• No Words

  • A Novel (Little Bridge Island, Book 3)
  • De: Meg Cabot
  • Narrado por: Piper Goodeve
  • Duración: 8 h y 57 m
  • 4.2 out of 5 stars (80 calificaciones)

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No Words  Por  arte de portada

No Words

De: Meg Cabot
Narrado por: Piper Goodeve
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Resumen del Editor

Meg Cabot, number one New York Times best-selling author of The Princess Diaries, returns to Little Bridge Island with a new story about a children’s book author with a case of writer’s block and an arrogant novelist who have to set aside their differences as they get through a weekend long book festival that just might change everything - including their feelings for each other.

Don’t judge a book by its author....

Welcome to Little Bridge, one of the smallest, most beautiful islands in the Florida Keys.

Jo Wright always swore she’d never step foot on Little Bridge Island - not as long as her nemesis, best-selling author Will Price, is living there.

Then Jo’s given an offer she can’t refuse: an all-expense paid trip to speak and sign at the island’s first-ever book festival.

Even though arrogant Will is the last person Jo wants to see, she could really use the festival’s more-than-generous speaking fee. She’s suffering from a crippling case of writer’s block on the next installment of her best-selling children’s series, and her father needs financial help as well.

Then Jo hears that Will is off-island on the set of the film of his next book. Hallelujah!

But when she arrives on Little Bridge, Jo is in for a shock: Will is not only at the book festival, but seems genuinely sorry for his past actions - and more than willing not only to make amends, but prove to Jo that he’s a changed man.

Things seem to be looking up - until disaster strikes, causing Jo to wonder: Do any of us ever really know anyone?

©2021 Meg Cabot (P)2021 HarperCollins Publishers

Lo que los oyentes dicen sobre No Words

Calificaciones medias de los clientes
Total
  • 4 out of 5 stars
  • 5 estrellas
    39
  • 4 estrellas
    25
  • 3 estrellas
    8
  • 2 estrellas
    5
  • 1 estrella
    3
Ejecución
  • 4.5 out of 5 stars
  • 5 estrellas
    51
  • 4 estrellas
    17
  • 3 estrellas
    4
  • 2 estrellas
    1
  • 1 estrella
    3
Historia
  • 4 out of 5 stars
  • 5 estrellas
    33
  • 4 estrellas
    25
  • 3 estrellas
    7
  • 2 estrellas
    7
  • 1 estrella
    4

Reseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.

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  • Total
    5 out of 5 stars
  • Ejecución
    5 out of 5 stars
  • Historia
    5 out of 5 stars

Loved it!

Another great story from Meg Cabot! As a writer myself, I appreciated the “inside baseball” aspect of this story about writers, but know that it will also appeal to those who are fans of good writing. Because it’s just good writing!!

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  • Total
    5 out of 5 stars
  • Ejecución
    5 out of 5 stars
  • Historia
    5 out of 5 stars

Wish it were real!

This book is so good! From the characters to the plot and to the setting. I can’t wait for more Little Bridge books!

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  • Total
    5 out of 5 stars
  • Ejecución
    5 out of 5 stars
  • Historia
    5 out of 5 stars

Great series!

I was not expecting to like this series as much as I did, but the storyline was great and the character relationships were hilarious throughout the entire series. I would definitely read more books tied to this “community“. Going to visit little bridge Island sounds like so much fun!

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  • Total
    1 out of 5 stars
  • Ejecución
    1 out of 5 stars
  • Historia
    1 out of 5 stars

Bad, Bad, Bad

Oh my. I hate to bash a book, but this is just bed. Bad story line, bad narrator, just bad.

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  • Total
    1 out of 5 stars
  • Ejecución
    1 out of 5 stars
  • Historia
    1 out of 5 stars

Meg, what happened?

I think Meg Cabot’s stories come with a need for suspension of disbelief but this story felt so flat, so suspended from the world we live in, so lifeless and yet so quotidian, I cannot understand how it got to be published, how anyone managed to stick with the cardboard cutouts of characters long enough to even care enough about how their plots concluded, reader or writer.

This extended into the narrator’s performance but I cannot tell if it was due to the material.

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