
Workhorse
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Narrado por:
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Helen Laser
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De:
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Caroline Palmer
GOOD BREEDING IS EVERYTHING.
'Razor-sharp and deliciously wry' COCO MELLORS
'Funny, tender, but with so many thrillingly dark moments. OBSESSED' HEATHER DARWENT
An astonishing portrait of a city on the brink of a dizzying new era and a story about a young woman who will do anything to infiltrate the rarefied world of New York's fashion elite.
New York City, 2001.
Editorial Assistant Clodagh “Clo” Harmon wants nothing more than to rise through the ranks at the world’s most prestigious fashion magazine. But there’s just one problem: she doesn’t have the right pedigree. Clo is a ‘workhorse’ in a world of beautiful, wealthy, impossibly well-connected ‘show horses’ and it seems that her fortunes will never change. That is until Clo meets Harry Wood, a reporter with visions of his own media empire and the person who might be Clo’s ally in gaming the system…or is he the only thing standing between Clo and her rightful place at the top?
Clo begins to wade across boundaries, taking ever greater and more dangerous risks to become the Important Person she wants to be. But who is Clo under all the borrowed designer clothes and studied manners? And who are we if we share her desires?
As wickedly funny as it is darkly unsettling, Workhorse is an astonishing story of envy and ambition, set against the glamour and privilege of media and high society in New York at its height.
©2025 Caroline Palmer (P)2025 HarperCollins PublishersReseñas de la Crítica
‘A fierce, funny and unflinching examination of ambition, class and the quiet indignities of being underestimated. You certainly don’t need to have worked in fashion to appreciate Palmer’s razor-sharp and deliciously wry observations about the industry – but as someone who did, I both adored and applaud her honesty’ Coco Mellors, Sunday Times bestselling author of Blue Sisters
'A sly, fun and astutely observed novel about what happens when one young woman's ambition runs amok. Caroline Palmer transports you to the world of glossy magazines in the early 2000s, back when the going was good –the expense accounts, the parties, the fashion – while weaving in a suspenseful story about an assistant who will do anything in her power to move up on the masthead. Propulsive, surprising, and fun' Emma Rosenblum, bestselling author of Bad Summer People
‘This book! The best thing I've read this year by far. It's Prep meets The Devil Wears Prada meets The Goldfinch. Funny, tender, but with so many thrillingly dark moments. I've been telling everyone I know about it. Everyone is going to be absolutely obsessed with Clo and her brutal world as she tries to fold herself to become the 'right' kind of girl. OBSESSED’ Heather Darwent, bestselling author of The Things We Do to our Friends
'Thrilling, page-turning, and deeply absorbing and anthropological treatise on a lost New York at just slightly past the peak of American capitalism – fin de siecle indulgence shackled to an anxious expense account.' Matthew Thomas, New York Times-bestselling author of We Are Not Ourselves
'A heady brew of nostalgia and melancholia, resurrecting a magazine yesterworld of prima donnas, cash drawers, and petty grievances.' – Lauren Mechling, author of How Could She