The World vs Todd McFarlane Audiolibro Por Daniel Best arte de portada

The World vs Todd McFarlane

Muestra de Voz Virtual
Obtén esta oferta Prueba por $0.00
La oferta termina el 16 de diciembre de 2025 11:59pm PT.
Prime logotipo Exclusivo para miembros Prime: ¿Nuevo en Audible? Obtén 2 audiolibros gratis con tu prueba.
Solo US$0.99 al mes los primeros 3 meses de Audible.
1 bestseller o nuevo lanzamiento al mes, tuyo para siempre.
Escucha todo lo que quieras de entre miles de audiolibros, podcasts y Originals incluidos.
Se renueva automáticamente por US$14.95 al mes después de 3 meses. Cancela en cualquier momento.
Elige 1 audiolibro al mes de nuestra inigualable colección.
Escucha todo lo que quieras de entre miles de audiolibros, Originals y podcasts incluidos.
Accede a ofertas y descuentos exclusivos.
Premium Plus se renueva automáticamente por $14.95 al mes después de 30 días. Cancela en cualquier momento.

The World vs Todd McFarlane

De: Daniel Best
Narrado por: Virtual Voice
Obtén esta oferta Prueba por $0.00

Se renueva automáticamente por US$14.95 al mes después de 3 meses. Cancela en cualquier momento. La oferta termina el 16 de diciembre de 2025.

$14.95 al mes después de 30 días. Cancela en cualquier momento.

Compra ahora por $11.99

Compra ahora por $11.99

OFERTA POR TIEMPO LIMITADO. Obtén 3 meses por US$0.99 al mes. Obtén esta oferta.
Background images

Este título utiliza narración de voz virtual

Voz Virtual es una narración generada por computadora para audiolibros..
It’d be hard to find anyone interested in comic books and their history who hasn’t heard of Todd McFarlane’s legal woes, but very few outside of McFarlane’s immediate circle know just how many legal fights he was facing as the 1990s closed. Virtually all of McFarlane’s court cases came down to three decisions, made by him alone. The first was to name a mobster in his Spawn comic after a hockey player, Tony Twist. The second was to hire Neil Gaiman to write a single issue of Spawn and the third came when he decided to buy all the remaining assets from Eclipse Comics at their bankruptcy sale. The first decision led to the Tony Twist trial, last two choices lead to Neil Gaiman filing suit and, ultimately, winning a portion of the Spawn universe and the hotly sought after, by some, character Miracleman.The Tony Twist trial was the beginning of a long, long period of uncertainty for Todd McFarlane and very nearly brought down the empire that he’d worked so hard to build. At its worst point, McFarlane was fighting to save his companies, to keep his characters and simply to survive. He was facing battles from several fronts, from people he did not previously personally know in the form of Tony Twist, to those whom he’d collaborated with, in the form of Neil Gaiman and also in bankruptcy courts. Clearly the fight that cost him the most, in pure financial terms, was that brought against him by Tony Twist. It would take years, and millions of dollars, to finally resolve. But the fight that potentially hurt him the most, both personally and professionally, was the one brought by Gaiman, as it gave the impression that McFarlane had appropriated characters created by Gaiman (albeit within the confines of the Spawn universe, along with Miracleman – but that’s a book in itself) without proper accounting, permission or payments. This, to the comic book industry at large, showed McFarlane to be no better than the corporations that he’d spent years rallying against – Marvel and DC Comics. It would take the better part of two decades before McFarlane would emerge free and clear from these fights. He came out of it battered, bruised, facing charges of hypocrisy and with a serious hit to his reputation, but he wasn’t totally beaten. Despite those who wished to see McFarlane fall completely from grace, he emerged relatively intact. Derecho
Todas las estrellas
Más relevante
The story of Todd is really good. A great insight on he’s legal problems, image partners and how he managed to get through it all. The writer really did a great job with all the research but that being said. I really hate that he used an A.I to read through the story. Felt cold, ingenious and mispronounced so many names. If you’re gonna do an Audible, don’t use A.I to read the story, use a real person because they know how to tell emotions and create an atmosphere for the listener. For those reasons I gave it a 3 stars out of 5.

Okay but not great.

Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.