Harbor
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Narrado por:
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Julian Rhind-Tutt
John Ajvide Lindqvist has taken the horror world by storm. His first novel, Let the Right One In, has been made into critically acclaimed films in both Sweden and in the U.S (as Let Me In). His second novel, Handling the Undead, is beloved by horror lovers everywhere. Now, with Harbor, a stunning and chilling masterpiece, Lindqvist firmly cements his place as the heir apparent to Stephen King.
One ordinary winter afternoon on a snowy island, Anders and Cecilia take their six-year-old daughter Maja across the ice to visit the lighthouse in the middle of the frozen channel. While they are exploring the lighthouse, Maja disappears – either into thin air or under thin ice -- leaving not even a footprint in the snow.
Two years later, Anders, a broken man, moves back to his family's abandoned home on the island. He soon realizes that Maja's disappearance is only one of many strange occurrences, and that his fellow islanders, including his own grandmother, know a lot more than they're telling. As he digs deeper, Anders begins to unearth a dark and deadly secret at the heart of this small, seemingly placid town.
As he did with Let the Right One In and Handling the Undead, John Ajvide Lindqvist serves up a blockbuster cocktail of high-tension suspense in a narrative that barely pauses for breath.
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“Like Stephen King, Lindqvist makes deft use of contemporary pop culture.... Like King, Lindqvist is a master at evoking the claustrophobic atmosphere of a small, self-contained community whose denizens are as cursed by their own history as by the uncanny, terrifying events of the present.” —The Washington Post
“John Ajvide Lindqvist is rightly seen as one of the most exciting writers working in the horror genre at the moment – a rival, indeed, to Stephen King.” —The Scotsman
“A spooky pleasure, expertly told.” —Publishers Weekly
“Enthralling dark fantasy.” —Publishers Weekly
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The story skips back and forth through time which is probably even a bit difficult reading the book. Lindvquist, speaking as the narrator in the story, even apologizes for this but says it's necessary. In an audiobook, though, it's just too hard to follow. I had to pay strict attention every second or I found myself lost.
Anyway, knowing Lindqvist, I'd say this is probably a great book! I'll have to read it physically to confirm, however.
Probably Good Book - Not A Good Audiobook
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Would you say that listening to this book was time well-spent? Why or why not?
Ultimately, the pacing of this book was too slow for me, and the core premise isn't interesting enough to merit my investment. Other people might enjoy this book, but to me it's just another Creepy Isolated Locals with Occult Secret tale stretched out very thin with a dash of pretentiousness.What do you think your next listen will be?
I think I'll go into more science fiction. I've had several runs with disapointing horror recently.What about Julian Rhind-Tutt’s performance did you like?
He is good at bringing regional flavor and low-minded malice to characters.Was Harbor worth the listening time?
On the whole it didn't satisfy me. It's not necessarily a bad book, but it took too long for me to reach an unsurprising turn of events.An uninspired tale well told?
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Really loved this book!
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One of my favorite finds
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Where does Harbor rank among all the audiobooks you’ve listened to so far?
Low middleHow would you have changed the story to make it more enjoyable?
Make the lines between magical realism and the real clearer. Don't apply rational ideas to magical realism and don't lend magic to the moments of reality.Which scene was your favorite?
Finding MaiaIf you could take any character from Harbor out to dinner, who would it be and why?
AndresGreat Writing Lame Story
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