Decoding Kalki: Cosmology, Myth & Prophecy
Viraja, Shambhala, Ananta and the Milky Way Axis
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Narrado por:
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Virtual Voice
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De:
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Parthasarathy V
Este título utiliza narración de voz virtual
Decoding Kalki presents a radical reading of the Kalki avatar, not as a future warrior-king or religious icon, but as a cosmological function, an astronomical code and a cycle-ending field of consciousness. Drawing from Purāṇic fragments, Panchasakha Mālikā literature, Vedic cosmography, biblical Revelation, Mayan time-keeping, and modern stellar astronomy, the book shows how various cultures mapped the end of the age onto the sky, the Milky Way and the avataric descent through Sagittarius.
Here Kalki is not the destroyer of peoples but the cutter of cycles. The white horse becomes the carrier of time, the sword becomes the word (vāc/logos), and the battlefield becomes the domain of entropy, probability, collapse and re-alignment. The Ramayana becomes a sky-map traced through Jyeṣṭhā, Pūrvāṣāḍhā and Abhijit; Revelation becomes a star procession through Virgo, Ophiuchus, Aquila and Lyra; and 2012–2026 becomes a fourteen-year Kalki window marked by signals as diverse as comets, viral memes, the discovery of the Higgs boson, and the global disruption of Covid-19.
Without devotional language or institutional theology, the book proposes that avatars arrive as fields before they arrive as persons, and that the avataric impulse is recognized not through belief but through pattern recognition. Kalki is not merely myth or prophecy; Kalki is cycle physics operating at the threshold of the next age.
Written from the standpoint of a non-devotional and non-academic observer, Decoding Kalki treats cosmology, myth and prophecy as one continuous architecture. The age ends. The alignment restores. ṛta returns.
Note: This work is grounded in the author’s original ideas and long-term symbolic inquiry. Editorial tools were used only to refine language and presentation, not to originate content.
Note: This work is grounded in the author’s original ideas and long-term symbolic inquiry. Editorial tools were used only to refine language and presentation, not to originate content.