The Score

How to Stop Playing Somebody Else's Game

De: C. Thi Nguyen

Narrado por: C. Thi Nguyen

“Mind-expanding . . . The Score is so exuberant and readable that the depth and seriousness of its insights almost sneak up on you.” —Jennifer Szalai, The New York Times

“Brilliant and wildly original . . . The Score is socially attentive, historically literate and imbued with sensual glee.” —Becca Rothfeld, The Washington Post

“I give this excellent book five stars.” —Stuart Jeffries, Financial Times

A philosophy of games to help us win back control over what we value

The philosopher C. Thi Nguyen—one of the leading experts on the philosophy of games and the philosophy of data—takes us deep into the heart of games, and into the depths of bureaucracy, to see how scoring systems shape our desires.

Games are the most important art form of our era. They embody the spirit of free play. They show us the subtle beauty of action everywhere in life in video games, sports, and boardgames—but also cooking, gardening, fly-fishing, and running. They remind us that it isn’t always about outcomes, but about how glorious it feels to be doing the thing. And the scoring systems help get us there, by giving us new goals to try on.

Scoring systems are also at the center of our corporations and bureaucracies—in the form of metrics and rankings. They tell us exactly how to measure our success. They encourage us to outsource our values to an external authority. And they push on us to value simple, countable things. Metrics don’t capture what really matters; they only capture what’s easy to measure. The price of that clarity is our independence.

The Score asks us is this the game you really want to be playing?

Amazing

Great ideas, compelling and personal storytelling. The author is able to meaningfully convey conflicting ideas.

Great questions posed, light on answers

The Score poses the excellent question of why rules and scoring make games fun but analogous restrictions make bureaucracies soul crushing. However, in attempting to answer this question, largely framed as the goal of the book, the author is a bit light on conclusions. This is not to say there aren’t many interesting observations throughout. The sections on real life as being nauseatingly complex, questions about whether to gamify life, considerations of selecting the right metrics to track, how most hours of engagement on Netflix isn’t the same as good art, the mechanics of bureaucracy, and how constraints paradoxically allow for heightened creativity, are all very important illuminative moments. Yet in striving to answer the premise, the author is light on specifics and calls for abstractions of the need to create structures for play and games into the fabric of life. Throughout this book veers in and out of personal anecdotes into academic meditations. Sometimes the author is a bit too self absorbed with his own identity as someone who has idiosyncratic hobbies like cooking and yo-yo-ing, but despite this the memoir approach to the subject still works well. It’s redundant in places where it feels like the same terminology is defined over and over again, and for a philosopher, the text doesn’t yield very many philosophical takeaways and kind of throws its hands up at the end, shirking a conclusion, albeit in an innovative way with a choose your adventure two ending format. And as someone who has thought a lot about games and philosophy, it is incongruous to me that the author is so critical of Civilization and cites it as the one game he regrets playing when I think it is the single best metaphor for human meaning and purpose, shouldn’t we all be pursuing the Alpha Centauri scientific victory to understand and explore the universe? Still very grateful for the read and I’m pursuing several of the cited books and games to explore these topics further.