
The Fantasy Fiction Formula
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Narrado por:
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Tanya Eby
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De:
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Deborah Chester
There's more to writing a successful fantasy story than building a unique world or inventing a new type of magic. From the writing of strong, action-packed scenes to the creation of dynamic, multi-dimensional characters, fantasy author Deborah Chester guides novices and intermediate writers through a step-by-step process of story construction. Whether offering tips on how to test a plot premise or survive what she calls the dark dismal middle, Chester shares the techniques she uses in writing her own novels. Examples drawn from both traditional and urban fantasy illustrate her nuts-and-bolts approach to elemental story design.
With a foreword by New York Times best-selling author Jim Butcher, who studied writing in Chester's classes at the University of Oklahoma, The Fantasy Fiction Formula delivers a practical, proven approach to writing fantasy like a pro.
©2016 Deborah Chester (P)2020 TantorListeners also enjoyed...




















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have to read twice to catch everything
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As solid a resource as I’ve found!
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The Fantasy Fiction Formula has all of the best knowledge I've found, plus things I never even would have thought to research. She explains things in a way anyone can understand, and gives wonderful examples and exercises. I ended up buying the paperback so I could take notes in it, and I know I'll be using it for all of my writing career.
Thanks for writing such a wonderfully helpful book, Deborah!
Ended up buying the paperback version
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fantasy writing
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A Great Resource
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Loved every chapter
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A radiant example
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The author has good sentence structure and vocabulary.
BUT it seems more like a string of disjointed and interminable scenes from her fiction work rather than a how-to about actually putting a book together.
I have had this book for several years, and I keep trying to wade through it because I want to believe it has good information... but the uninteresting premises of stories about one-dimensional people with utterly ridiculous five-syllable names stalls me every time.
Maybe if the reader was better. Maybe if we didnt keep veering off on tangents about characters who are as dry as burnt toast. Maybe if the toast was in smaller slices. Maybe if I could discern the organization.
I would drop another credit if they would release a version of this audio with all the examples cut out - but I suspect it would only be an hour long. That would probably be a bonus, actually, with this reader.
A struggle to listen to
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Did not finish
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This Sucks
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