The Fold Podcast Por The Spinoff arte de portada

The Fold

The Fold

De: The Spinoff
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Conversations about the intersections of media, culture and technology in New Zealand, hosted by Duncan Greive, founder of The Spinoff.The Spinoff Ciencias Sociales Economía Política y Gobierno
Episodios
  • The BSA chooses to face its existential dilemma head on

    The BSA chooses to face its existential dilemma head on
    Apr 1 2026
    After six months of careful deliberation, and six years after it first floated the idea, the broadcasting standards authority decided that it definitively does have jurisdiction over platforms like The Platform. This set off a firestorm stretching across politics, law and media, with the regulator having the temerity to suggest that one, relatively tiny corner of the internet was within its bounds. In a reversal of typical roles, Toby Manhire hosts Duncan Greive to break down this story, at once arcane and enormous. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    29 m
  • First t-shirts, then podcasts, now the world: the story of YOUKNOW

    First t-shirts, then podcasts, now the world: the story of YOUKNOW
    Mar 30 2026
    Joe Webb was working as a coder when he printed a t-shirt at a mate’s house. Within a few years YOUKNOW had become a ubiquitous brand, thanks to their knack for creating social content which created a real sense of community. Then in 2023 he repeated the trick in a whole new paradigm, launching The Morning Shift as a daily podcast to overnight success. He joins Duncan Greive on The Fold to talk about the challenges of running these two businesses, what made each click – and why the future of the media side is aiming global. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    39 m
  • The Spotify paradox: why hundreds of fans can beat millions of streams

    The Spotify paradox: why hundreds of fans can beat millions of streams
    Mar 23 2026
    Joel Gouveia is a music supervisor, artist manager and booking agent, with a Substack. Earlier this year he wrote a series of posts, each more successful than the last, which drilled into the streaming music economy in a vivid and challenging way. He talked about bands with millions of streams that sold a dozen tickets, while others with comparatively tiny audiences could sell out tours. He looked some of the economic and cultural failings of music streaming and shone a bright light on them, basically – and those posts were the most popular pieces on the whole Substack network, showing just what a chord he struck. He joins Duncan Greive on The Fold from his office in Toronto to explain his thinking, and why he started speaking out. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    44 m
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