chat about his Oasis obsession and shares his favorite Beach Boys song.

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Get at us: 100guitarists@premierguitar.com

Call/Text: 319-423-9734

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This week, hosts Nick Millevoi and the shamelessly biased Jason Shadrick dive deep—much, much deeper than Nick ever imagined he would go—into the vast discography of the great Jimmy Herring. They enlist Rob Compa, formerly of Dopapod and now of Neighbor, whose greatest qualification is living in Burlington, Vermont, "the hub of all things jam bands".

Maybe you’ve heard Jimmy Herring is amazing, but the sheer "jam-ness" of his output is intimidating. We systematically go through Herring’s entire discography and in the process ruin Nick’s Apple Music algorithm. But common ground was found in Frogwings' Croakin’ at Toads, which found a new fan in Nick even though he’s slightly John Popper-phobic. Rob chimes in on his favorite nuggets from the catalog and discusses what exactly makes Herring gain such a fanbase among guitar nerds. Is it Jazz Is Dead, Phil Lesh, the ferocious McLaughlin collaboration? Plus, we decide that Herring’s “Scapegoat Blues” might be an all-time jam-band standard and required repertoire for any aspiring guitarist.

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Follow Nick: https://www.instagram.com/nickmillevoi

Follow Jason: https://www.instagram.com/jasonshadrick

Get at us: 100guitarists@premierguitar.com

Call/Text: 319-423-9734

Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0d

Subscribe to the podcast:

Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146af

Apple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331