The Good Eye
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Jess Gibson
A stone appears in a woman’s pocket like a charm only to end up lodged in someone else’s throat. A condescending artist throws a dinner party with his too-square girlfriend, only to learn too late that she is far more daring than he ever imagined. A psychic harnesses her talent for animal communication to extract a perfect revenge after a stinging betrayal.
In The Good Eye, the world can change in an instant. The beautiful turns grotesque, the exalted becomes the disgraced, the genius an imposter. Contradictory forces confront the men and women of Gibson’s collection, as they wrestle with the limits of perception.
Pulsing with style and vibrancy, The Good Eye takes readers on an unforgettable journey, without ever giving in to easy answers, and announces the arrival of a prodigious new talent.
Reseñas de la Crítica
"Wise, seductive, funny, and psychedelic, The Good Eye is written in gloriously precise and tactile prose, illuminating the antechambers and edges of life—apparitions, fakes, visitations by ghosts, rodents, and stray lovers—where both threat and insight glistens. Hopeful and renegade like Joy Williams and with a sly Mona Lisa smile, Jess Gibson moves between a high-altitude view and the very muscle of life to uncover what fluorescence it might hold. This collection took my breath away. A quietly, cumulatively, supernaturally brilliant debut." —Claudia Dey, author of Daughter
"The Good Eye is the kind of collection I’m always looking for and never seem to quite find. The power in these beautifully understated stories is in the concision—and precision—of the language. No gimmicks here just direct, clear-eyed prose. And moving, human struggles on the page." —Peter Orner, author of The Gossip Columnist's Daughter and Esther Stories
"The Good Eye is the kind of collection I’m always looking for and never seem to quite find. The power in these beautifully understated stories is in the concision—and precision—of the language. No gimmicks here just direct, clear-eyed prose. And moving, human struggles on the page." —Peter Orner, author of The Gossip Columnist's Daughter and Esther Stories
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