Troglodytes

Perhaps only a poet of Greek origin, who creates in the manner of his master Elytis could, using and renewing the conventions of Ode and Epode, Strophe and Antistrophe and an imagery that ”unfolds like the fragrance of white hyacinths to the end of space” write a Eulogy to the loss of Logos. In these poems, the reader encounters the virginal and sculpted limbs of the Kore and her ethereal beauty, embraced by the gross and murderous Troglodyte, imprisoned and abused by the organized religion, academic education and capitalistic greed. Here also is the young poet, her intended lover and here is creation as it was at the beginning, in the Middle Ages, and in our modern world. Troglodytes has an overarching vision, lyrically expressed, of the history of man and the loss of that Greek ideal, which we no longer know how to translate. So we mumble platitudes about logic and the word of a single god that miss the mark.
Joanne Ford, Ph.D, teacher of literature at the University of Rio Grande, and the author of Eros Operatica

With each poetry book, Manolis gains different forms of expression and dynamism, which are qualities of a true artist. Troglodytes, his new collection of poems, reflects this evidence. His words ripen by silence and a strong resonance from the Greek mythology, offering a myriad of images and senses that transport the reader to his world of wonder. At the same time, they reveal the tics, beauty and contradictions of humanity, like a raindrop refreshes not only a rose on a hot summer day but also its thorns. The collection offers this simple and yet meaningful insight: Poetry is to be understood by its own diaphanous virtues and light to be a true mirror of the soul. That’s the message we get page by page in Troglodytes.
Eduardo Bettencourt Pinto, author of Travelling With Shadows