Little Deaths

A Novel

De: Emma Flint

Narrado por: Lauren Fortgang

It's 1965 in a tight-knit working-class neighborhood in Queens, New York, and Ruth Malone -- a single mother who works long hours as a cocktail waitress -- wakes to discover her two small children, Frankie Jr. and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth.

As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman -- and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives.

Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance -- or is there something more sinister at play?

Inspired by a true story, Little Deaths, like celebrated novels by Sarah Waters and Megan Abbott, is compelling literary crime fiction that explores the capacity for good and evil in us all.

Reseñas de la Crítica

"Gripping.... Flint...nails with authority the voices, commonplace wisdom, and dusty claustrophobia of the borough. Just as important, Flint captures the mundane yet mythic horror of the case that has memorialized it in the annals of New York City crime.... Flint is scrupulous about centering this moody thriller in the facts, yet giving them a deeper psychological spin."—Maureen Corrigan, Washington Post

"Riveting."—People

"Affecting, achingly beautiful debut...This stunning novel is less about whodunit than deeper social issues of motherhood, morals, and the kind of rush to judgment that can condemn someone long before the accused sees the inside of a courtroom."—Publishers Weekly (starred review)

"Compelling ... the closing scene is a jaw-dropper.... This is absolutely absorbing literary crime fiction, perfect for fans of Megan Abbott and Sarah Waters."—Booklist (starred review)

"This accomplished debut novel will intrigue fans of both true crime and noir fiction. Flint...is a welcome addition to the world of literary crime fiction. Readers of Megan Abbott may want to investigate."—Library Journal (starred review)

"A phenomenal achievement. Little Deaths is one of those so-very-rare accomplishments: a lightning fast, heart-pounding, psychologically resonant crime novel that effortlessly transcends genre. If you believed that literary fiction can't be a one-sitting read, think again."—Jeffery Deaver

"Emma Flint's Little Deaths beguiles readers with a most harrowing crime: two children dead, their mother, Ruth, the likely suspect. Readers will as easily pity Ruth as doubt and denounce her, as Flint seduces us with a gem of a whodunit, making us question our every instinct. Deeply moody and moving, Little Deaths embodies the role of women in the sixties, especially those who dared to deviate from societal norms."—Mary Kubica, New York Times bestselling author of The Good Girl

"Utterly atmospheric and with style to burn, Emma Flint's Little Deaths is a novel that troubles and transfixes from its simmering first pages all the way to its searing final words."—Megan Abbott, author of You Will Know Me

"Little Deathsis a rarity: a period piece and police procedural that is wrenching and real and deeply moving. I fell fast and hard under the spell of this lush, moody, film noir of a novel."—Chris Bohjalian, New York Times bestselling author of The Guest Room, The Sandcastle Girls, and Midwives

"An absolutely gripping debut! Emma Flint spins a lyrical tale of horror and suspense in the vivid and thick atmosphere of 1965 Queens. Even after I finished, the story would not leave me. I cannot wait to read more from this talented author."—Beth Harbison, New York Times bestselling author of One Less Problem Without You

Based on a true story

I bought this after reading an article about the author and, although it's considered a novel, because it's based on the Alice Crimmins story, which I had never heard about before. So well written it leaves a mark.

Great readers

The readers did an excellent job but the book was wordy with too many little details.

awesome

this story had me in day and night. i would dream of it while sleeping. sometimes getting up in the night to listen to a chapter.

This is absolutely the worst reading I've ever heard

The readers alternate paragraphs within the chapters for no apparent reason. There is a male reading women's dialogue and a woman reading men's dialogue. I one or the other read the book straight through, that wouldn't have been a problem. But the way it was done here was confusing and distracting to the material. And the attempts at foreign accents was laughable. You should invest in real actors. I hope I never have to listen to another one of your Audible productions again. Jeez! Completely amateur stuff.

Riveting!

Couldn't put it down. The story line kept me interested. Narration was on point.