Brief Interviews with Hideous Men
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Wallace's stories present a world where the bizarre and the banal are interwoven and where hideous men appear in many guises. Among the stories are 'The Depressed Person,' a dazzling and blackly humorous portrayal of a woman's mental state; 'Adult World,' which reveals a woman's agonized consideration of her confusing sexual relationship with her husband; and 'Brief Interviews with Hideous Men,' a dark, hilarious series of imagined interviews with men on the subject of their relations with women.
Wallace delights in leftfield observation, mining the absurd, the surprising, and the illuminating from every situation. This collection will enthrall DFW fans, and provides a perfect introduction for new readers.©2009 David Foster Wallace; (P)2009 Hachette
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"A host of talented narrators and actors-including television actors John Krasinski and Christopher Meloni-deliver nuanced performances of the late Wallace's classic. But it's the author himself who steals the show: his gentle, almost dreamy voice unlocks the elaborate syntax and releases the immense feeling concealed by the comedy and labyrinthine sentences. While the various narrators ably capture the essence of the text, Wallace's renditions of such stories as "Forever Overhead" and "Death Is Not the End" are transcendent. Essential listening for Wallace fans and a fine introduction for newcomers."—Publishers Weekly, Publishers Weekly
The name of this collection of stories is slightly misleading, given the talent and likability of the cast of narrators who bring the late Wallace's work to life. Each of the performers, including actors John Krasinski, Will Forte, Malcolm Goodwin, and Bobby Cannavale, delivers a powerful reading that is as imaginative as the collection itself.... Krasinski, who directed the film adaptation of the book, is especially fine, reading with a stern, intellectual edge that is at once witty and unabashed. As a whole, each narrator complements the unique work he delivers.—Publishers Weekly
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The final entry, while the briefest, was a dazzling display of Wallace’s renowned writing gifts and worth the price of admission to his World. The whole experience was worth Four Stars. ****
The Spectrum of Strangeness in the Interviews
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Typical Wallace
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It's a funny feeling - seeing a movie based on a book before actually reading the book. I definitely fall into the camp of movie goers that need to read the book before seeing the film, using my insider knowledge to compare and contrast the differences, seeing it as almost a guided insight into why the filmmakers made the choices that they did. And for the longest time I felt I was better off leaving my experience with this material at the movie theater.
I didn't bother with reading "Brief Interviews With Hideous Men" because of everything I've heard of David Foster Wallace up until this point. Words like brilliant, introspective, and thought-provoking would get tossed around. Sure, it's all mounting evidence that points to the fact that I should be reading his stuff, but then other phrases like "not for everyone" and "you might not get it" would be added in for good measure. I'm not saying I hate to be challenged by a writer's material, but I'm going to need more to it's defense than "you just don't get IT". In these conversations, does anyone ever really know what IT is?
Happy to report, all my fears about tackling the deep introspection of David Foster Wallace's damaged characters was not an exercise in tedium. It was just the opposite.
I never intended on reading this book, even after my (apparently isolated) glowing reviewing of the John Krasinski movie of the same name. And then one day, randomly flipping through the dramatic fiction section on Audible, I came across the voice cast of the audiobook for "Brief Interviews With Hideous Men". Bobby Cannavale, Will Forte, Malcolm Goodwin, John Krasinski, Christopher Meloni, Chris Messina, Max Minghella, and Dennis O'Hare, with additional narration from the book's author. It was almost too good not to listen.
But I did, and I'm glad for it. First off, the material, whose complexity scared me away for so long, was anything but egotistical or out of the realm of understanding. What we have here are a series of shorts (vintages in the film adaption) that all share a unifying theme of sex, attraction, lust, envy, and the idea of selfishness disguised so ingenuously as selflessness. Characters big and small, confident and inadequate, old and young - they all share with each other or with themselves what it takes to grow up, the make it in a relationship, what sex means to them, what it means to their partners.
David Foster Wallace mixes and mingles between a million different perspectives and is somehow able to capture the emotions and motivations so accurately that it's scary. He hops from one story that so deftly describes the mind of an adolescent, experiencing the piercing thrust into adult hood via a wet dream, before changing course in another story about a full grown man explaining, quite convincingly, why it's selfish to refuse blowjobs. It's no joke, he captures, in my limited experience on the subject, every facet on sexual relationships.
I kind of want to read the book just to see how much of my interest was gauged on performance (it feels more like an audio performance rather than an audiobook if that makes any sense) and how much on the material itself, although I'd be surprised if the written material alone didn't give me the same reaction I had while listening to the audiobook.
Not to mention all of the other books in David Foster Wallace's bibliography I plan to read.
....and what if I said that happened to Me?
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Not my favorite DFW...
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My Audible app says that any significant review must contain twenty words. Jesus wept.
David Foster Wallace
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