• The Valiant Woman

  • The Virgin Mary in Nineteenth-Century American Culture
  • De: Elizabeth Hayes Alvarez
  • Narrado por: Tamara Marston
  • Duración: 9 h y 22 m
  • 4.5 out of 5 stars (2 calificaciones)

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The Valiant Woman  Por  arte de portada

The Valiant Woman

De: Elizabeth Hayes Alvarez
Narrado por: Tamara Marston
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Resumen del Editor

Nineteenth-century America was rife with Protestant-fueled anti-Catholicism. Elizabeth Hayes Alvarez reveals how Protestants nevertheless became surprisingly and deeply fascinated with the Virgin Mary, even as her role as a devotional figure who united Catholics grew. Documenting the vivid Marian imagery that suffused popular visual and literary culture, Alvarez argues that Mary became a potent shared exemplar of Christian womanhood around which Christians of all stripes rallied during an era filled with anxiety about the emerging market economy and shifting gender roles.

From a range of diverse sources, including the writings of Anna Jameson, Anna Dorsey, and Alexander Stewart Walsh and magazines such as the Ladies' Repository and Harper's, Alvarez demonstrates that Mary was represented as pure and powerful, compassionate and transcendent, maternal and yet remote. Blending romantic views of motherhood and female purity, the virgin mother's image enamored Protestants as a paragon of the era's cult of true womanhood, and even many Catholics could imagine the Queen of Heaven as the Queen of the Home. Sometimes Marian imagery unexpectedly seemed to challenge domestic expectations of womanhood.

On a broader level, The Valiant Woman contributes to understanding lived religion in America and the ways it borrows across supposedly sharp theological divides.

©2016 Elizabeth Hayes Alvarez (P)2016 Blackstone Audio, Inc.

Lo que los oyentes dicen sobre The Valiant Woman

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Lots of good information, but some irritating components

Wonderful information, if a somewhat predictable thesis. Good leads for further reading. Style, though, is at times almost a parody of current academic jargon (every cultural debate or disagreement is a “conversation”) and the narrator, though with a voice quality ideal for the subject matter, mispronounces both names and a few common words.

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