Shifter City Hero Omnibus: Books 1-3
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Narrado por:
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Jude Erin
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Rhys David
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De:
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Shane Hammond
The complete series in a single offering!
Become a shifter. Build my pack. Be the leader these people need.
I’ve always known I was different. There’s a beast inside me, clawing to get free—and it finally breaks loose when I return to Thornveil City, a magic-soaked metropolis crawling with shifters.
Soon, I’m teamed up with a razor-sharp wolfgirl whose bite is much deadlier than her bark, and we have one mission: protect a dangerously-gorgeous kitsune heiress from those evil creatures who want her magic for their own twisted ends.
Our enemies are ruthless. The stakes are sky-high. And I’m the last one standing between Thornveil and total oblivion.
This city needs a hero—and I’m going to give them one.
©2025 Shane Hammond (P)2025 Royal Guard Publishing LLCLos oyentes también disfrutaron:
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Different, but fun nonetheless
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The fact that the MC was a father was a big standout for me
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Generally the narration is excellent, with a couple of issues. First, Jude's general narration voice is a bit flat at times. Her character voices are excellent, so I don't really understand why. The second and far more aggravating issue though, is that both narrators spent three entire books absolutely butchering the pronunciation of 'kitsune'. It comes up regularly in the story, and every time they read it as KIT-soon I winced internally. I actually had to take breaks from listening because it was so aggravating at times. Boggles my mind that this was not caught and fixed early on...
Good, some issues
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Kitsune is SUPPOSED to be "kit so nā" not "kit soon"
soon"
The first story had a garbled time line bit that requires turning off the brain to make it make sense.
good thing I used a credit, I am dumping this audio book. let me know if you ever get competent narrators.
FIRE THE NARRATORS AND PRODUCERS!
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None of the characters act with any of the intellect and charisma we are assured they have, instead they manage to somehow flop their way through 'strategic maneuvers' like fish out of water. The bull guy who's name I can't even remember is a prime example of this. He's allegedly some criminal mastermind, but his machinations in a real world scenario would get him dropped like a sack of bricks by any actual competent mobster. The characters can waltz around and cause destruction and death without even a whiff of law enforcement or any backlash or retaliation.
The villains have a completely nonsensical goal as well. Tearing the veil to allow in some awkward 'super shifters' is about as ridiculous a takeover plan as anyone could come up with. The moment they're met with meager police retaliation any shifter would be turned into evil swiss cheese.
Finally, the way Hammond goes about trying to build a harem situation is cute to say the least. Alex simply doesn't have the charisma for it, and it requires a whole lot of circumstance and plot armor to put him in any situation that could potentially lead to the complex emotional relationship he's trying to build. The only one who's going to have a harem is someone brimming with confidence, swagger and ambition, the exact opposite of our cowardly and bland protagonist. If you can't do it, either put in some more effort or move to another genre. I would recommend reading some of Bruce Sentar's work if you need some pointers.
Weak
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