
The Chrysler Building
The History of One of New York City's Most Famous Landmarks
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Narrado por:
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Ian H. Shattuck
Acerca de esta escucha
"I would give the greatest sunset in the world for one sight of New York's skyline. The shapes and the thought that made them. The sky over New York and the will of man made visible.... Let them come to New York, stand on the shore of the Hudson, look and kneel. When I see the city from my window - no, I don't feel how small I am - but I feel that if a war came to threaten this, I would like to throw myself into space, over the city, and protect these buildings with my body." - Ayn Rand, The Fountainhead
Of all the great cities in the world, few personify their country like New York City. As America's largest city and best known immigration gateway into the country, the Big Apple represents the beauty, diversity and sheer strength of the United States: a global financial center that has enticed people chasing the "American Dream" for centuries. Given that history, it's no surprise that New Yorkers have always wanted to construct the biggest and best structures possible, even in the early 1930s at the height of the Great Depression.
Indeed, those years produced the Empire State Building, which remains the city's most iconic building. But New York's most famous skyscraper wouldn't have been possible without the Chrysler Building, a landmark in its own right that was the tallest building in the world for nearly a year before its more famous counterpart's completion. In fact, the spirit of competition between the groups working on the two buildings helped ensure that both look like they do today. And the Chrysler Building only reached the height it did because a large skyscraper at 40 Wall Street was also trying to claim the mantle of tallest building at the same time.
©2012 Charles River Editors (P)2015 Charles River EditorsLos oyentes también disfrutaron...
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Lo que los oyentes dicen sobre The Chrysler Building
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- MolllyT
- 07-02-20
Good thesis!
1929 and the race to build the tallest building as described in articles of the time from the New Yorker and similar publications. The man who commissioned the building, the ironworkers, the critics, and the innovations that this elegant structure and its inner finery are described in detail. I confess that I am partial to the sight of it whenever I see the skyline of the city.
Narrator Ian H. Shattuck has a pleasant voice and meaningful delivery.
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