Here at the Center for Investigative Reporting, we excel at finding things: government documents, paper trails, the misdeeds people have tried to hide. It’s serious work. But that gave us an idea: What would happen if we used these skills for things that are less about accountability and more about joy? If we turned our energy toward personally meaningful questions?

That was the spark for our first-ever Inconsequential Investigations hour. We turned our journalistic strategies on our own biggest questions to see where the trail led.

This week on Reveal, we take up Mother Jones video correspondent Garrison Hayes’ quest to find the first short film he ever made, even though it was lost to the early 2000s internet. Yowei Shaw of the podcast Proxy brings us along as she meets her doppelganger and discovers the truth behind how people see her. And Reveal reporter and producer Ashley Cleek untangles her own unsolved mystery: Did reclusive rock star Jeff Mangum really call into her college radio show, asking her for a favor?

We plan to do more Inconsequential Investigations like this. If you have a personal mystery that needs looking into, please email Inconsequential@revealnews.org.

This is an update of an episode that first aired in October 2025.

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More To The Story: Few political figures occupy the sort of space in American history that Al Gore does. A longtime member of Congress before becoming vice president, Gore lost the presidency in 2000 to George W. Bush after a highly controversial decision by the Supreme Court. But in the years that followed, Gore didn’t slink into history. Instead, he worked to sound the growing alarm on climate change, most notably with his documentary, An Inconvenient Truth, which came out 20 years ago. A year later, he won the Nobel Peace Prize. Today, he’s still at it and in many ways more adamant than ever that now is the time to act on global warming, especially as the Trump administration rolls back environmental protections and condemns climate science. But he also has more on his mind than the state of the planet, namely the state of democracy and the direction of the country under President Donald Trump. On this week’s More To The Story, the former vice president admonishes the White House for making an “astonishing mistake” in its attack on Iran, looks back at his groundbreaking climate change documentary, and talks about why he believes political will in America is still a renewable resource.

Producer: Josh Sanburn | Editor: Kara McGuirk-Allison | Theme music: Fernando Arruda and Jim Briggs | Copy editor: Nikki Frick | Digital producer: Artis Curiskis | Deputy executive producer: Taki Telonidis | Executive producer: Brett Myers | Executive editor: James West | Host: Al Letson

Read: Something Unexpected Is Happening With Norway’s Polar Bears (Vox via Climate Desk)

Listen: A New Year, a New War (Reveal)

Visit: The Climate Reality Project

Read: The Assault on Reason: Our Information Ecosystem, from the Age of Print to the Age of Trump (Penguin Books)

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Last year, arts organizations and cultural institutions across the US received an alarming message: Their federal grants had been canceled.

The letters said their projects no longer aligned with new federal priorities and that money was being redirected toward the Trump administration’s agenda. The grants had funded museum exhibits, public art programs, historical research, and community arts initiatives.

Angela Sutton and a team of archaeologists were in the middle of excavating a long-forgotten Black neighborhood in Nashville when she got the news: “Just got an email out of the blue saying, ‘Please stop. You're done.’”

This week on Reveal, reporter Jonathan Jones travels to Nashville and beyond one year after the cancellations to meet the people living with the fallout. From musicians to visual artists, historians, and arts administrators, they’re confronting a new reality: Federal support now depends on the shifting political priorities in Washington. Some organizations are scaling back their work. Others worry artists will censor themselves just to survive. But many are fighting back.

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