
Powers of Darkness
The Lost Version of Dracula
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Narrado por:
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Adam Verner
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Robertson Dean
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Ralph Lister
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Derek Perkins
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R.C. Bray
Acerca de esta escucha
Powers of Darkness is an incredible literary discovery. In 1900, Icelandic publisher and writer Valdimar Asmundsson set out to translate Bram Stoker's world-famous 1897 novel Dracula.
Called Makt Myrkranna (literally, 'Powers of Darkness'), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker's preface to the book.
However, no one looked beyond the preface and deeper into Asmundsson's story. In 2014, literary researcher Hans de Roos dove into the full text of Makt Myrkranna, only to discover that Asmundsson hadn't merely translated Dracula but had penned an entirely new version of the story, with all new characters and a totally reworked plot. The resulting narrative is one that is shorter, punchier, more erotic, and perhaps even more suspenseful than Stoker's Dracula.
Incredibly, Makt Myrkranna has never been translated or even read outside of Iceland until now. Powers of Darkness presents the first ever translation into English of Stoker and Asmundsson's Makt Myrkranna. With a foreword by Dacre Stoker, Bram Stoker's great-grandnephew and best-selling author, and an afterword by Dracula scholar John Edgar Browning, Powers of Darkness will amaze and entertain legions of fans of Gothic literature, horror, and vampire fiction.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©2018 Blackstone Audio, Inc. (P)2018 Hans Corneel de RoosLos oyentes también disfrutaron...
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Dry Politics
- De Jim "The Impatient" en 02-24-13
An excellent first act that doesn't stick the landing.
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Brilliance found in a lost story.
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Not bad, but skip ahead to Chapter 11
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Not essential but still kinda fun
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Good but felt cheated at the end
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Intriguing variation
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Thanks for going through the work of bringing it to English readers. I especially enjoyed the introduction with all the background research.
All the evidence in favour of and against the possibility that Bram Stoker wrote this alternate version.
It’s mind blowing that this book even exists. !
Thank you Hans Cornelius de Roos
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If you want to listen to the original text first, skip to chapter 11.
Eat dessert first. Save the veggies for later.
Started at Chapter 11
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A must for any Dracula lover
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To write his tale Bram had to jump through lots of hoops and was forced to revise and edit his work. Whole entire sections were pulled from Stoker original story. Part of it ened up in the tale “Dracula’s Guest” This story while bearing many similarity also has lots of differences.
For one the names are different. Jonathan is called Thomas and his fiancé is now now Wilma. As Harker is imprisoned in the castle he is tormented by the counts cousin. In the original it was three vampire ladies that tormented Harker. The count himself is somewhat different as well. Taking some elements from the historical personage this rendition . This story cues into his warrior past and genetically links him to Attila the Hun. While Harker is imprisoned in the castle he learned more about Dracula’s history and the past of his family. When exploring the castle in an attempt to find a way out he reaches and underground vault where in he witnesses a bizarre ritual when young women were murdered and fed to ape like vampires.
The count is loaded with gold and he is well connected to powerful people across the globe who he corresponds with. He has a plan of sorts for world domination. He has a library filled with occult books.
Minus in this book is also Renfield, the lunatic in the original. The final showdown happens in Carfax. They never return to Transylvania.
This is considered the Icelandic Version. Some believe it is based on a Swiss or a Swedish version. Some may wonder how many of these differences and nuances come from the editors contribution and what from Stoker or was there collaboration.?
A different telling and in no way is the original Impaler being spoken of. This is the fictitious Dracula.
Lost Tale of Dracula
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