Rosarita

From the three times Booker-shortlisted author

De: Anita Desai

Narrado por: Meera Simhan

'Anita Desai is a magnificent writer' - Salman Rushdie
'Every new work from her is a gift' - Kamila Shamsie
'Rosarita is transcendent . . . a testament to Desai’s enduring genius as a writer' - The Guardian
'Tantalising' - Financial Times

From three times Booker-shortlisted author Anita Desai, Rosarita is a beautiful, haunting novel that explores memory, grief, and a young woman’s determination to forge her own path.

A young student sits on a bench in a park in San Miguel, Mexico. Bonita is away from her home in India to learn Spanish. She is alone, somewhere she has no connection to. It is bliss.

And then a woman approaches her. The woman claims to recognize Bonita because she is the spitting image of her mother, who made the same journey from India to Mexico as a young artist. No, says Bonita, my mother didn’t paint. She never travelled to Mexico. But this strange woman insists, and so Bonita follows her. Into a story where Bonita and her mother will move apart and come together, and where the past threatens to flood the present, or re-write it.


**Praise for Meera Simhan**

'With vocal agility Simhan deftly shifts her tone and accent to realistically narrate diverse characters . . . Simhan's strength lies in narrating emotionally fraught passages that will move listeners' - AudioFile Magazine

**Praise for Anita Desai**

Hypnotically beautiful and subtle’ - Financial Times
‘Bewitchingly beautiful’ - The Times
‘Profoundly elegiac’ - New Statesman

Reseñas de la Crítica

It’s been over a decade since [Anita Desai's] last work of fiction. She’s a writer I’ve loved since my adolescence, whose sharp observations and elegant sentences I admire increasingly as the years go on. Every new work from her is a gift (Kamila Shamsie, Stylist)

As taut and weird and entrancing as a story by Jorge Luis Borges. If Rosarita is to be her swansong . . . then it’s a magnificent way to go out (George Cochrane, The Telegraph (5 star review))

The three-times Booker-shortlisted writer is back with a poignant novella about one young woman’s thwarted attempt to escape her past . . . a thoughtful read that will delight Desai stalwarts and send newcomers scurrying to her impressive backlist; leaving all hopeful this won’t be her last piece of short fiction (Susie Mesure, The i)

A tantalising tale of memory, family and fantasy . . . evocative, subtle and enigmatic. Desai revels in equivocation and possibility, embracing the ambiguity of memory itself to tell a shimmering, sometimes fevered tale in which a mother and daughter are pulled apart and fused together

There is a dreamy and wistful mood to this very short gem, lulling in its revelations and comforting in its gentle appeal. A wonder of a novel. (Paul Perry, Irish Sunday Independent)

Her writing is sensuous, radical and uncannily perceptive

To compare Anita Desai's fiction with that of Chekhov or the short stories of Tolstoy is not extravagant; it is entirely warranted

Anita Desai is one of the most brilliant and subtle writers ever to have described the meeting of eastern and western culture (Alison Lurie)

All her stories are full of a confidence in human nature that is a rarity and a pleasure to encounter

Desai has a wicked, subtle humour . . . and her characters are beautifully described . . . Her writing is polished and mature, with a wit she cleverly underplays

One of the most gifted of contemporary Indian writers

Anita Desai writes exquisitely

She has the ability to shape and refine a piece of work of her own intense imagination into an independent work of art

Desai writes powerfully and provocatively . . . Rosarita is a transcendent late gift: both a testament to Desai’s enduring genius as a writer and a wholly remarkable vindication of literature’s power to illuminate the conundrums of human experience. This is a novel of profound philosophical inquiry, pondering the enigmas of the mind and the self, the frontiers of fantasy and reality, and ultimately, whether one person can ever fully imagine and understand the life of another.

Rosarita tells of the universal craving to belong (Stevie Davies, The Literary Review)