The Cambridge Companion to Sherlock Holmes
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The Cambridge Companion to Sherlock Holmes
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Narrado por:
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Elizabeth Sastre
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John Keating
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Sherlock Holmes is the most famous fictional detective in history, with a popularity that has never waned since catching the imagination of his late-Victorian readership. This companion explores Holmes' popularity and his complex relationship to the late-Victorian and modernist periods; on one hand bearing the imprint of a range of Victorian anxieties and preoccupations, while on the other shaping popular conceptions of criminality, deviance, and the powers of the detective. This collection explores these questions in three parts. "Contexts" explores late-Victorian culture, from the emergence of detective fiction to ideas of evolution, gender, and Englishness. "Case Studies" reads selected Holmes adventures in the context of empire, visual culture, and the gothic. Finally, "Holmesian Afterlives" investigates the relationship between Holmes and literary theory, film and theatre adaptations, new Holmesian novels, and the fandom that now surrounds him.
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Lo que los oyentes dicen sobre The Cambridge Companion to Sherlock Holmes
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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Total4 out of 5 stars
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Ejecución5 out of 5 stars
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Historia3 out of 5 stars
- Dr Rick
- 10-17-24
Alternating narrators: try the odd numbers
I love Elizabeth Sastre. She narrates the female authored chapters, initially the odd ones. That’s enough for me but I also know well the Holmes canon. The combo is friendly, fascinating but simultaneously dry.
Worldwide culture used to flow outward from the British Empire, Holmes “lived” 1880s-1920s, we learn much about this time and place and its aftermath using a familiar focal point. Surprisingly interesting.
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Total1 out of 5 stars
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Ejecución1 out of 5 stars
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Historia1 out of 5 stars
- TARA
- 09-17-20
Very dry and horrible narration
The book overall was quite boring to listen to. The topics discussed could have been shorter. The male narrator's cadence and tone were horrendous. The inflections within the sentences was like riding a roller coaster. The female narrator was a little more palatable.
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