• Narasimha

  • The Mahaavtar Trilogy, Book 1
  • De: Kevin Missal
  • Narrado por: Rajat Verman
  • Duración: 9 h y 59 m
  • 3.3 out of 5 stars (24 calificaciones)

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Narasimha  Por  arte de portada

Narasimha

De: Kevin Missal
Narrado por: Rajat Verman
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Resumen del Editor

Narasimha, once a brave soldier, has left the war and lies low as a physician in a village. But a familiar face from his past seeks his help to stop the tyranny of the blind usurper Andhaka. If Narasimha refuses, the world might just end. What will he do? And why did he leave the war in the first place?

Prahlad, the interim king of Kashyapuri, is torn between the ideals of his unrighteous father and his love for Lord Vishnu. Whom will he choose?

Hiranyakashyap, the ruler of the Asura Empire, wants to avenge the death of his wife. To do that, he must go through the Trials and get the ultimate weapon - the Brahmastra. But the Trials have sent so many others to their death. Can Hiranyakashyap survive?

Welcome to the reimagining of the fourth Avatar of Lord Vishnu by best-selling author Kevin Missal.

©2019 Kevin Missal (P)2021 Audible, Inc.

Lo que los oyentes dicen sobre Narasimha

Calificaciones medias de los clientes
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  • 3.5 out of 5 stars
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Historia
  • 3.5 out of 5 stars
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  • Total
    1 out of 5 stars
  • Ejecución
    1 out of 5 stars
  • Historia
    3 out of 5 stars

The narration is absolutely terrible

OK in all fairness, it may be an all right burger and the story seem like it had potential but I couldn’t even finish it. The narrator is absolutely terrible miss pronounces words in these hard to understand. I hate for this to reflect on the author but the fact is it’s an audiobook and the audio part is obviously paramount.

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  • Total
    1 out of 5 stars
  • Ejecución
    1 out of 5 stars
  • Historia
    1 out of 5 stars

Unsatisfactory

For the sake of potential readers...
The atmosphere is flat and the characters do not invoke empathy. It's more than the narration, which fails to bring life to the text. To relate the writing to something the readers are likely to have a common reference for...it is the difference between classical and method acting. The story is more theme driven than character driven.

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