Half-light

Collected Poems 1965-2016

De: Frank Bidart

Narrado por: Frank Bidart

Duración: 2 h y 35 m

Resumen del Editor

This program is read by the author.

WINNER OF THE 2018 PULITZER PRIZE IN POETRY
WINNER OF THE 2017 NATIONAL BOOK AWARD FOR POETRY

The collected works of one of contemporary poetry’s most original voices

Gathered together, the poems of Frank Bidart perform one of the most remarkable transmutations of the body into language in contemporary literature. His pages represent the human voice in all its extreme registers, whether it’s that of the child-murderer Herbert White, the obsessive anorexic Ellen West, the tormented genius Vaslav Nijinsky, or the poet’s own. And in that embodiment is a transgressive empathy, one that recognizes our wild appetites, the monsters, the misfits, the misunderstood among us and inside us. Few writers have so willingly ventured to the dark places of the human psyche and allowed themselves to be stripped bare on the page with such candor and vulnerability. Over the past half century, Bidart has done nothing less than invent a poetics commensurate with the chaos and appetites of our experience.

Half-light encompasses all of Bidart’s previous books, and also includes a new collection, Thirst, in which the poet austerely surveys his life, laying it plain for us before venturing into something new and unknown. Here Bidart finds himself a “Creature coterminous with thirst,” still longing, still searching in himself, one of the “queers of the universe.”

Visionary and revelatory, intimate and unguarded, Bidart’s Half-light: Collected Poems 1965-2017 are a radical confrontation with human nature, a conflict eternally renewed and reframed, restless line by restless line.

©2017 Frank Bidart (P)2017 Macmillan Audio

Reseñas de la Crítica

WINNER OF THE 2018 PULITZER PRIZE IN POETRY

WINNER OF THE 2017 NATIONAL BOOK AWARD FOR POETRY

"[Frank Bidart's] poetry over five decades has volubly modeled a wholly new approach to autobiographical material, chiefly by giving voice to the inner travails of other people's lives, both real and imagined . . . The publication of Half-light: Collected Poems 1965–2016 gives readers a chance to see how Bidart, ill content merely to 'say what happened' in prefab stanzas, performs a poetry of 'embodiment' . . . Throughout his career, Bidart's self-devoting genius has been his ability to transform a poem into a vocalized (albeit anguished) performance of consciousness and moral interrogation, an occasion for metaphysical speculation as intense and oracular as any Shakespearean monologue or philosophical treatise . . . Sublime . . . Mesmerizing . . . " —Major Jackson, The New York Times Book Review

"Made up of the seventy-eight-year-old author’s eight previous volumes of verse and a new sequence—the bold and elegiac Thirst—Half-light is both the culmination of a distinguished career and a poetic ur-text about how homophobia, doubt, and a parent’s confusing love can shape a gay child . . . The collection is a fraught song of the self, composed of subtleties and exclamations . . . True emotion demands a dialogue, and, like James Merrill’s extraordinary work The Changing Light at Sandover, Bidart’s poems are a kind of séance, one in which he tries to invoke and communicate love, even if that love can no longer be achieved, tasted, seen, touched." —Hilton Als, The New Yorker

"Frank Bidart has long challenged readers—and convention—with a complexity and originality not often seen in American poetry. Now with Half-light: Collected Poems 1965–2016, readers can gain a deeper understanding of how Bidart’s writing works together to create a vast, manifold narrative . . . The book closes with an ambitious section of new writing that deals with mortality and remembered friendships, a fitting way to end this monumental work." —Elizabeth Lund, The Washington Post

An Unfastening of the Voice from the Page

This audiobook is not a beginner’s edition of the Orphic genius Frank Bidart anymore than a volume of soliloquies is a beginning to Shakespeare or a best-of album is a beginning to Maria Callas. This audiobook is a brief, bright handful of only a few of Bidart’s sundry masterpieces, including “Ellen West,” “The War of Valsav Nijinsky,” and “The Second Hour of the Night.” If you know Bidart, this audiobook is coming home when you didn’t know you were lost. If you are new to Bidart (I envy you), this might be a steep climb with a bit of outside homework, but it is worth every effort and more because Bidart is that much of a master. Whenever possible, listen to each poem multiple times, find a copy of the poem, read the copy, then listen to Bidart read while looking at the copy of the poem because THAT is the genius of Bidart: his life’s craft and success is that he found a way to order and choreograph the voice of his poetry within spatial psyche of the physical page’s architecture so that when he reads aloud, it’s like hearing someone play from their own sheet music on an instrument of their own making: devastatingly beautiful, otherworldly in scale, and impossible to forget. Ps: there is no “correct” order here, but seasoned Bidart readers might enjoy starting with “Writing Ellen West.” Bidart beginners, start with “The Old Man at the Wheel,” then “He is Ava Gardner,” then go back to “Ellen West.” Go forth, be brave, drink deeply, and always drive directly into the sun.