Judas Horse

De: April Smith

Narrado por: April Smith

Maverick FBI Agent Ana Grey is back in a suspense-charged new novel, going undercover into the volatile core of a terrorist cell.

Emotionally vulnerable after a shooting incident, Ana has just returned to the job when she learns that a fellow agent has been murdered by a group of hard-core anarchists operating behind the façade of FAN (Free Animals Now). Dispatched to the FBI’s infamous undercover school to learn the art of deceit, Ana takes on the identity of a down-on-her-luck animal lover determined to save the wild mustangs of the West. Now she’s ready to work her way into the inner circle of Julius Emerson Phelps, the unstable, charismatic leader of a “family” of outcasts who live on an isolated farm in Oregon, and who are preparing an act of terrorism Phelps has dubbed “the Big One.”

The stakes increase significantly when Ana learns that Phelps is playing his own game of dangerous deception, and that he possesses a stockpile of dirty secrets about the Bureau sufficient to blow it sky-high. With razor-sharp realism, Smith renders the psychological vise of a deep-cover agent living a lie 24/7. Negotiating a minefield of loyalty and betrayal, under constant threat of discovery, Ana is forced to commit the very crime she’s determined to stop.©2008 April Smith; (P)2008 Books on Tape

Reseñas de la Crítica

“A genuinely scarifying thriller with a consistently vertiginous, through the looking glass mood. Every character is a hologram of sorts and every episode has the momentum of a theme-park ride. One of Smith’s cleverest tricks here is her unsettling depiction of unlikely alliances: Ana turns out to have more in common with the villain, Stone, than she might ever have imagined.”
–Los Angeles Times

“A feverishly pitched adventure . . . With every dynamic scene, including a wild mustang roundup that thunders right off the page, the reader, like Ana, is reminded of the lost ideals and divided loyalties that make these mortal conflicts so bloody–and so sad.”
–Marilyn Stasio, New York Times Book Review

“Why does the FBI still seem so sexy? Part of the reason is murder mysteries like April Smith’s Judas Horse . . . It’s creepy, chest-thumping stuff, with snitches and loyalty tests and the good guys and villains constantly in flux.”
–Los Angeles Magazine

“A runaway but cagey novel that never lets up . . . The incidents with which Ana must deal [at FBI undercover school] are so fast, harrowing, and breathtaking that they are like skiing down the expert slope while juggling vials of nitroglycerine.”
–Otto Penzler, New York Sun

“Smith’s superb third thriller to feature Ana Grey . . . Ana’s nuanced and coolly observational narrative voice perfectly complements the well-paced action, which builds to a satisfying conclusion that leaves open the next chapter of Ana’s story.”
–Publishers Weekly (starred)

“Smith does a convincing job of conveying the trials of maintaining a dual identity . . . The narrative is fast-paced without becoming frantic, and the intertwining story lines are deftly handled. Highly recommended.”
–Library Journal (starred)

“A demonic ride through undercover terrain . . . Smith creates an undercover training regime for Ana that the FBI might do well to emulate. She’s so expert at implanting stress that you could become bipolar just from reading one chapter. Feisty, disturbing and exceptionally well done.”
–Kirkus Reviews (starred)

Great story, appalling narration

Engaging story of the training and experiences of an undercover FBI agent. Hard to believe that anyone could survive the orientation, let alone the field experience. And quite fascinating to see the way the agent Ana starts to identify with the anarchists whose cell she has infiltrated. But why, oh why, did anyone allow author April Smith to read her own book? Her voice is whiney and monotonous, her diction is terrible and it's often hard to tell which character is speaking because there is no modulation in her narrative. I'm giving this book a good rating because the story transcends the narration, but I came pretty close to giving up before I could learn that. Good narration is a talent and a skill -- it's an insult to audiobook listeners to subject them to an autnor's vanity project.

Not April's best

I loved North of Montana. So much so that I bought Good Morning Killer and White Shotgun for the Kindle. When I saw Judas Horse on Audible I was excited to add it to my library.


I didn't hate it. I enjoy April's style in this series. The story was a decent enough rendering of the rogue cop trope, and the corrupt FBI director Trope, and the government conspiracy trope. One of the things I remember really liking about North of Montana and good Morning, Killer (I haven't gotten to white Shotgun because I want to read them in order) was the pacing. This one slogs along, sometimes far too slowly. In fact, there was some pretty significant sag in parts. The parts about the grandfather seemed completely unneeded in this book. And, there were several places where the events as laid out were just nor believable. Still it was enjoyable.

April's reading on the other hand was humdrum, monotonous, colorless, and dare I say anemic. The vocal performance (I use that term loosely) made what might have otherwise been a decent book hard to get all the way through.