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Resumen del Editor
Tre le sezioni di questo testo, in cui la prima si fa antefatto delle due successive: "Quel mio ritornare a te / da tutte le strade / per sottrarci da tanta morte". Fra le pagine una mappatura dell'anima che è luogo e memoria - "Ti tengo / nell'entroterra dell'anima / in un respiro di due sillabe", la vita come frattura in fiore su un muro: "la conseguenza del mattino / uno schianto in due tempi", e ovunque il frammento dell'esperienza restituito in trama: "nulla sappiamo della mano / che ci regge il giorno / a tremare / fra la memoria e la sete".
C’è un tempo fatto di attimi che sono già ricordo: "faccio ogni cosa / per l'ultima volta"; il respiro scardinato dagli eventi e lo scontro e il confronto con la perdita che si fa crollo: "mi cade addosso / il cielo che fu". L'esperienza è rimodulata in senso e suono. "Scrivo perché mi aiuta a respirare meglio. Perché ho nostalgia di tutti i momenti in cui mi sono sentita viva". Così l'autrice conferma lo stile ormai riconoscibile e la cifra della sua ricerca poetica: la capacità di tradurre la quotidianità viva dei giorni restituendo profondità e consistenza alle parole comuni. Attraverso l’indagine lucida, l'essenzialità delle immagini, l'accuratezza dei suoni e la misura del verso, l'autrice riesce a fare delle occasioni della vita metafora assoluta: "di noi stessi erranti / è certo / il destino corroso".
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