Toxicology

A Novel

De: Jessica Hagedorn

Narrado por: Ramón de Ocampo, Rona Figueroa, Jessica Hagedorn, Carrington MacDuffie, Robin Miles, Jesse Vilinsky

A bold new novel about the intersection of art, love, fame, and money from the acclaimed author of Dogeaters.

Jessica Hagedorn's edgy and entertaining new novel centers on the lives of two women who are neighbors in Manhattan's West Village. Mimi Smith is a filmmaker of low-budget slasher movies in search of new material. Her neighbor Eleanor Delacroix is a legendary writer of erotic fiction, now nearing eighty and addicted to cocaine and gin. Their personal and artistic lives begin to collide in unexpected ways as Eleanor grieves over the recent death of her live-in lover, the renowned painter Yvonne Wilder, and as Mimi deals with the challenges presented by her newly sober brother Carmelo; her drug-dealing boyfriend, who has mysteriously disappeared; and her wayward fourteen-year-old daughter, Violet. Looming over all these characters is the ghost of Agnes-an "illegal" and cousin of Mimi's who might have been murdered by her New Jersey employers. Toxicology is a dark yet playful exploration of money, desire, mortality, and the connection between creativity and self-destruction.

Reseñas de la Crítica

Praise for Toxicology:

“A razor-sharp, refreshingly unsentimental portrayal of New York artists—selfish, irresponsible, and brilliant—and the evolution of feminism.” —Publishers Weekly (starred review)

“Out of jump cuts and close-ups, Hagedorn has composed a jazzy, stingingly smart tragicomedy of toxic substances, hate, and delusions; hustle and creativity; obsession and passion." —Booklist (starred review)

“This is an eclectic mix of differing voices, dream sequences, interviews, and snippets of memoir, as well as straight narrative all overlaid with Hagedorn's darkly humorous perspective... Recommended for readers of edgy, urban fiction.” —Library Journal

“A peek into a peculiarly alluring world of art, fame and mortality.” —Kirkus Reviews

“Hagedorn lets the emotional consequences of loss and waste freely expand the parameters of her novel in order to accurately express the wounded heart at play with love, loyalty and making art. When hope is located in the past, and the future not imaginable, her story’s telling relies on freedom, risk and innovation. Funny, sad and without phony resolution, Toxicology just tells like it is.” —Sarah Schulman, author of Conflict is Not Abuse and Let the Record Show