The Sin Eater

De: Megan Campisi

Narrado por: Shiromi Arserio

Set in a thinly disguised sixteenth-century England, Megan Campisi's The Sin Eater is a wonderfully rich story of treason and treachery; of women, of power, and the strange freedom that comes from being an outcast – because, sometimes, being a nobody sometimes counts for everything . . .

'A dark and thrilling page-turner that turns a dystopian eye on the past in an unnervingly contemporary way' - Emma Donoghue, author of Room.

A Sin Eater’s duty is a necessary evil: she hears the confessions of the dying, eats their sins as a funeral rite. Stained by these sins, she is shunned and silenced, doomed to live in exile at the edge of town.

Recently orphaned May Owens is just fourteen, only concerned with where her next meal is coming from. When she’s arrested for stealing a loaf of bread, however, and subsequently sentenced to become a Sin Eater, finding food is suddenly the last of her worries.

It’s a devastating sentence, but May’s new invisibility opens new doors. And when first one then two of the Queen’s courtiers suddenly grow ill, May hears their deathbed confessions – and begins to investigate a terrible rumour that is only whispered of amid palace corridors . . .

Can you uncover the truth when you’re forbidden from speaking it?

Reseñas de la Crítica

A dark and thrilling page-turner that turns a dystopian eye on the past in an unnervingly contemporary way. All hail Megan Campisi (Emma Donoghue, author of Room and The Wonder)

Rich with imaginative and historical details, <i>The Sin Eater </i>is ultimately a timeless story of one woman regaining her power. I loved it from beginning to end (Christina Dalcher, author of Vox)

Captivating . . . An original melding of mystery and alternate history

Richly imaginative and strikingly contemporary [and] very much reminiscent of <i>The Handmaid&rsquo;s Tale</i>

[A] rousing, impressive debut . . . Spellbinding

Magnificent . . . Hillary Mantel&rsquo;s <i>Wolf Hall</i> and <i>Bring Up the Bodies</i> brought new vividness and insight to the court of Henry VIII; in The <i>Sin Eater</i>, Megan Campisi brings as much or more energy to the court of Elizabeth I