Balladz
No se pudo agregar al carrito
Solo puedes tener X títulos en el carrito para realizar el pago.
Add to Cart failed.
Por favor prueba de nuevo más tarde
Error al Agregar a Lista de Deseos.
Por favor prueba de nuevo más tarde
Error al eliminar de la lista de deseos.
Por favor prueba de nuevo más tarde
Error al añadir a tu biblioteca
Por favor intenta de nuevo
Error al seguir el podcast
Intenta nuevamente
Error al dejar de seguir el podcast
Intenta nuevamente
$0.00 por los primeros 30 días
POR TIEMPO LIMITADO
Obtén 3 meses por US$0.99 al mes
La oferta termina el 21 de enero de 2026 11:59pm PT.
Exclusivo para miembros Prime: ¿Nuevo en Audible? Obtén 2 audiolibros gratis con tu prueba.
Solo $0.99 al mes durante los primeros 3 meses de Audible Premium Plus.
1 bestseller o nuevo lanzamiento al mes, tuyo para siempre.
Escucha todo lo que quieras de entre miles de audiolibros, podcasts y Originals incluidos.
Se renueva automáticamente por US$14.95 al mes después de 3 meses. Cancela en cualquier momento.
Elige 1 audiolibro al mes de nuestra inigualable colección.
Escucha todo lo que quieras de entre miles de audiolibros, Originals y podcasts incluidos.
Accede a ofertas y descuentos exclusivos.
Premium Plus se renueva automáticamente por $14.95 al mes después de 30 días. Cancela en cualquier momento.
Compra ahora por $11.25
-
Narrado por:
-
Sharon Olds
-
De:
-
Sharon Olds
"At the time of have-not, I look at myself in this mirror," writes Olds in this self-scouring, exhilarating volume, which opens with a section of quarantine poems, and at its center boasts what she calls Amherst Balladz (whose syntax honors Emily Dickinson: "she was our Girl - our Woman - / Man enough - for me") and many more in her own contemporary, long-flowing-sentence rhythm. Olds sings of her childhood, young womanhood, and maturity all mixed up together, seeing an early lover in the one who is about to buried; seeing her whiteness, seeing her privilege; seeing her mother (whom her readers will recognize) "flushed exalted at Punishment time"; seeing how we've spoiled the earth but carrying a stray indoor spider carefully back out to the garden.
It is Olds's gift to us that in the richly detailed exposure of her sorrows she can still elegize songbirds, her true kin, and write that heaven comes here in life, not after it.
Los oyentes también disfrutaron:
Reseñas de la Crítica
GRIFFIN POETRY PRIZE FINALIST
“A commanding poet . . . This substantial gathering is funny, furious, discomfiting, ravishing, mythic, and sorrowful . . . As always, Olds describes herself and her loved ones in startlingly microscopic detail, finding beauty in the ravages of age and even death . . . Passionately precise, Olds unites the primordial with the scientific, the mundane with the chthonic, flesh with spirit.” —Donna Seaman, Booklist
“A gorgeous, introspective collection. Beginning with a series of quarantine poems, she also meditates on her own white privilege, on her mother’s abuse, and on aging, among other subjects. At once personal and political, the book perfectly encapsulates this confounding time.” —Columbia Magazine
“Ranging from quarantine to issues of whiteness, the Pulitzer and T.S. Eliot Prize–winning Olds continues her laserlike attentiveness to the life around her life as she crisscrosses childhood, young adulthood, and contemporary times, sometimes in the style of Emily Dickinson.” —Library Journal
“A commanding poet . . . This substantial gathering is funny, furious, discomfiting, ravishing, mythic, and sorrowful . . . As always, Olds describes herself and her loved ones in startlingly microscopic detail, finding beauty in the ravages of age and even death . . . Passionately precise, Olds unites the primordial with the scientific, the mundane with the chthonic, flesh with spirit.” —Donna Seaman, Booklist
“A gorgeous, introspective collection. Beginning with a series of quarantine poems, she also meditates on her own white privilege, on her mother’s abuse, and on aging, among other subjects. At once personal and political, the book perfectly encapsulates this confounding time.” —Columbia Magazine
“Ranging from quarantine to issues of whiteness, the Pulitzer and T.S. Eliot Prize–winning Olds continues her laserlike attentiveness to the life around her life as she crisscrosses childhood, young adulthood, and contemporary times, sometimes in the style of Emily Dickinson.” —Library Journal
Las personas que vieron esto también vieron:
Intimate!
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.